Music is a universal language, and within its vast catalog, certain songs rise above the noise, becoming not just hits, but cultural touchstones. These Well Known Songs resonate across generations, genres, and borders, shaping the landscape of music and influencing countless artists. From groundbreaking classics to modern anthems, these tracks tell stories, evoke emotions, and define eras. Let’s delve into a selection of these iconic pieces, exploring what makes them so enduring and celebrated.
Harry Styles, ‘As It Was’
Harry Styles performing As It Was on stage
Harry Styles’ “As It Was,” the leading single from his critically acclaimed third album, masterfully juxtaposes lyrical vulnerability with an upbeat synth-pop soundscape. This chart-topping hit, released in 2022, delves into the complexities of a relationship in turmoil, masked by a superficially cheerful exterior. The song opens with a playful, intimate touch – a giggle from Styles’ goddaughter Ruby, wishing him goodnight. This lighthearted beginning contrasts sharply with the introspective and somewhat anxious monologue that unfolds. As the song progresses, driven by its catchy, spun-sugar synths, the underlying unease becomes more apparent. Lyrics hinting at deeper issues, like “What kind of pills are you on?”, reveal the torment beneath the surface. The “high-speed internet” velocity of his thoughts in the bridge further emphasizes the internal agitation. “As It Was” became a global phenomenon, cementing its place as one of the well known songs of the 2020s, showcasing Styles’ evolution as a songwriter and his ability to connect with listeners on a deeply personal level while maintaining mainstream appeal.
Townes Van Zandt, ‘Pancho and Lefty’
Townes Van Zandt in a contemplative pose, playing guitar
“Pancho and Lefty,” a narrative masterpiece by Townes Van Zandt, is a quintessential example of storytelling in song. This poignant country-folk ballad recounts the intertwined destinies of a bandit, Pancho, and his betrayer, Lefty. While Willie Nelson and Merle Haggard’s popular 1983 duet brought the song mainstream country success, it is Van Zandt’s own 1972 rendition, from The Late Great Townes Van Zandt, that truly captures the song’s melancholic essence and the characters’ doomed fates. The opening verse is a masterclass in descriptive songwriting, painting a vivid picture of a life lived on the road and the harsh realities it brings: “Living on the road my friend/was gonna keep you free and clean/now you wear your skin like iron/your breath as hard as kerosene.” Van Zandt himself attributed the song’s creation to a moment of inspiration, stating it “came from out of the blue,” highlighting its almost mystical quality. “Pancho and Lefty” stands as one of the most revered and well known songs in the country and folk genres, celebrated for its lyrical depth and emotional resonance.
Lizzo, ‘Truth Hurts’
Lizzo confidently posing in a vibrant outfit
Lizzo’s “Truth Hurts” is a powerful anthem of self-love and empowerment, becoming one of the most well known songs of the late 2010s. This unapologetically confident breakup banger is characterized by Lizzo’s signature blend of swagger and soulful vulnerability. The song’s iconic line, “I just took a DNA test, turns out I’m 100 percent that bitch,” initially tweeted by British singer Mina Lioness (who later received writing credit), became a cultural phenomenon. However, the song’s explosive impact is undeniably Lizzo’s own. Originally released in 2017, “Truth Hurts” experienced a surge in popularity in 2019 after being featured in the Netflix film Someone Great. This exposure propelled the song to become Lizzo’s signature hit, topping charts and solidifying her position as a major force in contemporary pop music. “Truth Hurts” resonates deeply with listeners for its infectious energy and its message of embracing self-worth and resilience after heartbreak.
Harry Nilsson, ‘Without You’
Harry Nilsson singing with microphone in studio
Harry Nilsson’s cover of “Without You” is a masterclass in transforming a relatively obscure ballad into a global smash hit. Originally written and performed by Badfinger, Nilsson’s version became one of the most well known songs of the 1970s, driven by his powerful vocal performance and Richard Perry’s lush production. Nilsson himself frankly admitted the commercial motivation behind choosing the song, stating, “We did it because my career was on the wane and we wanted something to make a hit.” He recounted searching through Beatles albums for the original, mistakenly believing it was one of their tunes, highlighting its melodic strength. Producer Richard Perry amplified the song’s emotional impact by adding layers of strings, creating a dramatic backdrop for Nilsson’s desperate and soaring vocals. This strategic approach worked spectacularly; “Without You” reached Number One on the charts and earned Nilsson a Grammy nomination for Record of the Year, proving the power of a well-crafted cover song when combined with exceptional vocal delivery and production.
Carly Simon, ‘You’re So Vain’
Carly Simon performing with a guitar in the 1970s
Carly Simon’s “You’re So Vain” is arguably the ultimate diss track, and certainly one of the most well known songs from the 1970s. Its enduring appeal is partly fueled by the mystery surrounding the identity of the song’s subject – the famously vain individual. This musical whodunit has captivated listeners for decades, turning speculation about the vain man into a pop culture obsession. Simon has revealed that actor Warren Beatty inspired the second verse, referencing a past relationship. However, the identity of the primary subject remains debated, with names like Mick Jagger and James Taylor frequently mentioned. Adding to the song’s allure is its sophisticated soft-rock production, featuring Paul Buckmaster’s lush orchestration and backing vocals by Mick Jagger. “You’re So Vain” is a timeless classic, celebrated for its witty lyrics, smooth melody, and the enduring enigma of its vain subject.
Cyndi Lauper, ‘Time After Time’
Cyndi Lauper in her iconic 80s fashion style
Cyndi Lauper’s “Time After Time” is a poignant ballad that became one of her signature well known songs, showcasing her versatility beyond her more flamboyant pop anthems. Co-written with keyboardist Rob Hyman during the final stages of her debut album, She’s So Unusual, Lauper initially felt apprehensive about its release as a single. She worried that a ballad might not establish her as the fun, energetic artist she wanted to be perceived as, fearing it would overshadow her more upbeat tracks like “Girls Just Want to Have Fun.” However, her instincts were delightfully wrong. Following the massive success of “Girls Just Want to Have Fun,” “Time After Time” was released as a single and became her first Number One hit. The song’s emotional depth and Lauper’s heartfelt vocal performance resonated deeply with audiences, solidifying its place as a timeless love ballad and one of the most recognizable songs of the 1980s.
The Pixies, ‘Where Is My Mind?’
The Pixies performing on stage in black and white
“Where Is My Mind?” by The Pixies is an alternative rock classic, and among the most well known songs to emerge from the late 1980s underground scene. This track perfectly encapsulates the band’s signature blend of quirky pop sensibilities and raw, unconventional rock. Joey Santiago’s distinctive lead guitar riff is remarkably catchy, defying typical alternative rock structures and possessing a melodic hook that rivals many Top 40 hits. The song gained even wider recognition a decade after its release when it was prominently featured in the культовый film Fight Club, further cementing its iconic status. By that point, “Where Is My Mind?” had already become a foundational influence on countless alternative radio hits, shaping the sound of bands from Nirvana to Korn. Black Francis, when questioned about his knack for crafting great songs, offered a typically enigmatic response, “It’s nice to have space. How much can one brain deal with?” This cryptic answer mirrors the song’s own intriguing and somewhat disorienting atmosphere, contributing to its enduring appeal.
Kanye West, ‘Stronger’
Kanye West performing live in concert, energetic pose
Kanye West’s “Stronger” is a stadium-rocking anthem that stands as one of his most ambitious and well known songs. Inspired by his experiences touring with U2 and the Rolling Stones in 2006, West aimed to create music that could command massive audiences. He found his muse in Daft Punk’s “Harder, Better, Faster, Stronger,” sampling and ingeniously reshaping its electronic backbone into a powerful hip-hop track. This fusion of genres showcased West’s innovative production style and his ability to bridge different musical worlds. “Stronger” became a global phenomenon, dominating charts and solidifying West’s status as a musical visionary. He expressed admiration for Daft Punk’s commitment to anonymity, stating, “These guys really stick with the whole not-showing-their-faces thing. Just amazing discipline — that’s straight martial-arts status,” highlighting the respect he held for their artistic integrity and unique approach. “Stronger” is celebrated for its groundbreaking sound, its impactful message of resilience, and its successful fusion of hip-hop and electronic music elements.
Miles Davis, ‘So What’
Miles Davis playing trumpet in black and white
Miles Davis’ “So What” is a jazz standard and one of the most well known songs in the genre, instantly recognizable even to casual listeners. The opening track from his seminal album Kind of Blue, “So What” marked a significant departure from traditional bebop chord progressions, embracing a more open and modal style of improvisation. This innovative approach, spearheaded by Davis, revolutionized jazz and influenced countless musicians. Pianist Bill Evans described Davis’s spontaneous creative process, noting that the trumpeter often developed material mere hours before recording sessions. Despite this seemingly improvisational approach, the all-star ensemble, featuring jazz giants like John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, sounds remarkably cohesive and deeply connected to the music. The saxophone solos by Coltrane and Adderley have become as iconic as any in jazz history, and the rhythm section’s effortless swing creates a feeling of lightness and fluidity. “So What” is not just a jazz classic; it’s a cultural touchstone, often used as background music in sophisticated settings, and a testament to the enduring power of modal jazz.
Bad Bunny, ‘Titi Me Pregunto’
Bad Bunny performing on stage in a colorful outfit
Bad Bunny’s “Titi Me Pregunto” is a vibrant showcase of his unique artistry and status as a global pop superstar, rapidly becoming one of his most well known songs. This track, released in 2022, exemplifies his genre-bending approach, seamlessly blending frantic dembow rhythms with a sophisticated sample from bachata legend Anthony Santos, and even incorporating a touch of Latin psychedelia in its coda. Bad Bunny navigates these diverse elements with charisma and a playful sense of humor. The song’s concept is rooted in a relatable cultural trope – the concerned Latin American aunt inquiring about her nephew’s romantic life. From this starting point, Bad Bunny launches into a humorous and often salacious lyrical barrage, delivered with infectious energy and set against a bouncy party vibe. In typical Bad Bunny fashion, the song unexpectedly shifts into moments of introspective self-reflection, adding depth and complexity to its seemingly lighthearted exterior. “Titi Me Pregunto” is a testament to Bad Bunny’s innovative approach to Latin pop, his ability to connect with a global audience, and his knack for crafting songs that are both fun and thought-provoking.
Lil Nas X, ‘Old Town Road’
Lil Nas X in cowboy attire performing Old Town Road
Lil Nas X’s “Old Town Road” is a genre-defying phenomenon that became one of the most well known songs of the late 2010s and of the digital age. Montero Hill, then an Atlanta college dropout residing on his sister’s couch with musical aspirations, discovered a beat by Dutch producer YoungKio, built around a banjo sample from a Nine Inch Nails track. This unexpected combination sparked an idea in Hill’s mind: “I was picturing, like, a loner cowboy runaway,” he explained. Within a year, “Old Town Road” achieved unprecedented success, becoming the longest-running Number One song in Billboard Hot 100 history. Its immense popularity stemmed from its viral nature, propelled by social media platforms like TikTok, and its ability to blend seemingly disparate genres – country, hip-hop, and pop – into a uniquely catchy and culturally resonant track. “Old Town Road” captured the zeitgeist, embodying themes of cross-cultural exchange and reinvention within a concise and impactful runtime of just one minute and 53 seconds.
The Breeders, ‘Cannonball’
The Breeders in their 90s alternative rock era
“Cannonball” by The Breeders is an alternative rock gem and one of the most well known songs to emerge from the 1990s indie scene. Formed by Kim Deal after her departure from the Pixies, The Breeders quickly established their own identity with this quirky and infectious track. After receiving a fax informing her of her dismissal from the Pixies, Kim Deal enlisted her twin sister Kelley, despite Kelley’s lack of guitar playing experience, to join her new project. “Cannonball” became a surprise MTV hit in 1993, propelled by its absurdist charm and catchy melody. Kelley Deal playfully remarked on the band’s trajectory, noting, “When people were talking about the Breeders being a one-off, I was like ‘No, actually … the Pixies are a side project,’” highlighting the Breeders’ unexpected success. While the Breeders themselves went on hiatus shortly after, “Cannonball” remains a timeless alternative anthem, celebrated for its effortlessly fun energy and its embodiment of 90s indie rock spirit.
The Weeknd, ‘House of Balloons / Glass Table Girls’
The Weeknd in early enigmatic era, moody lighting
“House of Balloons / Glass Table Girls” by The Weeknd is a groundbreaking track that defined his early sound and established him as a major force in contemporary R&B. In his initial releases, Toronto singer-songwriter Abel Tesfaye, known as The Weeknd, intentionally cultivated an enigmatic persona, avoiding interviews and public photos. “The whole ‘enigmatic artist’ thing, I just ran with it,” he explained. “No one could find pictures of me. It reminded me of some villain shit.” The title track from his debut mixtape House of Balloons set the thematic and musical blueprint for his career. Lyrically, it explored themes of drug use, sex, and depression with a raw and unflinching honesty. Musically, it pioneered a new direction for R&B, incorporating a sample from Siouxsie and the Banshees’ “Happy House” and blending electronic elements with soulful vocals. “House of Balloons / Glass Table Girls” is considered a seminal track in the development of alternative R&B and one of The Weeknd’s most well known songs from his early, influential period.
Solange, ‘Cranes in the Sky’
Solange Knowles on the cover of A Seat At The Table album, artistic portrait
Solange’s “Cranes in the Sky” is a deeply introspective and artistically rich neo-soul ballad, recognized as one of her most well known songs. In a conversation with her sister Beyoncé, Solange described the song’s inspiration, which stemmed partly from observing excessive real estate development in Miami. She noted, “This idea of building up, up, up that was going on in our country at the time, all of this excessive building, and not really dealing with what was in front of us.” This observation served as a metaphor for internal struggles with change, self-doubt, and ambition. Solange translated this external observation into an intensely personal exploration of her own emotional landscape. The song, conceived years prior, was finalized with producer Raphael Saadiq, resulting in a lavish and soulful production that perfectly complements Solange’s evocative vocals and deeply personal lyrics. “Cranes in the Sky” is celebrated for its lyrical depth, its sophisticated musicality, and its powerful message of introspection and resilience.
Lil Wayne, ‘A Milli’
Lil Wayne rapping intensely in a recording booth
Lil Wayne’s “A Milli” is a raw and lyrically dazzling display of his rap prowess, quickly becoming one of his most well known songs and a fan favorite. Producer Bangladesh crafted the beat by looping the opening chords of Gladys Knight and the Pips’ “Don’t Burn Down the Bridge” and then transitioning into a hard-hitting volley of trap drums. He initially intended the beat for Shanell, an R&B artist on Wayne’s Young Money Entertainment. Wayne originally envisioned “A Milli” as a collaborative track, planning to use the instrumental for skits featuring various rappers from his label, including Tyga, Hurricane Chris, Corey Gunz, and Lil Mama. However, in the end, “A Milli” became a solo showcase for Lil Wayne’s lyrical dexterity. His verses are a masterclass in flow and wordplay, delivered with relentless energy and precision, solidifying “A Milli” as a quintessential Lil Wayne track and a standout example of his lyrical brilliance.
Azealia Banks, ‘212’
Azealia Banks performing with confidence and style
Azealia Banks’ “212” is a groundbreaking hip-house banger that launched her career and remains one of her most well known songs. In 2011, Banks was a young, unsigned rapper-singer with evident talent, but limited mainstream recognition despite a development deal with XL Recordings. Producer Jacques Greene recalled discovering a Dutch house-influenced track that was “absolutely insane” and perfectly suited Banks’ style. Over the jittery beats of Belgian house duo Lazy Jay’s “Float My Boat,” Banks unleashed a ferocious freestyle rap celebrating her New York City roots and incorporating explicit and provocative lyrics. “212” initially gained traction as a viral track in 2011, quickly spreading online and generating significant buzz. Its infectious energy and Banks’ unapologetic delivery earned her a deal with Interscope Records, signaling the arrival of a bold and unconstrained new voice in hip-hop. “212” is celebrated for its innovative fusion of hip-house, its raw energy, and Azealia Banks’ undeniable star power.
Weezer, ‘Buddy Holly’
Weezer in their early 90s geek-chic style
Weezer’s “Buddy Holly” is a quintessential 90s alternative rock anthem and one of their most well known songs, celebrated for its catchy melody and geek-chic aesthetic. This upbeat ode to nerdy romance, written by frontman Rivers Cuomo for his girlfriend, almost didn’t make it onto the band’s self-titled debut album, also known as the Blue Album. Cuomo and former band member Matt Sharp initially worried that its overtly poppy nature might be perceived as a novelty song, undermining the album’s overall seriousness. However, producer Ric Ocasek recognized the song’s undeniable appeal after hearing the recording studio receptionist humming it. He insisted on including “Buddy Holly” on the album, a decision that proved to be incredibly successful. The song’s music video, famously featuring Weezer performing at the fictional diner from the sitcom Happy Days, further cemented its iconic status and perfectly captured the band’s blend of catchy pop-rock and self-aware, nerdy charm.
The Four Tops, ‘I Can’t Help Myself (Sugar Pie, Honey Bunch)’
The Four Tops performing in their classic formation
The Four Tops’ “I Can’t Help Myself (Sugar Pie, Honey Bunch)” is a Motown classic and one of their most well known songs, instantly recognizable for its infectious energy and Levi Stubbs’ powerful vocals. The song’s inspiration came from songwriter Lamont Dozier’s grandfather, who affectionately referred to women as “sugar pie” and “honey bunch.” During the recording session, engineer Harold Taylor recalled the intense excitement generated by the track, noting, “People were banging on the door of the studio; they were so ecstatic about what they heard.” Despite this enthusiastic reaction, lead singer Levi Stubbs, known for his perfectionism, requested another take. Brian Holland, one of the song’s writers and producers, assured him they would do another take soon. However, Stubbs’ initial performance was so compelling that it was ultimately used, and the song soared to Number One, becoming a defining hit for The Four Tops and a Motown staple.
Lady Gaga, ‘Bad Romance’
Lady Gaga in a dramatic and avant-garde outfit
Lady Gaga’s “Bad Romance” is a boundary-pushing pop anthem that solidified her status as a global superstar and remains one of her most well known songs. Following her initial breakthrough, Gaga elevated her artistry to a new level of theatricality and sonic experimentation with this Nadir “RedOne” Khayat production. The song was heavily influenced by the electronic music scene Gaga immersed herself in while touring Europe. Gaga described the song’s core concept as embracing the deepest and darkest aspects of love, stating, “I want the deepest, darkest, sickest parts of you that you are afraid to share with anyone because I love you that much.” Fittingly, she debuted “Bad Romance” at Alexander McQueen’s show during Paris Fashion Week, underscoring its connection to high fashion and avant-garde artistry. The song’s dramatic intensity, its blend of pop hooks and electronic textures, and Gaga’s theatrical performance made “Bad Romance” a cultural phenomenon, further cementing her reputation as a fearless and innovative artist.
Robert Johnson, ‘Cross Road Blues’
Robert Johnson in a classic blues portrait
Robert Johnson’s “Cross Road Blues” is a foundational blues recording and one of the most well known songs in the blues canon, deeply influential on subsequent generations of musicians. Recorded in a San Antonio hotel room in 1936, just two years before his untimely death at age 27, “Cross Road Blues” is imbued with a primal intensity and a sense of spiritual desolation. Johnson’s haunting vocals and his virtuosic, mystifying slide guitar playing captivated a generation of British rock musicians in the 1960s, including Eric Clapton, who described the music as so intense he could only listen to it in small doses. The song is steeped in myth, particularly the legend of Johnson selling his soul to the devil at a crossroads in exchange for his extraordinary musical talent. While the veracity of this legend is debated, “Cross Road Blues” remains a powerful and enduring statement of human vulnerability, despair, and the enduring mystique of Robert Johnson’s brief but impactful career.
Biz Markie, ‘Just a Friend’
Biz Markie smiling and DJing in his iconic style
Biz Markie’s “Just a Friend” is a lighthearted and humorous hip-hop classic, and one of his most well known songs, celebrated for its catchy melody and relatable theme of unrequited love. Biz Markie, known for his good-natured personality and multifaceted talents as a DJ, rapper, producer, and human beatboxer, achieved mainstream success with this ode to the friend zone. Built upon a simple yet effective beat, a plinking piano melody, and Biz Markie’s charmingly off-key singing, the song interpolates Freddie Scott’s 1968 track “(You) Got What I Need.” Biz Markie warbles about a romantic interest who consistentlyFriend Zones him, a scenario based on real-life experience. He recounted to Rolling Stone in 2000, “I was talking to this girl from L.A., and every time I called her, this dude was at her house, and she’d say, ‘Oh, he’s just a friend.’ I hated that.” This relatable scenario, combined with the song’s infectious and humorous delivery, made “Just a Friend” a lasting hip-hop anthem and a testament to Biz Markie’s unique appeal.
Santana, ‘Oye Como Va’
Carlos Santana playing guitar with his band
Santana’s “Oye Como Va” is a Latin rock fusion classic and one of their most well known songs, responsible for popularizing Latin rock on a global scale. Growing up in San Francisco during the city’s psychedelic era, Carlos Santana’s music was deeply influenced by both blues and Latin rhythms. He famously stated, “You cannot take LSD and not find your voice, because there is nowhere to hide,” reflecting the transformative impact of the psychedelic movement on his artistic development. While his early influences were primarily blues musicians, Santana made music history by reimagining Tito Puente’s 1962 salsa track “Oye Como Va” into a foundational Latin rock anthem. He retained the original cha-cha pulse but replaced the horn section with Greg Rolie’s organ and his own signature lysergic guitar flares. Tito Puente himself acknowledged Santana’s impact, stating years later, “He put our music, Latin rock, around the world, man,” recognizing the song’s pivotal role in bringing Latin music to a wider global audience.
Juvenile feat. Lil Wayne and Mannie Fresh, ‘Back That Azz Up’
Juvenile performing in the late 90s/early 2000s hip-hop era
Juvenile’s “Back That Azz Up,” featuring Lil Wayne and Mannie Fresh, is a New Orleans bounce classic and one of the most well known songs to emerge from the Cash Money Records era. Mannie Fresh’s distinctive, sharp productions for Cash Money in the late 1990s played a crucial role in placing New Orleans at the forefront of the hip-hop scene. The song’s title bore a striking resemblance to DJ Jubilee’s local hit “Back That Thang Up,” leading to an unsuccessful lawsuit for infringement. The beat itself is built upon the “Triggerman” rhythm, a foundational element of New Orleans bounce music. Juvenile’s verses showcase his signature shit-talking bounce rhymes, while Lil Wayne delivers a memorable “drop it like it’s hot” hook. Mannie Fresh recounted Lil Wayne’s immediate enthusiasm for the track, saying, “[He] immediately was just like, ‘Shit, I’m getting a piece of this,'” highlighting the collaborative energy and the undeniable hit potential of “Back That Azz Up.”
The Go-Go’s, ‘Our Lips Are Sealed’
The Go-Gos in their vibrant 80s pop-rock style
The Go-Go’s “Our Lips Are Sealed” is a radiant new wave pop hit and one of their most well known songs, capturing the effervescent energy of the early 1980s. According to writer Jane Wiedlin, the song’s sound was influenced by “the Buzzcocks and Sixties girl-group stuff,” blending punk energy with pop sensibilities. The lyrics were inspired by a clandestine relationship Wiedlin was involved in with Terry Hall of the Specials. Hall received a co-writing credit as Wiedlin based the lyrics on poetry he had written to her in a letter. Wiedlin described the song’s personal origins, recalling, “It was pretty personal. I mean he had a fiancee at the time — nowadays I wouldn’t touch that with a 10-foot pole, but I was 19, and I was like ‘fiancee shmiancee,’” This personal context adds a layer of intrigue to the song’s themes of secrecy and unspoken feelings, contributing to its enduring appeal as a new wave classic.
Kris Kristofferson, ‘Sunday Mornin’ Comin’ Down’
Kris Kristofferson in a pensive, country-folk style portrait
Kris Kristofferson’s “Sunday Mornin’ Comin’ Down” is a starkly honest and emotionally raw country ballad, recognized as one of his most well known songs and a songwriting masterpiece. The song’s profound sense of despair and spiritual desolation is so palpable that it can be almost painful to listen to. This very rawness, however, drew Johnny Cash to the song, leading him to perform it on his TV variety show in 1970, bringing it to a wider audience. Kristofferson himself recorded a stunning studio version for his debut album Kristofferson in the same year. While Cash’s interpretation is more shuffling and accessible, Kristofferson’s original version is arguably even more emotionally impactful. Listening to both versions back-to-back highlights the lyrical power and emotional depth of Kristofferson’s songwriting, particularly his unflinching portrayal of hangover-induced loneliness and despair.
Janet Jackson, ‘Rhythm Nation’
Janet Jackson in her iconic Rhythm Nation military-inspired fashion
Janet Jackson’s “Rhythm Nation” is a socially conscious pop anthem and one of her most well known songs, distinguished by its message of unity and its innovative blend of pop and industrial sounds. This Number Two hit emerged late in the recording sessions for her blockbuster album Rhythm Nation 1814. Co-producer Jimmy Jam recounted the song’s genesis, explaining, “switching between MTV and CNN. Watching music videos on one side and watching atrocities on the other. Somehow they all merged together. The idea for ‘Rhythm Nation’ was you can dance, but we can also do something more intelligent.” This desire to combine entertainment with social commentary fueled the song’s creation. The track also features a sample from Sly and the Family Stone’s “Thank You (Falettinme Be Mice Elf Agin),” which Jam incorporated after hearing it in a restaurant. “Rhythm Nation” is celebrated for its powerful message of social awareness, its groundbreaking sound, and Janet Jackson’s commitment to using her platform for positive change.
Curtis Mayfield, ‘Move On Up’
Curtis Mayfield performing live, soulful expression
Curtis Mayfield’s “Move On Up” is an uplifting and empowering soul classic, and one of his most well known songs, celebrated for its infectious rhythm and message of hope and perseverance. The song is propelled by swinging horns, vibrant congas, and Mayfield’s soaring vocals. The extended nine-minute LP version, with its dynamic drum break, is considered a precursor to both disco and hip-hop, highlighting its rhythmic innovation. Mayfield’s message in “Move On Up” is one of self-empowerment and dignity for Black America, urging listeners to strive for progress and overcome adversity. He explained his broader intention, stating, “I’m not trying to say anything to make you think, ‘Well, this is the way, this is the only way,’ I’m trying to cover the whole subject.” “Move On Up” is a timeless anthem of resilience and optimism, its message and infectious groove continuing to resonate across generations.
Tammy Wynette, ‘Stand by Your Man’
Tammy Wynette in a classic country music portrait
Tammy Wynette’s “Stand by Your Man” is a country music standard and one of her most well known songs, though also one of the most debated due to its message of wifely devotion. From its release, this song, the first Wynette ever co-wrote, became a cultural flashpoint. In the 1970s, feminists criticized its perceived message of unquestioning female fidelity. Hillary Clinton famously distanced herself from the song during Bill Clinton’s first presidential campaign, using it to define herself as a modern woman. However, the recording itself transcends ideological debates. Wynette’s emotionally charged vocal performance, marked by a catch in her voice in the verses and a powerful swell in the chorus, combined with Billy Sherrill’s epic production, creates a compelling listening experience. “Stand by Your Man” remains a complex and enduring song, sparking ongoing discussions about gender roles and relationships while solidifying its place as a country music icon.
Peter Gabriel, ‘Solsbury Hill’
Peter Gabriel in his early solo career, artistic pose
Peter Gabriel’s “Solsbury Hill” is a personal and uplifting song, and one of his most well known songs from his early solo career. Shortly after leaving Genesis in 1975, Gabriel sought solace and reflection atop Little Solsbury Hill in Somerset, England. This experience inspired his debut solo single, “Solsbury Hill,” in which he lyrically explained to fans his reasons for embarking on a solo path. Musically, the song also marked a departure from Genesis’ prog-rock sound. It’s a pastoral and acoustic-driven tune, featuring a prominent 12-string acoustic guitar, intentionally different from his previous band’s style. “Solsbury Hill” has since become widely used in movies and film trailers, further cementing its place in popular culture. Gabriel himself acknowledged the song’s ubiquity, admitting to Rolling Stone in 2011, “Maybe I’ve let it go too much,” suggesting a slightly ambivalent relationship with its massive popularity while recognizing its enduring appeal.
The Animals, ‘The House of the Rising Sun’
The Animals in their 60s British Invasion era
The Animals’ “The House of the Rising Sun” is a blues-rock adaptation of a traditional folk ballad and one of their most well known songs, becoming a defining track of the British Invasion. According to singer Eric Burdon, The Animals were actively “looking for a song that would grab people’s attention.” They found it in the American folk ballad “The House of the Rising Sun,” a traditional song with various interpretations and origins. Bob Dylan had recorded a version in 1962, singing the grim tale from the perspective of a Southern woman trapped in a New Orleans brothel. The Animals, hailing from Newcastle, an English coal-mining town, changed the gender in the lyrics to a male perspective. Keyboardist Alan Price created the iconic new arrangement, characterized by its organ riff and building intensity, and controversially claimed composer credit. Price’s organ solo was inspired by Jimmy Smith’s hit “Walk on the Wild Side,” adding a jazz-infused element to the song’s blues-rock foundation.
Gladys Knight and the Pips, ‘Midnight Train to Georgia’
Gladys Knight and the Pips performing in soulful style
Gladys Knight and the Pips’ “Midnight Train to Georgia” is a soulful and emotionally resonant ballad, and one of their most well known songs, becoming a defining track of 1970s soul music. Songwriter Jim Weatherly originally conceived the song as “Midnight Plane to Houston,” but changed it for Cissy Houston (Whitney Houston’s mother) to be “more R&B … in order to get it onto Black radio.” Weatherly had previously written “Neither One of Us,” another hit for Gladys Knight and the Pips. When they heard “Midnight Train,” they recognized its potential and took it to the top of the charts. Weatherly, initially a country songwriter, admitted, “I never really imagined writing R&B songs. I really thought I was writing country songs,” highlighting the song’s genre-bending origins. The song’s narrative of leaving Los Angeles for a simpler life in Georgia resonated with the changing demographics of the time, reflecting the early 1970s trend of African Americans moving back to the South after decades of migration to the North.
Dixie Chicks, ‘Goodbye Earl’
The Dixie Chicks in their country-pop era
Dixie Chicks’ “Goodbye Earl” is a darkly humorous murder ballad with a feminist twist and one of their most well known songs, sparking both controversy and acclaim. This upbeat track tells the story of two friends who conspire to poison an abusive husband, Earl. The song’s subject matter elicited diverse reactions upon release. Some radio stations banned it, fearing it might encourage violence against abusive spouses. Conversely, others recognized its message of female empowerment and provided resources for domestic violence victims alongside airplay. When record label executives initially heard the Dixie Chicks’ Fly album, they expressed more concern about another track, “Sin Wagon,” due to its suggestive lyrics. Natalie Maines recalled their manager relaying the message that executives loved the “song about premeditated first-degree murder” but were wary of the “mattress dancing” reference in “Sin Wagon,” highlighting the unexpected and sometimes contradictory reactions to the band’s music.
Mazzy Star, ‘Fade Into You’
Mazzy Star's Hope Sandoval in dreamy, ethereal style
Mazzy Star’s “Fade Into You” is a dream pop classic and one of their most well known songs, embodying the genre’s signature hazy, ethereal sound. Singer Hope Sandoval and guitarist David Roback, the core members of Mazzy Star, were previously involved in the 1980s neo-psychedelic Paisley Underground scene in Los Angeles. After Sandoval replaced Kendra Smith in Roback’s band Opal, they reformed as Mazzy Star. Their second album, So Tonight That I Might See, yielded “Fade Into You,” a spaced-out and melancholic hit that epitomizes dream pop’s blurry and introspective aesthetic. Roback described the band’s artistic focus, stating, “We’re not so concerned about the outside world. [Each song] is its own world unto itself,” emphasizing their commitment to creating immersive and self-contained sonic landscapes. “Fade Into You” is celebrated for its hypnotic melody, Sandoval’s dreamy vocals, and its quintessential dream pop atmosphere.
Nirvana, ‘Come as You Are’
Nirvana performing live in their grunge era
Nirvana’s “Come as You Are” is a grunge anthem and one of their most well known songs, instantly recognizable for its iconic opening riff and Kurt Cobain’s enigmatic lyrics. Cobain described the song’s lyrical themes as being “just about people and what they’re expected to act like,” adding, “The lines in the song are really contradictory. They’re kind of a rebuttal to each other.” The song’s distinctive sound is built around a simple guitar riff, enhanced by producer Butch Vig with a flanged, subaquatic effect. The riff itself bears a resemblance to a 1984 song by U.K. art-metal band Killing Joke, a similarity that was acknowledged later with Dave Grohl drumming on Killing Joke’s 2003 album as a form of indirect compensation. In the tragic aftermath of Cobain’s suicide, the lyric “And I swear that I don’t have a gun” took on a particularly haunting and poignant resonance, adding another layer of interpretation to the song’s already complex and introspective nature.
Luther Vandross, ‘Never Too Much’
Luther Vandross in his signature smooth R&B style
Luther Vandross’ “Never Too Much” is a buoyant and romantic R&B classic, and one of his most well known songs, launching his successful solo career. Vandross’s solo debut was partially financed by earnings from singing jingles for companies like KFC and 7UP, highlighting his early career hustle. He was encouraged to pursue a solo career by Roberta Flack, for whom he had worked as a background singer. Vandross recounted Flack’s pivotal advice: “She said, ‘Luther, you’re too comfortable sitting on that stool singing “ooh and aaah.”’ Roberta was single-handedly responsible for me starting my own career.” Flack’s encouragement was sparked by hearing the demo of “Never Too Much,” a song that perfectly showcased Vandross’s smooth vocals and his ability to craft uplifting and romantic melodies. The song’s infectious energy and Vandross’s delicate high notes made it an instant R&B classic and established him as a major solo artist.
Daft Punk feat. Pharrell Williams, ‘Get Lucky’
Daft Punk and Pharrell Williams performing Get Lucky live
Daft Punk’s “Get Lucky,” featuring Pharrell Williams, is a disco-infused global phenomenon and one of the most well known songs of the 2010s, revitalizing disco for a new generation. When Pharrell Williams offered to collaborate with Daft Punk on their fourth album, he mentioned his musical admiration for Chic legend Nile Rodgers. Serendipitously, Daft Punk already had a track in progress featuring Rodgers himself. The resulting collaboration was “Get Lucky,” the lead single from their album Random Access Memories. The song became a massive hit, defining the sound of its year and propelling disco back into the mainstream. Williams acknowledged Daft Punk’s leading role in the project, telling Rolling Stone, “I think the robots are leading. Daft Punk, they’re definitely leading,” emphasizing the duo’s creative vision and influence. “Get Lucky” is celebrated for its infectious groove, its seamless blend of disco and modern production, and its status as a defining song of its era.
Joni Mitchell, ‘Help Me’
Joni Mitchell in a classic 70s singer-songwriter portrait
Joni Mitchell’s “Help Me” is a sophisticated and sultry track from her commercially successful album Court and Spark, and one of her most well known songs, showcasing her evolving musicality. Court and Spark, Mitchell’s best-selling album, marked a period where she exerted greater musical control over her work. She explained, “I guided everything into place on Court and Spark — even though I didn’t play it, I sang it, and then they played it from that, and it was pretty much as writ.” This meticulous approach resulted in a polished and jazz-influenced sound, distinct from her earlier folk-based work. “Help Me,” recorded with the jazz group Tom Scott’s L.A. Express, features one of Mitchell’s most sensuous vocal performances and intricately arranged instrumentation. The song’s sophisticated and jazzy feel influenced Prince, who paid lyrical tribute to “Help Me” in his song “Ballad of Dorothy Parker” 13 years later, highlighting its enduring impact on other artists.
John Lee Hooker, ‘Boom Boom’
John Lee Hooker playing guitar in his signature boogie style
John Lee Hooker’s “Boom Boom” is a blues boogie classic and one of his most well known songs, instantly recognizable for its rhythmic drive and Hooker’s signature vocal delivery. Hooker, whose distinctive blues boogie style became a foundational element of early rock & roll, said the song was inspired by his frequent tardiness to his regular gigs. He recounted, “There was a young lady named Luilla. She was a bartender [at the Apex Bar in Detroit]. I’d always be late, and whenever I’d come in she’d point at me and say, ‘Boom Boom, you’re late again.’ One night she said, ‘Boom boom, I’m gonna shoot you down.’ She gave me a song, but she didn’t know it.” Keith Richards famously quipped of Hooker, “Even Muddy Waters was sophisticated next to him,” a statement intended as a compliment, highlighting Hooker’s raw and primal blues style. “Boom Boom” is celebrated for its infectious groove, its minimalist yet powerful arrangement, and its embodiment of Hooker’s unique blues aesthetic.
Van Morrison, ‘Into the Mystic’
Van Morrison in a contemplative, soulful performance
Van Morrison’s “Into the Mystic” is a transcendent and soul-stirring ballad, widely considered his definitive song and one of his most well known songs. From his classic 1970 album Moondance, “Into the Mystic” is exquisitely arranged and sung, evoking a sense of nostalgia and spiritual yearning. The song benefited from a new, more collaborative recording process for Morrison, who described it as “more like working with an actual band rather than a bunch of session guys,” resulting in a more organic and cohesive sound. Regarding the lyrics, Morrison admitted, “So many of my songs from that Seventies period, I haven’t a clue what they’re about. A lot of the time, I was just picking up on a vibe,” suggesting a more intuitive and emotional approach to songwriting rather than a strictly narrative one. “Into the Mystic” is celebrated for its evocative atmosphere, Morrison’s soulful vocals, and its ability to transport listeners to a place of reflection and wonder.
Roy Orbison, ‘Crying’
Roy Orbison in his iconic sunglasses, singing with emotion
Roy Orbison’s “Crying” is a dramatic and emotionally charged ballad, and one of his most well known songs, showcasing his operatic vocal range and his mastery of heartbreak anthems. Orbison stated that he wrote “Crying” after an encounter with a former love, explaining, “Whether I was physically crying or just crying inside is the same thing.” His performance is characterized by its near-operatic intensity, culminating in a high, wailing note that became a signature element of the song and a testament to his vocal prowess, which he maintained throughout his career. Bob Dylan described Orbison’s vocal delivery in Chronicles as sounding “like he was singing from an Olympian mountaintop and he meant business. He was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal,” highlighting the raw emotional power and dramatic impact of Orbison’s singing.
Steel Pulse, ‘Ku Klux Klan’
Steel Pulse performing live, reggae band in action
Steel Pulse’s “Ku Klux Klan” is an incendiary reggae track and one of their most well known songs, directly addressing racial injustice and the rise of racist violence in late 1970s Britain. As the first major British reggae band and acclaimed songwriters, Steel Pulse made their Island Records debut with this politically charged song. The lyrics, “The Ku Klux Klan/Here to stamp out Black man,” are stark and direct, confronting racism head-on. To amplify the song’s message, Steel Pulse famously performed it live, including a memorable BBC appearance, while wearing white Klan headgear. Vocalist Michael Riley explained the provocative use of the hoods, stating, “The hoods seemed extreme at the time, but that’s what we are in a way. When we wore them, people started questioning what the song was about instead of just dancing to it,” emphasizing their intention to provoke thought and dialogue about racism beyond mere entertainment.
Sade, ‘No Ordinary Love’
Sade Adu in a sophisticated and elegant portrait
Sade’s “No Ordinary Love” is a smooth and soulful ballad and one of her most well known songs, showcasing Helen Adu’s distinctive vocal style and the band’s sophisticated musicality. Adu’s understated yet expressive vocal range is a defining element of Sade’s sound. She explained her vocal approach, stating, “I decided that if I was gonna sing, I would sing how I speak, because it’s important to be yourself.” In “No Ordinary Love,” her voice cracks with emotion even before the first chorus, adding to the song’s romantic drama. Stuart Matthewman’s guitar work further enhances the song’s mood. In the midst of the mellow groove, he overdubs a subtly noisy and atmospheric part, adding a welcome edge and depth. “No Ordinary Love” is a testament to Sade’s signature blend of smooth jazz, soul, and understated elegance, solidifying their place as a unique and influential band.
Beck, ‘Loser’
Beck in his early alternative folk-rock era
Beck’s “Loser” is a slacker anthem and one of his most well known songs, unexpectedly launching his career from obscurity to mainstream success. In 1992, Beck Hansen was working as a video store clerk while performing his quirky folk songs in Los Angeles coffeehouses. After friends offered to help him record, Beck cut “Loser” in his producer’s kitchen. The song became the centerpiece of his album Mellow Gold. Initially, “Loser” was perceived by some as a novelty hit. However, Beck understood its deeper resonance and the irony inherent in its slacker label. He stated, “You’d have to be a total idiot to say, ‘I’m the slacker-generation guy. This is my generation.… we’re not gonna fuckin’ show up,’ I’d be laughed out of the room in an instant.” “Loser” resonated with a generation, capturing a sense of ironic detachment and unconventional creativity, and establishing Beck as a major alternative artist.
Bon Jovi, ‘Livin’ on a Prayer’
Bon Jovi performing live in their stadium rock era
Bon Jovi’s “Livin’ on a Prayer” is a stadium rock anthem and one of their most well known songs, celebrated for its uplifting message and its singalong chorus. Like fellow New Jersey musician Bruce Springsteen, Bon Jovi often focuses on working-class themes in his music. “Livin’ on a Prayer,” co-written with guitarist Richie Sambora, elevates the everyday struggles of fictional characters Tommy and Gina into a grand, anthemic narrative. The song’s structure, featuring guitar-pick slides, dramatic pauses, and a key change, is designed for maximum emotional impact in large venues. “Livin’ on a Prayer” has continued to resonate with audiences for decades. Bon Jovi reflected on its lasting appeal in 2005, saying, “It’s great that we wrote songs so long ago that people can still relate to. When I hear ‘Livin’ on a Prayer,’ I think to myself, ‘We wrote that. That song has really made its mark. I guess that works,’” acknowledging the song’s enduring cultural impact.
Lana Del Rey, ‘A&W’
Lana Del Rey in a cinematic, melancholic portrait
Lana Del Rey’s “A&W” is an ambitious and sprawling epic, and one of her most discussed and quickly becoming well known songs, showcasing her evolving sound and lyrical depth. “A&W” is a seven-minute journey that seamlessly blends the sun-drenched SoCal folk rock of her recent albums with the hip-hop-infused pop productions of her earlier work. This sonic scope is matched by a narrative that is equally ambitious, exploring themes of vulnerability, allure, nostalgia, and despair with a mix of humor and bleakness. The song’s title, referencing the classic root beer brand “A&W,” is used as shorthand for “American Whore,” a provocative and characteristically Lana Del Rey move, subverting American iconography to serve her artistic vision. “A&W” is celebrated for its sonic complexity, its lyrical ambition, and its embodiment of Lana Del Rey’s unique and often controversial artistic persona.
Jefferson Airplane, ‘White Rabbit’
Jefferson Airplane in their psychedelic rock era
Jefferson Airplane’s “White Rabbit” is a psychedelic rock anthem and one of their most well known songs, bringing acid rock to a mainstream audience. This heady rock bolero was written by vocalist Grace Slick, reportedly after experiencing LSD and listening to Miles Davis’ Sketches of Spain. Slick initially recorded “White Rabbit” with her previous band, the Great Society, before re-recording it with Jefferson Airplane, achieving wider success. The song’s lyrics are rich in literary and drug culture references, drawing parallels between fairy tales and psychedelic experiences. Slick explained the song’s inspiration, stating, “Our parents read us stories like Peter Pan, Alice in Wonderland, and The Wizard of Oz. They all have a place where children get drugs, and are able to fly or see an Emerald City or experience extraordinary animals and people.… And our parents are suddenly saying, ‘Why are you taking drugs?’ Well, hello!” “White Rabbit” became a defining song of the psychedelic era, celebrated for its hypnotic rhythm, its surreal lyrics, and its association with counterculture movements.
Sister Nancy, ‘Bam Bam’
Sister Nancy in her early dancehall reggae style
Sister Nancy’s “Bam Bam” is a foundational dancehall reggae anthem and one of her most well known songs, widely sampled and influential in subsequent music genres. Nancy, also known as Ophlin Russell, was a DJ for Kingston’s Stereophonic sound system when she met reggae producer Winston Riley in the late 1970s. She admired Riley’s professionalism in the studio, stating, “I really admired how he took recording serious. You couldn’t go into his studio and do any foolishness.” Their collaboration, “Bam Bam,” became Sister Nancy’s signature track and a landmark in early dancehall. The song is characterized by its booming yet bright sound, its tough yet playful energy, and its infectious rhythm. “Bam Bam” has been extensively sampled by numerous artists across genres, from Lauryn Hill to Kanye West, attesting to its enduring rhythmic appeal and its foundational role in shaping later musical styles.
Missy Elliott, ‘The Rain (Supa Dupa Fly)’
Missy Elliott in her innovative and futuristic music video for The Rain
Missy Elliott’s “The Rain (Supa Dupa Fly)” is a groundbreaking hip-hop track and one of her most well known songs, marking her arrival as a major solo artist and showcasing her and Timbaland’s innovative production style. Prior to her solo debut, Elliott and Timbaland had already established themselves as influential producers in hip-hop and R&B. Elliott’s distinctive rapping style had also gained some recognition through high-profile features. However, “The Rain (Supa Dupa Fly)” was a true revelation. Featuring a ghostly sample of Ann Peebles’ “I Can’t Stand the Rain,” a memorable Beenie Man misquote (“Who got the keys to the jeep?”), and Timbaland’s twitchy yet sleek beat, the song was unlike anything else at the time. “The Rain” propelled Missy Elliott to stardom and solidified her and Timbaland as the producers to beat, ushering in a new era of innovative and rhythmically complex hip-hop.
Toto, ‘Africa’
Toto performing Africa live in concert
Toto’s “Africa” is a soft-rock classic and one of their most well known songs, achieving unexpected longevity and becoming a cultural phenomenon decades after its release. Toto drummer Jeff Porcaro humorously reflected on the song’s lyrical content, stating in 1985, “It’s funny. We thought ‘Africa’ was bold, and it did pretty good, but lyrically it didn’t make a dime of sense.” Despite its arguably nonsensical lyrics, the song’s musical elements are undeniably captivating. The instantly calming synthesizer riff, played on a Yamaha GS-1 “dialed in [to] those kalimba, marimba kind of sounds,” along with the soaring chorus, are the primary drivers of its appeal. “Africa” reached Number One upon its release and has since become a yacht rock touchstone. In a surprising resurgence, Weezer’s affectionate cover in 2019 reintroduced the song to a new generation, making it ubiquitous once again. Toto reciprocated by covering Weezer’s “Hash Pipe,” highlighting the song’s enduring popularity and its ability to transcend generations and genres.
Migos feat. Lil Uzi Vert, ‘Bad and Boujee’
Migos and Lil Uzi Vert performing Bad and Boujee on stage
Migos’ “Bad and Boujee,” featuring Lil Uzi Vert, is a meme rap anthem and one of their most well known songs, becoming a defining track of the social media era. If ringtone rap defined the early cellphone era, “Bad and Boujee” became the anthem of meme rap, propelled by social media platforms like Twitter and Vine. The song’s instantly recognizable “Raindrop, drop-top” hook inspired countless memes, Vine clips, and even appeared at the 2017 Women’s March on Washington, D.C., demonstrating its widespread cultural impact. Migos member Offset wrote the song’s hook during a period of personal turmoil. He told Rolling Stone, “I had some little situations going on with life, family stuff going down, so I went downstairs to record. Sometimes that’s the best time to get music off — you might be mad, make some crazy shit.” This raw emotional energy, combined with the song’s catchy hook and its viral spread, solidified “Bad and Boujee” as a defining track of its time.
