2001 stands as a pivotal year in modern history, marked by both cultural shifts and unforeseen tragedies. Within this landscape of change, popular music navigated a fascinating transition. The exuberant energy of the late 90s and early 2000s pop scene began to mature, giving way to a more diverse and nuanced soundscape. While boy bands and teen pop icons remained influential, their dominance started to soften, allowing space for other genres to rise in prominence on the charts. Hard rock bands, once defined by their raw edges, found pathways into mainstream top 40 radio, often by subtly refining their sound for wider appeal. Simultaneously, the burgeoning stars of rap and R&B began to explore collaborative ventures, creating massive crossover hits that would set the tone for musical partnerships throughout the decade.
This period of relative stability in pop music didn’t equate to a lack of innovation or excitement. Visionary producers like Timbaland and The Neptunes continued to push the boundaries of hip-hop, their signature sounds constantly evolving and shaping the sonic direction of popular music. Their collaborations with forward-thinking MCs sparked a creative energy that resonated across the industry. From the underground scenes of New York and Detroit emerged rock bands embracing a back-to-basics ethos, their raw energy and unpretentious style electrifying both fans and critics alike. Adding to this global musical conversation, a duo of robots from France, Daft Punk, arrived on the scene, offering a tantalizing glimpse into the future of electronic dance music and its burgeoning influence on the pop mainstream.
Of course, any retrospective look at the popular songs of 2001 must acknowledge the profound shadow cast by tragedy. The untimely death of Aaliyah, the radiant 25-year-old R&B star, in a plane crash in August sent shockwaves through the music world, occurring just a month after the release of her critically acclaimed self-titled album. This loss was compounded by the catastrophic terrorist attacks of September 11th, which brought not only the music industry, but all facets of American life, to a standstill. In the aftermath of such devastation, the return to the perceived lightness of pop music seemed uncertain. However, as the year drew to a close, the music industry demonstrated remarkable resilience. Many of its leading artists spearheaded charitable initiatives to support victims, first responders, and affected communities, while also crafting music that served as a source of solace and upliftment for a nation grappling with immense grief.
In this retrospective, we delve into the defining sounds of 2001, celebrating the 100 songs that our staff at Billboard deemed the most memorable and impactful. Our list encompasses songs released in 2001, as well as those that gained prominence on the Billboard charts or reached number one for the first time during that year. Join us as we explore the anthems of a formative year for 21st-century pop music, a year marked by both its challenges and its undeniable musical richness.
100. Smash Mouth – “I’m a Believer”
Smash Mouth’s rendition of “I’m a Believer,” originally a chart-topper for The Monkees in the 60s, injected a fresh, 21st-century pop-rock energy into this classic track. Its inclusion in the soundtrack of the animated blockbuster Shrek solidified its place in pop culture, particularly for a new generation. The song’s undeniably catchy organ melody and singalong vocals retain their infectious charm, demonstrating the enduring appeal of well-crafted pop songs, even with a touch of playful cheesiness. It’s a testament to the idea that some songs, much like the Shrek universe itself, possess a timeless quality that transcends generations.
99. S Club 7 – “Never Had a Dream Come True”
S Club 7, the British pop group, found their sole US hit with “Never Had a Dream Come True,” a powerful ballad that spotlights the vocal talents of Jo O’Meara. This song is a quintessential example of early 2000s pop production, complete with dramatic ad-libs and a satisfying key change that borrows directly from the diva playbook. O’Meara’s soaring vocals carry the emotional weight of the song, a classic torch song with a distinctly turn-of-the-millennium pop sensibility.
98. Ja Rule feat. Case – “Livin’ It Up”
During an incredibly prolific three-year period that saw Ja Rule dominate the top 10 charts, “Livin’ It Up” emerged as his most celebratory anthem. This track, a toast to the party lifestyle, masterfully blends a lighthearted sample of Stevie Wonder’s “Do I Do” with Ja Rule’s signature, gravelly flow. The iconic horn intro remains instantly recognizable, serving as the perfect soundtrack to kick off any weekend, even two decades after its release.
97. Elton John – “I Want Love”
“I Want Love,” though penned by Bernie Taupin, Elton John’s long-time songwriting partner, resonated deeply as a personal reflection for John. This poignant ballad from the Songs From the West Coast album, produced by Madonna collaborator Patrick Leonard, evokes the warmth of John’s early classic work while exploring themes of longing and emotional emptiness. The song’s sonic invitation is juxtaposed with lyrics that offer no easy answers, only a raw and palpable sense of yearning for an unattainable love.
96. Ginuwine – “Differences”
“Differences,” or as some fans playfully suggest, “My Whole Life Has Changed,” is Ginuwine’s quintessential R&B love song. Released in August 2001, this track is built upon simple yet memorable lyrics, dedicated to his daughter, ex-wife, and lost loved ones. The gentle Rhodes melodies, sampled extensively in the years since, including in Pop Smoke’s “What You Know Bout Love,” contribute to the song’s enduring emotional pull. Ginuwine himself expressed a hope to be remembered for this vulnerable ballad, a wish that has undoubtedly come true.
95. Spoon – “Everything Hits at Once”
Spoon, a band renowned for crafting consistently sharp and impactful pop-rock, delivered a knockout punch with “Everything Hits at Once.” The lead single from Girls Can Tell, this track features a sticky, steady groove of bass and staccato piano, over which Britt Daniel channels his inner Elvis Costello. The result is a raw and wrenching portrayal of post-breakup devastation, beginning with the unforgettable opening line: “Don’t say a word/ The last one’s still stinging.”
94. Carlos Vives – “Déjame Entrar”
Carlos Vives revolutionized the tropical music scene in the late 90s with his modern interpretations of vallenato and cumbia. By 2001, he was a leading figure in Latin music, releasing the slow-tempo vallenato “Dejame Entrar.” This timeless track, produced by Emilio Estefan, Jr. and Sebastián Krys, is celebrated for its rhythmic melodies and romantic lyrics about entering someone’s heart and never leaving. “Dejame Entrar” secured Vives his second No. 1 hit on Billboard’s Hot Latin Songs chart, further solidifying his impact on Latin pop.
93. Petey Pablo – “Raise Up”
For those finding dance crazes like the “Cha Cha Slide” a bit too complex, Petey Pablo offered a simpler, more energetic instructional hit: “Raise Up.” This Timbaland-produced track, the riotous first single from Diary of a Sinner: 1st Entry, is an anthem of North Carolina pride. Featuring the UNC Tar Heels marching band on the hook, “Raise Up” is an infectious celebration, so much so that the North Carolina tourism board could easily adopt it as their official state anthem.
92. Toby Keith – “I Wanna Talk About Me”
“I Wanna Talk About Me,” with its seemingly narcissistic title from country star Toby Keith, is surprisingly likeable. The song’s frenzied frustration and Keith’s sheer vocal commitment win listeners over. From interrupting the chorus melody to yelp “but occasionally!!” to stretching the final “me” into a three-syllable yodel, Keith delivers a performance that is both humorous and undeniably catchy.
91. O-Town – “All or Nothing”
O-Town initially faced skepticism as a manufactured boy band formed on reality TV. However, “All or Nothing” in 2001 changed public perception. This pristine pop ballad, with its chorus perfect for group singalongs and a dramatic key change tailor-made for arena performances, became O-Town’s enduring hit. “All or Nothing” transcended its bubblegum pop origins, proving its staying power long after the initial teen pop craze.
90. Juan Gabriel – “Abrázame Muy Fuerte”
Juan Gabriel’s music was often deeply emotional, personal, and melancholic, and “Abrázame Muy Fuerte” is a prime example. One of his most memorable songs, this power ballad is characterized by its emotional lyrics and Gabriel’s powerful delivery. The song begins with Gabriel almost whispering over a melancholic piano melody, building to an emotional plea to “Hug me, because time is evil and a cruel friend.” “Abrázame Muy Fuerte” is a testament to Gabriel’s ability to connect with listeners on a deeply emotional level.
89. Afroman – “Because I Got High”
It’s difficult to find another song that so perfectly embodies its title as Afroman’s “Because I Got High.” With its minimal beat, sing-song melody, and lyrics born from procrastination, this track is the quintessential stoner anthem. Its rise to popularity through Napster and The Howard Stern Show, culminating in a Grammy nomination, makes it a bingo card of early 2000s pop culture references. “Because I Got High” perfectly captured a laid-back, irreverent spirit of the era.
88. American Hi-Fi – “Flavor of the Weak”
American Hi-Fi’s “Flavor of the Weak” stormed radio airwaves with its irresistible hook and angsty lyrics about unrequited love. The song gained further momentum through its inclusion on the American Pie 2 soundtrack, alongside other alternative rock heavyweights. The relatable theme of watching a crush pursue someone undeserving continues to resonate, making “Flavor of the Weak” a timeless anthem of teenage frustration and a call to mosh.
87. Freelance Hellraiser – “A Stroke of Genius”
“A Stroke of Genius” by Freelance Hellraiser is a pioneering mashup, considered one of the purest and most successful examples of the form. By layering Christina Aguilera’s “Genie in a Bottle” over The Strokes’ “Hard to Explain,” producer Roy Kerr unlocked new dimensions in both tracks. Aguilera’s vocals, initially tightly wound, gain a relaxed sensuality over The Strokes’ motoring alt-rock hum, creating a surprising and captivating synergy. Two decades later, amidst countless mashups, “A Stroke of Genius” remains a revelation of creative musical juxtaposition.
86. India.Arie – “Video”
India.Arie introduced her guitar-based, authentic R&B sound with “Video,” the debut single from her Motown album Acoustic Soul. Reminiscent of Bill Withers, Arie’s insightful lyrics and earworm chorus, celebrating self-love and empowerment, resonated deeply. “Video,” with its message of embracing individuality and inner beauty (“I’m not the average girl from your video / And I ain’t built like a supermodel / But I learned to love myself unconditionally / Because I am a queen”), earned four Grammy nominations, including record and song of the year, marking a powerful entry for India.Arie into the music scene.
85. Sugar Ray – “When It’s Over”
Sugar Ray’s “When It’s Over,” the lead single from their self-titled album, maintained the breezy, earworm formula that had made them pop radio staples. This track, vaguely about regret but with a shrug-it-off attitude, was perfect for laid-back singalongs. While singer Mark McGrath continues to capitalize on his charmingly chill persona, “When It’s Over” proved somewhat prescient, marking Sugar Ray’s last major pop hit before a gradual decline in mainstream success.
84. Chely Wright – “Jezebel”
Chely Wright’s “Jezebel” is a spiritual successor to Dolly Parton’s “Jolene,” a foot-stomping country romp with harmonies and fiddle work reminiscent of The Chicks. Wright transforms her twangy vocals into a weapon, warning the titular Jezebel to stay away from her man. With a blend of pleading and gumption, Wright’s performance makes it clear she’s not backing down from this romantic confrontation, ensuring a victorious outcome. “Jezebel” is a powerful statement of female agency within a classic country sound.
83. N.E.R.D. feat. Vita & Lee Harvey – “Lapdance”
In the same year The Neptunes conquered pop radio with Britney Spears’ “I’m a Slave 4 U,” N.E.R.D. (Pharrell Williams and Chad Hugo’s side project with Shay Haley) released “Lapdance,” pointing towards a genre-blurring future for music. With its reverberating guitar riff and sense of creeping danger, “Lapdance” was initially categorized as nu-metal. However, in retrospect, its fusion of funk, alt hip-hop, rock, and electronic elements feels like the genesis of a new sound, one that artists from Tyler, the Creator to Twenty One Pilots continue to explore.
82. Modjo – “Lady (Hear Me Tonight)”
Modjo, another French electro-pop duo, may not have achieved Daft Punk’s game-changing impact, but “Lady (Hear Me Tonight)” became an undeniable global hit. Combining a skipping beat, a ringing two-chord guitar hook (borrowed from Chic’s Nile Rodgers), and a simple romantic proposition, the song is irresistibly addictive. “Lady (Hear Me Tonight),” simple and distinctly of its time, endures as an irresistible invitation, even being sampled in hits as recently as 2017.
81. *NSYNC – “Pop”
By 2001, *NSYNC had become a cultural phenomenon, and with fame came inevitable criticism. “Pop,” aptly titled, is a clever response to genre rejection. The song’s attention-grabbing and wildly catchy lyrics directly address naysayers, while Justin Timberlake’s beatbox solo adds another layer of dynamism. “Pop” is *NSYNC’s defiant and infectious defense of their place in pop culture.
80. Jewel – “Standing Still”
“Standing Still,” the sleek and propulsive lead single from Jewel’s This Way album, marked a transition in her sound. Co-written with hitmaker Rick Nowels, the song bridged Jewel’s folk-accented adult alternative roots with a more polished, top 40 pop sensibility. Despite its quality and catchiness, “Standing Still” surprisingly stalled at No. 25 on the Hot 100, leaving some to wonder why such an excellent single didn’t achieve greater chart success.
79. Rufus Wainwright – “Cigarettes and Chocolate Milk”
Rufus Wainwright solidified his reputation as a modern-day Cole Porter with “Cigarettes and Chocolate Milk.” From his album Poses, this track showcases Wainwright’s acerbic wit, prodigious piano skills, and taste for decadence. Sung in his sonorous baritone with vaudevillian piano accompaniment, the lyrics explore “a couple of my cravings” that evolve from “a little bit harmful” to “a little bit deadly.” Wainwright’s own struggles with addiction in the years following gave the song an autobiographical resonance, yet ultimately, like the protagonist of “Cigarettes,” he emerged as a survivor.
78. Backstreet Boys – “The Call”
“The Call” subverts typical boy band tropes of pining for women, instead presenting a tale of infidelity and regret. This song captures the forbidden desire of a new attraction and the ensuing desperation, packaged in a melodramatic yet catchy pop tune with a driving beat. Adding a quirky detail to the song’s history, producer Max Martin incorporated a fart sound from BSB member Howie Dorough into the track’s backbone, showcasing Martin’s unconventional production techniques.
77. Trick Daddy – “I’m a Thug”
Trick Daddy’s “I’m a Thug” playfully subverts Millie Jackson’s “Cheatin’ Is,” turning a warning about infidelity into a gleeful celebration of it. Sampling the warm groove and guitar part from Jackson’s original, Trick Daddy adopts the third-party perspective on cheating, boasting, “My name alone/ Been known to break up happy homes.” The sweet sounds of children’s voices in the chorus create a playful contrast with Trick Daddy’s provocative lyrics and defiant attitude.
76. Sum 41 – “In Too Deep”
“In Too Deep,” the second single from Sum 41’s All Killer No Filler, became one of their most enduring hits. Soundtrack placements in films like American Pie 2 and Cheaper by the Dozen helped solidify the song’s place in popular memory. The music video, featuring a very 2001 outsiders-vs.-jocks high-diving competition, perfectly captured the song’s theme of being overwhelmed and “going under.” Driven by catchy guitar riffs, relatable lyrics, and a strong chorus, “In Too Deep” remains Sum 41’s most-streamed song.
75. Hoku – “Perfect Day”
Hoku’s “Perfect Day,” best known for soundtracking the opening scene of Legally Blonde, encapsulates Elle Woods’ effervescent energy. This sunny pop song radiates pure optimism: “Nothing’s standing in my way/ On this perfect day/ When nothing can go wrong.” Hoku, also known for “Another Dumb Blonde,” later left the music industry, but the eternal sunshine of “Perfect Day” endures, forever associated with feel-good moments and unwavering positivity.
74. The Calling – “Wherever You Will Go”
The Calling’s towering power ballad, “Wherever You Will Go,” dominated Billboard’s Adult Top 40 chart for an astounding 23 weeks in 2001. Alex Band’s moody baritone and the cryptic lyrics contribute to the song’s enduring appeal. The ambiguity of the lyrics, whether hinting at death or a mere breakup, adds to the song’s mystique, allowing listeners to interpret its emotional core in various ways. “Wherever You Will Go” remains a quintessential early 2000s power ballad.
73. Craig David – “Fill Me In”
“Fill Me In” by British singer Craig David is arguably the greatest pop song with a hook from a concerned parent’s perspective. This breathtakingly smooth R&B hit channels parental questioning (“Why were you creeping ’round late last night? / Why did I see two shadows moving in your bedroom light?”) through David’s beguiling sing-rap style. Predating artists like Drake and The Weeknd, “Fill Me In” laid the groundwork for the sound that would propel them to global stardom a decade later.
72. Dave Matthews Band – “The Space Between”
“The Space Between,” a moody ballad from Dave Matthews Band, offered a sophisticated rock track in 2001. Co-written with Alanis Morissette collaborator Glen Ballard, this dreamy song became the biggest hit from Everyday, DMB’s second No. 1 album. “The Space Between” received a Grammy nomination for best rock performance, showcasing the band’s ability to create elegant and emotionally resonant rock music.
71. 112 – “Peaches & Cream”
After contributing to smash hit ballads in the late 90s, vocal quartet 112 shifted gears with “Peaches & Cream,” aiming for the bedroom via the dance floor. Riding a mischievous bassline, the quartet exudes slick confidence, resulting in their highest-charting hit as a lead act. “Peaches & Cream” proved that peaches were considered “good and dirty” long before Call Me By Your Name, solidifying 112’s versatility and appeal.
70. Nickelback – “How You Remind Me”
Nickelback’s “How You Remind Me,” their sole Hot 100 No. 1 hit, is built on a formula of restrained verses and building pre-hooks that explode into a rollicking chorus. The song’s singalong chorus and gravelly vocals, particularly on lines like “Never made it as a wise man/I couldn’t cut it as a poor man stealing,” are perfectly designed for car dashboard drumming and full-throated shout-alongs. “How You Remind Me” became a rock radio staple and a defining song for Nickelback.
69. Mary J. Blige – “No More Drama”
Mary J. Blige’s collaboration with production legends Jimmy Jam and Terry Lewis yielded another classic with “No More Drama.” Ingeniously sampling the Young and the Restless theme song and drawing from Blige’s personal experiences, her powerful vocals transform this mid-tempo plea into a female power anthem. “No More Drama” resonates even more strongly today as a testament to resilience and overcoming adversity.
68. Paulina Rubio – “Yo No Soy Esa Mujer”
Paulina Rubio’s woman empowerment anthem, “Yo No Soy Esa Mujer,” soundtracked the golden age of Latin pop in the new millennium. Featured on her Paulina album, which topped both the Top Latin Albums and Latin Pop Albums charts, the track begins with a laid-back guitar loop providing a canvas for Rubio’s raspy vocals and honest lyrics: “I’m not that woman, that lost girl that signs a paper and gives her life away.” “Yo No Soy Esa Mujer” remains a popular karaoke choice and a symbol of female strength in Latin music.
67. Cake – “Short Skirt / Long Jacket”
Cake’s “Short Skirt / Long Jacket” offers a tongue-in-cheek musical checklist of John McCrea’s ideal romantic partner. From sartorial choices to practical desires like a “car with a cupholder armrest,” the song is both quirky and highly specific. Combined with a wailing trumpet line, McCrea’s droll delivery, and a VMA-nominated video, “Short Skirt / Long Jacket” became another alternative radio hit for the California rockers.
66. A*Teens – “Upside Down”
A*Teens, a Swedish ABBA cover band, surprisingly crossed over into mainstream pop success with their original song “Upside Down,” initially titled “Bouncing Off the Ceiling.” This irresistibly fun dance-pop single, with its saccharine story of a schoolyard crush, became a Radio Disney staple. “Upside Down” showcased A*Teens’ ability to transition from covers to original material while maintaining a feel-good, sugar-pop sound.
65. Staind – “It’s Been a While”
Staind, fronted by Aaron Lewis, scored their biggest hit with “It’s Been a While,” a tale of woe that resonated deeply in 2001. Its self-help lyrics are thick with regret about addiction, broken hearts, and family issues, with Lewis taking full responsibility. The moody, minor-key arrangement builds and recedes in waves, never overshadowing the raw emotion of the haunting chorus: “It’s been awhile/ Since I could hold my head up high/ And it’s been awhile/ Since I said I’m sorry.” “It’s Been a While” established Staind as a major force in post-grunge rock.
64. Diddy, Black Rob & Mark Curry – “Bad Boy For Life”
“Bad Boy For Life” arrived during a peak era of rappers celebrating their record labels. Its enduring legacy lies in its instantly recognizable, funky guitar-led beat by Megahertz. Diddy’s declaration of loyalty to his creation is anthemic and universal, while the music video, with cameos from various celebrities, captures a specific moment in early 2000s pop culture. “Bad Boy For Life” became a definitive label anthem for Diddy and Bad Boy Records.
63. Alan Jackson – “Where Were You (When the World Stopped Turning)”
Alan Jackson’s “Where Were You (When the World Stopped Turning)” emerged as a poignant response to the 9/11 terrorist attacks. Debuted live at the CMA Awards less than two months after the tragedy, the song avoids sensationalism and jingoism. Instead, it poses simple questions about where people were and how they reacted to the attacks. Jackson offers no easy answers, only a sense of shared grief and the belief in love as a path forward. The song’s humility and raw emotion instantly transport listeners back to that painful time, even two decades later.
62. Jill Scott – “A Long Walk”
Jill Scott’s “A Long Walk” is a mesmerizing neo-soul classic. Inviting her lover for a walk filled with conversation and “verbal elation,” Scott’s hip-hop-flavored cadence, dipped in smooth melodies, creates a sensual and engaging experience. Beyond the romantic invitation, Scott delivers a subtle grammar lesson and teaches a charming way to suggest silence: “Or maybe we could… just be silent?” “A Long Walk” solidified Jill Scott’s place as a leading voice in neo-soul.
61. Alien Ant Farm – “Smooth Criminal”
Alien Ant Farm’s cover of Michael Jackson’s “Smooth Criminal” reimagined the pop hit as an alt-metal anthem. Twelve years after the original, Alien Ant Farm infused the lyrics and backbeat with a newfound sense of tension and aggression. While many nu-metal acts covered 80s pop, Alien Ant Farm’s “Smooth Criminal” stands out as a prime example of how younger artists can effectively reinterpret and leave their mark on classic songs.
60. Busta Rhymes – “Break Ya Neck”
Busta Rhymes’ “Break Ya Neck” is pure adrenaline. With Dr. Dre and Scott Storch’s slinky beat, Rhymes unleashes his rapid-fire rapping to mesmerizing effect. The song’s energy is so intense that it practically commands listeners to nod their heads to the point of injury. “Break Ya Neck” is Busta Rhymes at his most hyper-energetic and lyrically dazzling.
59. Radiohead – “Pyramid Song”
Radiohead’s prolific creative period around the turn of the century resulted in Amnesiac, a companion piece to Kid A. “Pyramid Song,” the lead single, is a transcendent piano ballad with a slippery time signature and haunting undertow. Thom Yorke’s lyrics describe a potentially spiritual awakening or a suicide attempt (“Jumped into the river/ Black-eyed angels swam with me”) in a chillingly assured tremble. “Pyramid Song” is a standout track from Radiohead’s experimental and critically acclaimed era.
58. Basement Jaxx – “Where’s Your Head At”
Basement Jaxx’s “Where’s Your Head At” became a global dancefloor smash in the early 2000s. Built around a growling sample of Gary Numan’s “M.E.”, the song is a classic dancefloor banger with an easy-to-shout chorus and irresistible beat. The cheeky music video, featuring the musicians as record-scratching lab monkeys, further cemented the song’s quirky appeal. “Where’s Your Head At” remains a high-energy dance anthem that continues to resonate today.
57. Kenny Chesney – “Don’t Happen Twice”
Kenny Chesney’s “Don’t Happen Twice” leans heavily on nostalgia, evoking first love and simpler times with references to wine, Dixie cups, and Janis Joplin. While not a novel theme in country music, the song’s earnestness and wistfulness resonate deeply. “Don’t Happen Twice” set the stage for Chesney’s later sentimental hits, proving that while first love may be unique, lasting success can strike multiple times.
56. Andrew W.K. – “Party Hard”
In the aftermath of 9/11, Andrew W.K.’s “Party Hard” provided much-needed escapism and permission to have fun again. This party metal anthem, a blast of Jackass-esque energy, served as a motivating force for a nation in need of upliftment. “Party Hard” is an enduring anthem of pure, unadulterated rock energy that will likely continue to be played at sporting events for decades to come.
55. The Corrs – “Breathless”
The Corrs, a quartet of siblings from Ireland, achieved their biggest hit with “Breathless.” Produced by Robert John “Mutt” Lange, the song sanded down their distinctive Irish sound with power-ballad production, resulting in an immaculate pop-rock single. “Breathless,” a tale of love and desire, features arena-ready guitar riffs, booming drums, and the Coors’ signature harmonies. The track earned the group a Grammy nomination, showcasing their crossover appeal.
54. Enya – “Only Time”
Enya, known for her private life and dreamy new age epics, delivered one of her most memorable songs with “Only Time.” Heavily used in 9/11 media coverage and advertisements, “Only Time” resonated as a soothing meditation on life’s mysteries. It remains Enya’s only top 10 single on the Hot 100 as a solo artist, forever linked to moments of reflection and contemplation.
53. Missy Elliott feat. Ludacris – “One Minute Man”
Following the success of “Get Ur Freak On,” Missy Elliott released the raunchy anthem “One Minute Man.” Missy’s demands are straightforward: “Break me off, show me what you got,” with a clear message of dismissal for those who don’t measure up. Timbaland’s electric production and a stellar guest verse from Ludacris enhance “One Minute Man,” making it a bold and unapologetic statement of female sexual agency.
52. Michael Jackson – “You Rock My World”
“You Rock My World” is arguably Michael Jackson’s last essential track. Produced by Darkchild, the song is packed with infectious harmonies, “woo”s, and “shamone”s, and features a Chris Tucker intro. The star-studded, 13-minute music video, complete with signature spins, pelvic thrusts, and a dance-off/bar fight, further cemented “You Rock My World” as a classic MJ spectacle.
51. City High – “What Would You Do?”
City High’s “What Would You Do?” features a catchy hook that belies its devastatingly sad lyrics. The song portrays a young single mother struggling to provide for her child. Midway through, the track unexpectedly breaks down and incorporates a snippet of Dr. Dre’s “The Next Episode,” seamlessly weaving back into the hook. This bizarre yet effective musical juxtaposition contributed to “What Would You Do?’s” unique and memorable quality.
50. Crazy Town – “Butterfly”
Crazy Town’s “Butterfly,” with its instantly recognizable guitar intro sampling Red Hot Chili Peppers’ “Pretty Little Ditty,” transports listeners back to 2001. The song’s undeniable hook, suggestive lyrics (“Come my lady, you’re my pretty baby / I’ll make your leg shake, you make me go crazy”), and inspired sample made it a crossover rock-rap hit. “Butterfly” reached No. 1 on the Hot 100, achieving a chart success that eluded many of their nu-metal peers.
49. Manu Chao – “Me Gustas Tu”
Manu Chao’s “Me Gustas Tu” contributed to the Spanish rock moment of the early 2000s. With basic guitar chords, catchy lyrics, and a reggae-infused melody, the song became a global favorite. The lyrics, simple and direct (“I like planes / I like you / I like to travel / I like you”), and world beats made “Me Gustas Tu” a universally appealing love song.
48. Lifehouse – “Hanging by a Moment”
Lifehouse’s “Hanging by a Moment,” despite never reaching No. 1 weekly, became Billboard’s year-end No. 1 song for 2001. The song achieved ubiquity through relentless radio play, earning its overexposure with intriguing lyrics, melodic unpredictability, and a captivating chorus. Two decades later, “Hanging by a Moment” continues to intrigue and delight listeners with its enduring mysteries.
47. Blu Cantrell – “Hit ‘Em Up Style (Oops!)”
Blu Cantrell’s “Hit ‘Em Up Style (Oops!)” strikes a balance between breakup anthems. Lighthearted verses set to a Frank Sinatra sample contrast with anguished pre-choruses and a triumphant refrain of spending-spree revenge. While the song’s premise might be fantastical, its message of financial retribution after heartbreak remains relatable. “Hit ‘Em Up Style (Oops!)” is a memorable and empowering breakup tune.
46. Incubus – “Drive”
Incubus’ “Drive,” a mellow ode to self-determination, became their biggest hit in 2001. The song’s understated acoustic guitar and DJ scratching put Brandon Boyd’s pleading vocals at the forefront, as he sings about taking control of his life from fear. “Drive,” with its AIM away message-worthy lyrics (“Whatever tomorrow brings I’ll be there/ With open arms, and open eyes”), resonated widely and propelled Incubus into the mainstream.
45. Usher – “U Remind Me”
Usher’s “U Remind Me” kicked off a string of hits from his multi-platinum 8701 album. The breezy-but-melancholy track, co-produced by Jimmy Jam and Terry Lewis, showcases Usher’s smooth vocals and Michael Jackson-esque dance moves. “U Remind Me” exemplifies why Usher became an R&B standard-bearer in the late 90s and early 2000s, earning him his first Grammy for best male R&B vocal performance.
44. Fatboy Slim – “Weapon of Choice”
Fatboy Slim’s “Weapon of Choice” is enhanced by its legendary music video, directed by Spike Jonze and starring Christopher Walken dancing and flying through a hotel. While the song itself, with its funky drum shuffle and horn hook, is strong, the video elevates it to iconic status. Hearing “Weapon of Choice” without visualizing Walken’s dance feels incomplete, highlighting the symbiotic relationship between the song and its visuals.
43. System of a Down – “Chop Suey!”
System of a Down’s metal masterpiece, “Chop Suey!,” initially faced radio censorship after 9/11. However, the song’s raw energy and dynamic shifts, from frantic shouts to melodic singing, resonated with audiences. Produced by Rick Rubin, “Chop Suey!” became a live staple and its music video has surpassed a billion views on YouTube, solidifying its enduring impact.
42. Daft Punk – “Harder, Better, Faster, Stronger”
Daft Punk’s “Harder, Better, Faster, Stronger” has inspired countless redos and remixes. Sampling Edwin Birdsong’s “Cola Bottle Baby,” the futuristic track walks a line between cheerful and dystopian. The vocoder-chanted lyrics, “More than ever, hour after hour/ Work is never over,” are paradoxically both catchy and slightly unsettling. While remixes abound, nothing quite matches the original’s infectious energy and innovative sound.
41. Bruce Springsteen – “American Skin (41 Shots) (Live)”
Bruce Springsteen’s “American Skin (41 Shots) (Live)” is a somber and soulful song about the 1999 police killing of Amadou Diallo. The repeated incantation of “41 shots…41 shots…” underscores the disbelief and tragedy of the event. Released as a live recording in 2001, the song has become sadly more relevant due to continued instances of police brutality against Black Americans. Mary J. Blige and Kendrick Lamar powerfully covered the song in 2016, further highlighting its enduring message.
40. Jagged Edge feat. Nelly – “Where the Party At”
Jagged Edge’s “Where the Party At” is the answer to its own question: the party is wherever this song is playing. Packed into under four minutes, the track includes singalong “oh-oh-oh-oh”s, call-and-response shout-outs, and a show-stopping verse from Nelly. “Where the Party At” is a quintessential summer jam designed to get everyone moving from start to finish.
39. The White Stripes – “Hotel Yorba”
The White Stripes’ “Hotel Yorba” faced initial skepticism upon its mainstream breakthrough. Despite criticisms about the lack of bass and Meg White’s drumming, “Hotel Yorba,” the first single from White Blood Cells, is undeniably a rollicking good time. This lightly thrashing singalong previewed The White Stripes’ raw energy and forged a path for their rise as one of the greatest rock bands of the 21st century.
38. Blink-182 – “The Rock Show”
Blink-182’s “The Rock Show,” according to Mark Hoppus, was intentionally “the cheesiest, catchiest, throwaway f–king summertime single.” While self-deprecating, Hoppus achieved his goal. “The Rock Show” is a jam-out pop-punk song about falling in love at a concert. Commercial and conventional, it nonetheless demonstrates Blink-182’s knack for writing hooks that remain embedded in listeners’ brains for years.
37. Darude – “Sandstorm”
Darude’s “Sandstorm,” initially released in 1999, gained global traction in 2001 through MP3.com. This urgent trance track, centered around a distinctive synth sound, became one of the first dance songs to achieve internet virality. “Sandstorm” built to a pop culture phenomenon, appearing in Queer as Folk, charting on the Hot 100, and becoming a staple in Dance Dance Revolution. It remains an internet meme culture mainstay, showcasing the early power of digital distribution for dance music.
36. Sade – “By Your Side”
After an eight-year hiatus, Sade returned with “By Your Side,” a comeback song that stripped back their jazz-centric roots to a bare, pop-tinged ballad. Promising unwavering support (“By your side, that’s where I’m gonna be”), Sade’s silky vocals and reassuring lyrics resonated deeply. While it peaked at No. 75 on the Hot 100, “By Your Side” has long outlived much of its competition, reaffirming Sade’s understated and undeniable influence.
35. Coldplay – “Yellow”
Coldplay’s “Yellow,” despite becoming a breakthrough hit, reached only No. 48 on the Hot 100. Even so, it remains one of their best-loved songs. With yearning lyrics, an ethereal guitar riff, and Chris Martin’s earnest delivery, “Yellow” possesses an enduring appeal. Its popularity continues to grow, suggesting it deserves an even greater commercial moment, perhaps through a TikTok resurgence, solidifying its status as a modern classic.
34. Enrique Iglesias – “Hero”
Enrique Iglesias’ “Hero” was released shortly before 9/11, and while not explicitly about heroism, its title, plaintive melody, and Iglesias’ husky vocals struck a chord in the aftermath of the attacks. “Hero,” also recorded in Spanish, rose to No. 3 on the Hot 100 and propelled Iglesias’ Escape album to success. His performance of “Hero” at the America: A Tribute to Heroes broadcast resonated deeply, solidifying his status beyond just being “Julio Iglesias’ son” and establishing him as Enrique.
33. OutKast – “So Fresh, So Clean”
Before “drip” became hip-hop slang, “fresh” was the ultimate compliment for swagger. OutKast’s “So Fresh, So Clean” is a timeless ode to style. Big Boi and André 3000 effortlessly navigate the funk-forward production by Organized Noize, delivering quintessential music for anyone seeking a confidence boost. The track is a showcase of OutKast’s Southern flair and impeccable style.
32. Michelle Branch – “Everywhere”
Michelle Branch’s “Everywhere” lived up to its title, becoming ubiquitous in 2001. Branch’s romantic lyrics, powerful vocals, and electric guitar, culminating in an upbeat pop-rock hook, still evoke a sense of youthful energy. “Everywhere” is a nostalgic anthem that reminds listeners of the power of music to transport them back to specific moments in time.
31. No Doubt feat. Bounty Killer – “Hey Baby”
No Doubt’s “Hey Baby” marked a new phase for the band and Gwen Stefani. Recorded largely in Jamaica, the song’s dancehall-centric sound felt like a natural progression from their ska roots. Featuring dancehall legend Bounty Killer, “Hey Baby” became a raucous hit and hinted at Stefani’s future solo career. The song solidified No Doubt’s ability to evolve and experiment while maintaining their signature energy.
30. *NSYNC – “Gone”
*NSYNC’s “Gone,” originally intended as a collaboration with Michael Jackson, essentially became Justin Timberlake’s solo debut. Timberlake’s vocal performance on this acoustic torch song is brilliant, showcasing his readiness for solo stardom. While the rest of *NSYNC primarily serve as backing vocalists, their ghostly “GONE!” gasps contribute to the song’s haunting and emotional impact. “Gone” foreshadowed Timberlake’s successful solo career.
29. Ludacris – “Rollout (My Business)”
Ludacris’ “Rollout (My Business)” is a hilarious clapback to public scrutiny. Addressing fan expectations to know every detail of his life, Ludacris delivers a clear message: “Stay the f–k up out my BIZ-NESS.” Over a Timbaland beat, the Atlanta rapper unleashes witty one-liners, showcasing his lyrical skills and comedic timing. “Rollout (My Business)” is a humorous and assertive anthem of privacy.
28. Dido – “Thank You”
Dido’s “Thank You” gained widespread attention through Eminem’s “Stan,” but the song stands strong on its own merit. Its theme of finding comfort in a relationship during a bad day resonates universally, particularly in times of global crisis. Anuel AA sampled the beat for his 2020 track “Me Contagie 2,” demonstrating “Thank You’s” enduring emotional power and musical influence.
27. Gorillaz – “Clint Eastwood”
Gorillaz’ “Clint Eastwood,” Damon Albarn’s virtual supergroup’s debut single, was a genre-bending success. Blending reggae, electronic, funk, and hip-hop with animated bars from Del The Funky Homosapien, “Clint Eastwood” sounded unlike anything before it. Paired with a nightmarish cartoon music video, the song became Gorillaz’ first Hot 100 entry and a foundational track in their innovative musical journey.
26. The Shins – “New Slang”
The Shins’ “New Slang,” initially a demo, became a stealth hit. Its inclusion in the 2004 film Garden State, specifically highlighted by Natalie Portman’s character, propelled the song into wider recognition. James Mercer’s sublime vocals and tranquil acoustic guitar create a timeless and affecting sound. “New Slang” is a testament to the quiet power of well-crafted indie folk music.
25. Nelly Furtado – “I’m Like a Bird”
Nelly Furtado’s “I’m Like a Bird” marked her sudden and impactful arrival on the music scene. The vulnerable lyrics (“And though my love is true, yeah / I’m just scared / That we may fall through”), combined with a folk-hop bounce and her soaring vocals, made it a standout on top 40 radio. “I’m Like a Bird” earned Grammy nominations and a win for best female pop vocal performance, establishing Nelly Furtado as a major artist.
24. Train – “Drops of Jupiter (Tell Me)”
Train’s “Drops of Jupiter (Tell Me)” is packed with iconic lyrics, from planetary imagery to everyday references. Pat Monahan wrote the song after his mother’s death from cancer, adding a layer of emotional depth. Despite critical derision, “Drops of Jupiter” won two Grammys and remains a feel-good anthem with an unforgettable melody. Its enduring popularity proves its lasting impact, even two decades later.
23. Jennifer Lopez feat. Ja Rule – “I’m Real (Murda Remix)”
Jennifer Lopez’s “I’m Real (Murda Remix)” paired J-Lo with Ja Rule for an irresistible collaboration. Irv Gotti’s remix blended Lopez’s pop sensibilities with Ja Rule’s street appeal, creating a summer anthem. Despite coming from different musical worlds, Lopez and Ja Rule’s chemistry and back-and-forth dynamic were undeniably captivating. “I’m Real (Murda Remix)” became a defining track for both artists in the early 2000s.
22. Destiny’s Child – “Bootylicious”
Destiny’s Child’s “Bootylicious” sampled Stevie Nicks’ “Edge of Seventeen” and became an anthem of self-worth and body positivity. The term “bootylicious,” previously used negatively, was reclaimed by Destiny’s Child, celebrating women’s bodies and sexuality. Following the single’s success, “bootylicious” was added to the Oxford English Dictionary, defined as “sexually attractive,” demonstrating the song’s cultural impact.
21. Janet Jackson – “All For You”
Janet Jackson’s “All For You” is a glimmering dance-pop track that doubles as a flirting rulebook. Produced by Jackson with Jimmy Jam and Terry Lewis, the song instructs listeners to “Just be yourself and let that be your guide” over a post-disco groove sampling Change’s “The Glow of Love.” “All For You” is a timeless guide to flirtation with a catchy and irresistible beat.
20. Sum 41 – “Fat Lip”
Sum 41’s “Fat Lip” exploded onto the scene with an iconic guitar riff, becoming poster boys for skater punk, rap-rock, and metal attitudes. The anti-establishment lyrics (“I’ll never fall in line / Become another victim of your conformity”) and clear musical influences (“Heavy metal and mullets, it’s how we were raised/ Maiden and Priest were the gods that we praised”) defined a suburban music scene. “Fat Lip” remains a defining track for Sum 41 and the early 2000s rock landscape.
19. P!nk – “Get the Party Started”
P!nk reinvented herself with “Get the Party Started,” ditching her R&B stylings for a pop-rock sound. Written and produced by Linda Perry, the song announced P!nk’s arrival as a mainstream force with the opening lines “I’m coming up, so you better get this party started.” “Get the Party Started” fused pop, rock, dance, and funk, becoming an infectious track that propelled P!nk to pop culture icon status.
18. Mary J. Blige – “Family Affair”
Mary J. Blige’s “Family Affair,” produced by Dr. Dre, marked her crossover into full-fledged pop stardom. A dance track with string stabs and a bumping rhythm, “Family Affair” allowed Blige to inject her soulful voice into top 40 radio with catchphrases like “Don’t need no hateration, holleration in this dancery.” “Family Affair” became Blige’s first and only Hot 100 chart-topper, showcasing her versatility and mainstream appeal.
17. Linkin Park – “In the End”
Linkin Park’s “In the End” has taken on new resonance since Chester Bennington’s passing, but its emotional weight was always profound. The song’s potent vocal interplay, melodic layering, and production depth create an anthem of hopelessness that paradoxically inspires. “In the End” became a defining song for Linkin Park and a touchstone for millions of fans, forever linked to Bennington’s legacy.
16. Aaliyah – “Rock the Boat”
Aaliyah’s “Rock the Boat” is characterized by its hypnotizing groove and sensual lyrics, radiating a laid-back vibe perfectly captured in its beachside music video. Tragically, Aaliyah died in a plane crash after filming this video, but “Rock the Boat” lives on as a testament to her artistry. The Grammy-nominated song has been sampled in tracks by Kanye West and The Weeknd, further extending its influence.
15. Weezer – “Island in the Sun”
Weezer’s “Island in the Sun,” from the Green Album, is a feel-good vacation anthem. Rivers Cuomo, after the critical and commercial flop of Pinkerton, seemingly embraced pop sensibilities, creating a punchy and transportive track. “Island in the Sun,” with its upbeat yet laid-back vibe, became one of Weezer’s most-licensed songs and a timeless summer classic.
14. Usher – “U Got It Bad”
Usher’s “U Got It Bad” is an R&B heartbreak ballad elevated by Usher’s nuanced performance. With a desolate opening, skittering rhythm, and a memorable guitar solo, the song’s restrained emotion conveys a fractured emotional state. “U Got It Bad” became Usher’s third Hot 100 No. 1, solidifying his status as an R&B icon.
13. Nelly feat. City Spud – “Ride Wit Me”
Nelly’s “Ride Wit Me” is instantly a party starter. From the opening guitar riff to its DeBarge-interpolating lines and anthemic chorus, the song is packed with earworm hooks. “Ride Wit Me,” with its radio-friendly sound and catchy production, became a career-defining hit for Nelly.
12. Christina Aguilera, Lil Kim, Mya, & P!nk – “Lady Marmalade”
Christina Aguilera, Lil Kim, Mya, and P!nk’s “Lady Marmalade” is an all-star collaboration. Originally by Labelle, this updated version, produced by Missy Elliott and Rockwilder, added hip-hop elements to the original’s brew. Associated with Moulin Rouge!, “Lady Marmalade” topped the Hot 100 for a second time, showcasing the power of female collaboration and musical reinvention.
11. Shaggy feat. Ricardo “RikRok” Ducent – “It Wasn’t Me”
Shaggy’s “It Wasn’t Me” became a global shorthand for sexual indiscretion. This reggae pop hit features a relatable scenario: seeking advice after being caught cheating. Shaggy’s advice – “deny, deny, deny” – became culturally ubiquitous. The “Shaggy Defense” even became a legal term, demonstrating the song’s far-reaching cultural impact.
10. Jay-Z – “Izzo (H.O.V.A.)”
Jay-Z’s “Izzo (H.O.V.A.)” from The Blueprint is an instant anthem over a soulful Kanye West beat sampling Jackson 5. Jay-Z’s slick singsong hook and confident lyrics schooled listeners on street smarts and celebrated his musical dominance. “Izzo (H.O.V.A.)” became Jay-Z’s first Hot 100 top 10 hit as a lead artist, solidifying his status as a hip-hop icon.
9. The Strokes – “Last Nite”
The Strokes’ “Last Nite,” with its iconic one-note riff, injected fun back into rock music in 2001. Nick Valensi’s bluesy guitar solo and Julian Casablancas’ howling vocals defined the song’s raw energy. Despite angsty lyrics, “Last Nite’s” lively nature made it a perfect singalong anthem, creating a timeless and healing juxtaposition. “Last Nite” remains a defining track for The Strokes and the garage rock revival.
8. Alicia Keys – “Fallin'”
Alicia Keys made a powerful entrance with “Fallin’,” the debut single from Songs in A Minor. From the opening a cappella notes, Keys silenced the room with her flawless vocals and piano skills. “Fallin’,” seemingly interpolating James Brown, showcased Keys’ unique blend of soul, R&B, and classical influences. Despite initial skepticism, “Fallin'” spent six weeks at No. 1 and earned Keys five Grammy Awards, establishing her as a major force in music.
7. Eve feat. Gwen Stefani – “Let Me Blow Ya Mind”
Eve and Gwen Stefani’s “Let Me Blow Ya Mind” is a powerhouse female hip-hop collaboration. Stefani’s breathy chorus perfectly complements Eve’s confident swagger over a Dr. Dre beat. The playful music video further enhances the song’s appeal. “Let Me Blow Ya Mind” peaked at No. 2 on the Hot 100 and earned the inaugural Grammy Award for best rap/sung collaboration, solidifying its place as a landmark female hip-hop track.
6. Daft Punk – “One More Time”
Daft Punk’s “One More Time” was a surprising and transformative release. Moving away from their earlier house sound, Daft Punk delivered a cheesy yet irresistible uber-pop anthem. “One More Time” spearheaded the early 2000s shift towards a more open-minded view of genres like disco, soft-rock, and bubblegum pop as cutting-edge. Its relentlessly skipping groove and Auto-Tuned vocals proved instantly enchanting and influential.
5. Shakira – “Whenever, Wherever”
Shakira’s “Whenever, Wherever” marked her English-language crossover and became her first Hot 100 hit. Written initially in Spanish, Shakira collaborated with Gloria Estefan to adapt the lyrics to English. With Andean instrumentation and unique lyrics (“Lucky that my breasts are small and humble, so you don’t confuse them with mountains”), “Whenever, Wherever” launched Shakira into international stardom and remains one of her signature songs.
4. Destiny’s Child – “Survivor”
Destiny’s Child’s “Survivor” emerged from a turbulent period in the group’s career and became one of the greatest girl group songs ever. Beyoncé, Kelly Rowland, and Michelle Williams transformed criticism into a Grammy-winning triumph. “Survivor” is a powerful anthem of female empowerment and resilience, adopted by many as a symbol of strength and unity, even serving as “a tool for national grief” after 9/11.
3. Britney Spears – “I’m a Slave 4 U”
Britney Spears’ “I’m a Slave 4 U” marked a dramatic shift in her image. At 19, Spears shed her “girl next door” persona and embraced her sexuality. The hip-hop-meets-electronic track, originally intended for Janet Jackson, possessed a grown-up sensibility that sparked controversy and paved the way for future pop stars to express themselves authentically. “I’m a Slave 4 U” remains one of Britney Spears’ greatest singles and a landmark moment in pop culture.
2. OutKast – “Ms. Jackson”
OutKast’s “Ms. Jackson” became their first Hot 100 No. 1, pushing the Atlanta duo into the pop mainstream after years of pushing boundaries in Southern rap. Over a syncopated beat and samples, André 3000 and Big Boi address “baby mamas’ mamas,” offering both apology and castigation. “Ms. Jackson” showcases OutKast’s yin-yang chemistry and remains an exemplar of their innovative and genre-bending sound.
1. Missy Elliott – “Get Ur Freak On”
Missy Elliott’s “Get Ur Freak On” is an unstoppable and unmatchable smash. Missy and Timbaland pushed boundaries, creating a trailblazingly bizarre song that set trends in pop and hip-hop for years to come. Drawing from global sounds, including Punjabi melodies and Hindi samples, “Get Ur Freak On” is both sonically innovative and lyrically quotable. The hypnotic music video further cemented the song’s iconic status. “Get Ur Freak On” is a testament to Missy Elliott’s artistic genius and her ability to rewrite the rules of top 40 music, solidifying her place as a true innovator.
