The Drifters, a name synonymous with vocal group excellence, have captivated audiences for generations. While many know and love their hits, the evolution of the group itself is a fascinating journey. For enthusiasts of vocal harmonies and classic Rhythm and Blues, the original lineup featuring the iconic Clyde McPhatter remains a cornerstone. His distinctive voice shaped early hits like “Money Honey,” setting a high bar for the group’s future. However, the Drifters’ story is one of constant reinvention, with subsequent iterations producing equally memorable music.
The second chapter of The Drifters saw the emergence of Ben E. King, whose voice defined some of their most enduring classics. Hits like “There Goes My Baby,” a groundbreaking track that daringly incorporated a string section and the Brazilian baion rhythm – a signature innovation of producers Jerry Leiber and Mike Stoller – and the romantic ballad “Save the Last Dance for Me,” solidified their place in music history. Following King’s solo departure, Rudy Lewis stepped into the lead vocalist role, continuing the hit streak. Eventually, Johnny Moore, who had the unique distinction of previously succeeding McPhatter in the initial lineup, took the reins. This ever-shifting lineup brings us to one of their most beloved songs, “Under the Boardwalk,” which became their final top ten hit and a quintessential summer anthem.
While the intricate history of The Drifters’ personnel changes might be a deep dive for casual listeners, it’s essential context for appreciating the richness of their musical legacy, especially for anyone exploring the evolution of rock ‘n’ roll.
“Under the Boardwalk,” for many, is more than just a song; it’s an auditory time capsule, instantly transporting listeners to sun-drenched days and carefree boardwalk strolls. The song’s magic lies in its simple yet evocative lyrics, painting a vivid picture of romance and escape from the summer heat. Interestingly, for some, the memory of learning this song is hazy, perhaps intertwined with travel and shared musical experiences in unexpected places, like a small apartment in Seville, Spain, amongst a collective of international street musicians. Whether the learning was deliberate or through osmosis, the song’s infectious melody and rhythm have a way of embedding themselves in one’s musical repertoire.
Rediscovering “Under the Boardwalk” offers a chance to explore its musical textures anew. Experimenting with guitar arrangements, for example, can reveal fresh interpretations, perhaps drawing inspiration from semi-African rhythms, similar to approaches taken with other classic tunes like “Iko Iko,” “Jamaica Farewell,” and even the laid-back vibe of “Margaritaville.” As summer approaches, “Under the Boardwalk” resurfaces as the perfect soundtrack, its timeless appeal resonating as strongly as ever.
