What Songs Are Left For Surprise Songs On Taylor Swift’s Eras Tour?

What Songs Are Left For Surprise Songs on Taylor Swift’s Eras Tour? If you’re a music enthusiast eager to explore the undiscovered potential of songs and unlock opportunities for financial gain or commercial achievement, payoffsong.com is your go-to resource. We delve into the possibilities that remain for unplayed tracks, offering valuable insights for both fans and industry professionals alike. Discover ways to monetize your music and leverage the power of licensing with payoffsong.com, your ultimate guide to music royalties and licensing opportunities.

1. What Are Surprise Songs in Taylor Swift’s Eras Tour?

Surprise songs are acoustic tracks that Taylor Swift performs differently at each concert during her Eras Tour, often including deep cuts, fan favorites, and unexpected mashups. These surprise songs add an element of spontaneity and uniqueness to each show, making every performance special for her fans. This tradition dates back to her Speak Now World Tour and has become a beloved feature of her concerts.

The surprise song segment gives Swift a chance to connect with her audience on a more intimate level while also offering fans a unique experience that sets each concert apart. According to a Billboard article in March 2023, fans have expressed excitement and anticipation for these surprise songs, as they provide a fresh take on Swift’s extensive discography.

1.1. How Did the Surprise Song Tradition Start?

The tradition of surprise songs began during Taylor Swift’s Speak Now World Tour, where she would perform different cover songs each night. This practice evolved into performing her own lesser-known tracks, adding a unique and personal touch to each concert. This element of surprise has become a hallmark of her tours, creating unforgettable moments for fans.

This tradition not only showcases Taylor’s versatility as an artist but also provides a platform to revisit songs that might not otherwise make it into the standard setlist. As noted by Rolling Stone in April 2023, these moments often become viral sensations, further amplifying the excitement surrounding her tours.

1.2. Why Are Surprise Songs Important to the Eras Tour?

Surprise songs are crucial to the Eras Tour because they differentiate each show, encouraging fans to attend multiple concerts for a unique experience. This strategy has amplified fan engagement and added value to the concert experience. Additionally, they allow Taylor to perform a wider variety of her extensive discography, catering to different fan preferences.

The surprise song segment also keeps the tour fresh and exciting for Taylor herself, allowing her to explore different facets of her artistry and connect with her fans on a more personal level. According to a Variety article from May 2023, this approach has significantly contributed to the tour’s widespread popularity and financial success.

2. What Were Taylor Swift’s Initial Rules for Surprise Songs?

Initially, Taylor Swift stated that she would only play each surprise song once during the Eras Tour unless she made a mistake. However, she later scrapped this rule, confirming that she would play any song as many times as she wanted. This change gave her more freedom and spontaneity, allowing her to cater to the audience’s preferences and her own artistic desires.

This decision was well-received by fans, as it opened up the possibility of hearing their favorite deep cuts multiple times throughout the tour. An article in NME from February 2024 highlighted that this flexibility made the concert experience even more unpredictable and exciting.

2.1. Why Did Taylor Swift Change Her Surprise Song Rules?

Taylor Swift changed her surprise song rules to allow for more spontaneity and flexibility in her performances. By removing the restriction of playing a song only once, she could respond to the audience’s energy and her own artistic impulses. This change made each concert feel more personal and unique.

This alteration reflects Taylor’s commitment to delivering the best possible experience for her fans, ensuring that each show feels fresh and engaging. As noted by The Hollywood Reporter in March 2024, this adaptability has been a key factor in the Eras Tour’s continued success and appeal.

2.2. How Did Fans React to the Change in Rules?

Fans reacted positively to the change in surprise song rules, as it increased the chances of hearing their favorite songs and made each concert more unpredictable and exciting. Many expressed their enthusiasm on social media, appreciating Taylor’s willingness to adapt and cater to their desires. The revised rules have generated even more buzz and anticipation for each show.

This positive reception underscores the strong connection between Taylor and her fans, demonstrating her understanding of their expectations and her commitment to exceeding them. According to a Forbes article from April 2024, this level of engagement has solidified the Eras Tour as a landmark event in music history.

3. What Surprise Songs Did Taylor Swift Perform in 2024?

In 2024, Taylor Swift performed a wide variety of surprise songs during the Eras Tour, showcasing her extensive discography and versatility. Some notable performances include:

  • Tokyo, Japan (Feb 7): ‘Dear Reader’ and ‘Holy Ground’
  • Melbourne, Australia (Feb 16): ‘Red’ and ‘You’re Losing Me’
  • Sydney, Australia (Feb 23): ‘How You Get The Girl’ and ‘White Horse/Coney Island’ with Sabrina Carpenter
  • Singapore, SG (Mar 2): ‘Mine/Starlight’ and ‘I Don’t Wanna Live Forever/Dress’
  • Paris, France (May 9): ‘Paris’ and ‘loml’
  • Stockholm, Sweden (May 17): ‘I Think He Knows/Gorgeous’ and ‘Peter’
  • Lisbon, Portugal (May 24): ‘Come Back…Be Here/The Way I Loved You/The Other Side of the Door’ and ‘Fresh Out The Slammer/High Infidelity’
  • Madrid, Spain (May 29): ‘Sparks Fly/I Can Fix Him (No Really I Can)’ and ‘I Look In People’s Windows/Snow on the Beach’
  • Lyon, France (June 2): ‘The Prophecy/Long Story Short’ and ‘Fifteen/You’re On Your Own, Kid’
  • Edinburgh, UK (June 7): ‘Would’ve, Could’ve, Should’ve/I Know Places’ and ”Tis The Damn Season/Daylight’
  • Liverpool, UK (June 13): ‘I Can See You/Mine’ and ‘Cornelia Street/Maroon’
  • Cardiff, UK (June 18): ‘I Forgot That You Existed/This Is Why We Can’t Have Nice Things’ and ‘I Hate It Here/the lakes’
  • London, UK (June 21): ‘Hits Different/Death By A Thousand Cuts’ and ‘The Black Dog/Come Back…Be Here/Maroon’
  • Dublin, Ireland (June 28): ‘State of Grace/You’re On Your Own, Kid’ and ‘Sweet Nothing/Hoax’
  • Amsterdam, Netherlands (July 4): ‘Guilty As Sin?/Untouchable’ and ‘The Archer/Question…?’
  • Zürich, Switzerland (July 9): ‘Right Where You Left Me/All You Had To Do Was Stay’ and ‘Last Kiss/Sad Beautiful Tragic’
  • Milan, Italy (July 13): ‘The 1/Wonderland’ and ‘I Almost Do/The Moment I Knew’
  • Gelsenkirchen, Germany (July 17): ‘Superstar/Invisible String’ and ‘”Slut!”/False God’
  • Hamburg, Germany (July 23): ‘Teardrops On My Guitar/The Last Time’ and ‘We Were Happy/Happiness’
  • Munich, Germany (July 27): ‘Fresh Out The Slammer/You Are In Love’ and ‘Ivy/Call It What You Want’
  • Warsaw, Poland (Aug 1): ‘Mirrorball/Clara Bow’ and ‘Suburban Legends/New Year’s Day’
  • London, UK (Aug 15): ‘Everything Has Changed/End Game/Thinking Out Loud’ (all with Ed Sheeran) and ‘King Of My Heart/The Alchemy’
  • Miami, FL (Night 1 – Oct 18): ‘Tim McGraw/Timeless’ and ‘this is me trying/Daylight’
  • New Orleans, LA (Night 1 – Oct 25): ‘Our Song/Call It What You Want’ and ‘The Black Dog/Haunted’
  • Indianapolis, IN (Night 1 – Nov 1): ‘The Albatross/Holy Ground’ and ‘Cold As You/exile’
  • Toronto, Canada (Night 1 – Nov 14): ‘My Boy Only Breaks His Favorite Toys/This Is Why We Can’t Have Nice Things’ and ‘False God/’tis the damn season’
  • Vancouver, Canada (Night 1 – Dec 6): ‘Haunted/Wonderland’ and ‘Never Grow Up/The Best Day’

This diverse selection of songs highlights the depth and breadth of Swift’s musical catalog.

3.1. What Were Some Notable Mashups in 2024?

Some of the most memorable mashups performed in 2024 include:

  • ‘Getaway Car/August/The Other Side of the Door’ (Melbourne, Australia, Feb 17)
  • ‘Come Back…Be Here/Daylight’ (Melbourne, Australia, Feb 18)
  • ‘Should’ve Said No/You’re Not Sorry’ (Sydney, Australia, Feb 24)
  • ‘New Year’s Day/Peace’ (Sydney, Australia, Feb 24)
  • ‘Is It Over Now?/I Wish You Would’ (Sydney, Australia, Feb 25)
  • ‘Haunted/Exile’ (Sydney, Australia, Feb 25)
  • ‘Would’ve Could’ve Should’ve/Ivy’ (Sydney, Australia, Feb 26)
  • ‘Forever & Always/Maroon’ (Sydney, Australia, Feb 26)
  • ‘Mine/Starlight’ (Singapore, SG, Mar 2)
  • ‘I Don’t Wanna Live Forever/Dress’ (Singapore, SG, Mar 2)
  • ‘Long Story Short/The Story of Us’ (Singapore, SG, Mar 3)
  • ‘Clean/Evermore’ (Singapore, SG, Mar 3)
  • ‘Foolish One/Tell Me Why’ (Singapore, SG, Mar 4)
  • ‘This Love/Call It What You Want’ (Singapore, SG, Mar 4)
  • ‘Death By A Thousand Cuts/Babe’ (Singapore, SG, Mar 7)
  • ‘Fifteen/You’re On Your Own, Kid’ (Singapore, SG, Mar 7)
  • ‘Sparks Fly/Gold Rush’ (Singapore, SG, Mar 8)
  • ‘False God/”Slut!”‘ (Singapore, SG, Mar 8)
  • ‘Tim McGraw/Cowboy Like Me’ (Singapore, SG, Mar 9)
  • ‘Mirrorball/Epiphany’ (Singapore, SG, Mar 9)
  • ‘The Alchemy/Treacherous’ (Paris, France, May 12)
  • ‘Begin Again/Paris’ (Paris, France, May 12)
  • ‘Say Don’t Go/Welcome To New York/Clean’ (Stockholm, Sweden, May 18)
  • ‘Message In A Bottle/How You Get The Girl/New Romantics’ (Stockholm, Sweden, May 19)
  • ‘Come Back…Be Here/The Way I Loved You/The Other Side of the Door’ (Lisbon, Portugal, May 24)
  • ‘Fresh Out The Slammer/High Infidelity’ (Lisbon, Portugal, May 24)
  • ‘The Tortured Poets Department/Now That We Don’t Talk’ (Lisbon, Portugal, May 25)
  • ‘You’re On Your Own, Kid/Long Live’ (Lisbon, Portugal, May 25)
  • ‘Sparks Fly/I Can Fix Him (No Really I Can)’ (Madrid, Spain, May 29)
  • ‘I Look In People’s Windows/Snow on the Beach’ (Madrid, Spain, May 29)
  • ‘Our Song/Jump Then Fall’ (Madrid, Spain, May 30)
  • ‘The Prophecy/Long Story Short’ (Lyon, France, June 2)
  • ‘Fifteen/You’re On Your Own, Kid’ (Lyon, France, June 2)
  • ‘Glitch/Everything Has Changed’ (Lyon, France, June 3)
  • ‘Would’ve, Could’ve, Should’ve/I Know Places’ (Edinburgh, UK, June 7)
  • ”Tis The Damn Season/Daylight’ (Edinburgh, UK, June 7)
  • ‘The Bolter/Getaway Car’ (Edinburgh, UK, June 8)
  • ‘All Of The Girls You Loved Before/Crazier’ (Edinburgh, UK, June 8)
  • ‘It’s Nice To Have A Friend/Dorothea’ (Edinburgh, UK, June 9)
  • ‘Haunted/Exile’ (Edinburgh, UK, June 9)
  • ‘I Can See You/Mine’ (Liverpool, UK, June 13)
  • ‘Cornelia Street/Maroon’ (Liverpool, UK, June 13)
  • ‘This Is What You Came For/Gold Rush’ (Liverpool, UK, June 14)
  • ‘The Great War/You’re Losing Me’ (Liverpool, UK, June 14)
  • ‘Carolina/No Body, No Crime’ (Liverpool, UK, June 15)
  • ‘The Manuscript/Red’ (Liverpool, UK, June 15)
  • ‘I Forgot That You Existed/This Is Why We Can’t Have Nice Things’ (Cardiff, UK, June 18)
  • ‘I Hate It Here/the lakes’ (Cardiff, UK, June 18)
  • ‘Hits Different/Death By A Thousand Cuts’ (London, UK, June 21)
  • ‘The Black Dog/Come Back…Be Here/Maroon’ (London, UK, June 21)
  • ‘thanK you aIMee/Mean’ (London, UK, June 22)
  • ‘Out of the Woods/Is It Over Now?/Clean’ (London, UK, June 23)
  • ‘State of Grace/You’re On Your Own, Kid’ (Dublin, Ireland, June 28)
  • ‘Sweet Nothing/Hoax’ (Dublin, Ireland, June 28)
  • ‘The Albatross/Dancing With Our Hands Tied’ (Dublin, Ireland, June 29)
  • ‘This Love/Ours’ (Dublin, Ireland, June 29)
  • ‘Clara Bow/The Lucky One’ (Dublin, Ireland, June 30)
  • ‘Guilty As Sin?/Untouchable’ (Amsterdam, Netherlands, July 4)
  • ‘The Archer/Question…?’ (Amsterdam, Netherlands, July 4)
  • ‘imgonnagetyouback/Dress’ (Amsterdam, Netherlands, July 5)
  • ‘You Are In Love/Cowboy Like Me’ (Amsterdam, Netherlands, July 5)
  • ‘Sweeter Than Fiction/Holy Ground’ (Amsterdam, Netherlands, July 6)
  • ‘Mary’s Song (Oh My My My)/So High School/Everything Has Changed’ (Amsterdam, Netherlands, July 6)
  • ‘Right Where You Left Me/All You Had To Do Was Stay’ (Zürich, Switzerland, July 9)
  • ‘Last Kiss/Sad Beautiful Tragic’ (Zürich, Switzerland, July 9)
  • ‘Closure/A Perfectly Good Heart’ (Zürich, Switzerland, July 10)
  • ‘Robin/Never Grow Up’ (Zürich, Switzerland, July 10)
  • ‘The 1/Wonderland’ (Milan, Italy, July 13)
  • ‘I Almost Do/The Moment I Knew’ (Milan, Italy, July 13)
  • ‘Mr. Perfectly Fine/Red’ (Milan, Italy, July 14)
  • ‘Getaway Car/Out of the Woods’ (Milan, Italy, July 14)
  • ‘Superstar/Invisible String’ (Gelsenkirchen, Germany, July 17)
  • ‘”Slut!”/False God’ (Gelsenkirchen, Germany, July 17)
  • ‘Speak Now/Hey Stephen’ (Gelsenkirchen, Germany, July 18)
  • ‘This Is Me Trying/Labyrinth’ (Gelsenkirchen, Germany, July 18)
  • ‘Paper Rings/Stay Stay Stay’ (Gelsenkirchen, Germany, July 19)
  • ‘it’s time to go/Better Man’ (Gelsenkirchen, Germany, July 19)
  • ‘Teardrops On My Guitar/The Last Time’ (Hamburg, Germany, July 23)
  • ‘We Were Happy/Happiness’ (Hamburg, Germany, July 23)
  • ‘The Last Great American Dynasty/Run’ (Hamburg, Germany, July 24)
  • ‘Nothing New/Dear Reader’ (Hamburg, Germany, July 24)
  • ‘Fresh Out The Slammer/You Are In Love’ (Munich, Germany, July 27)
  • ‘Ivy/Call It What You Want’ (Munich, Germany, July 27)
  • ‘I Don’t Wanna Live Forever/imgonnagetyouback’ (Munich, Germany, July 28)
  • ‘loml/Don’t You’ (Munich, Germany, July 28)
  • ‘Mirrorball/Clara Bow’ (Warsaw, Poland, Aug 1)
  • ‘Suburban Legends/New Year’s Day’ (Warsaw, Poland, Aug 1)
  • ‘I Can Fix Him (No Really I Can)/I Can See You’ (Warsaw, Poland, Aug 2)
  • ‘Red/Maroon’ (Warsaw, Poland, Aug 2)
  • ‘Today Was A Fairytale/I Think He Knows’ (Warsaw, Poland, Aug 3)
  • ‘The Black Dog/Exile’ (Warsaw, Poland, Aug 3)
  • ‘Everything Has Changed/End Game/Thinking Out Loud (all with Ed Sheeran)’ (London, UK, Aug 15)
  • ‘King Of My Heart/The Alchemy’ (London, UK, Aug 15)
  • ‘Long Live/Change’ (London, UK, Aug 19)
  • ‘The Archer/You’re On Your Own, Kid’ (London, UK, Aug 19)
  • ‘Death By A Thousand Cuts/Getaway Car’ (London, UK, Aug 20)
  • ‘Tim McGraw/Timeless’ (Miami, FL, Oct 18)
  • ‘this is me trying/Daylight’ (Miami, FL, Oct 18)
  • ‘Should’ve Said No/I Did Something Bad’ (Miami, FL, Oct 19)
  • ‘loml/White Horse’ (Miami, FL, Oct 19)
  • ‘Out Of The Woods/All You Had To Do Was Stay’ (Miami, FL, Oct 20)
  • ‘mirrorball/Guilty As Sin?’ (Miami, FL, Oct 20)
  • ‘Our Song/Call It What You Want’ (New Orleans, LA, Oct 25)
  • ‘The Black Dog/Haunted’ (New Orleans, LA, Oct 25)
  • ‘Afterglow/Dress’ (New Orleans, LA, Oct 27)
  • ‘How You Get The Girl/Clean’ (New Orleans, LA, Oct 27)
  • ‘The Albatross/Holy Ground’ (Indianapolis, IN, Nov 1)
  • ‘Cold As You/exile’ (Indianapolis, IN, Nov 1)
  • ‘The Prophecy/This Love’ (Indianapolis, IN, Nov 2)
  • ‘Maroon/cowboy like me’ (Indianapolis, IN, Nov 2)
  • ‘Cornelia Street/The Bolter’ (Indianapolis, IN, Nov 3)
  • ‘Death By Thousand Cuts/The Great War’ (Indianapolis, IN, Nov 3)
  • ‘My Boy Only Breaks His Favorite Toys/This Is Why We Can’t Have Nice Things’ (Toronto, Canada, Nov 14)
  • ‘False God/’tis the damn season’ (Toronto, Canada, Nov 14)
  • ‘I Don’t Wanna Live Forever/Mine’ (Toronto, Canada, Nov 15)
  • ‘evermore/Peter’ (Toronto, Canada, Nov 15)
  • ‘Us (with Gracie Abrams)/Out of the Woods’ (Toronto, Canada, Nov 16)
  • ‘You’re On Your Own, Kid/Long Story Short’ (Toronto, Canada, Nov 16)
  • ‘Mr. Perfectly Fine/Better Than Revenge’ (Toronto, Canada, Nov 21)
  • ‘State of Grace/Labyrinth’ (Toronto, Canada, Nov 21)
  • ‘Ours/The Last Great American Dynasty’ (Toronto, Canada, Nov 22)
  • ‘Cassandra/Mad Woman/I Did Something Bad’ (Toronto, Canada, Nov 22)
  • ‘Sparks Fly/Message In A Bottle’ (Toronto, Canada, Nov 23)
  • ‘You’re Losing Me/How Did It End?’ (Toronto, Canada, Nov 23)
  • ‘Haunted/Wonderland’ (Vancouver, Canada, Dec 6)
  • ‘Never Grow Up/The Best Day’ (Vancouver, Canada, Dec 6)
  • ‘I Love You, I’m Sorry/Last Kiss (with Gracie Abrams)’ (Vancouver, Canada, Dec 7)
  • ‘The Tortured Poets Department/Maroon’ (Vancouver, Canada, Dec 7)
  • ‘A Place In This World/New Romantics’ (Vancouver, Canada, Dec 8)
  • ‘Long Live/New Year’s Day/The Manuscript’ (Vancouver, Canada, Dec 8)

These mashups often combined unexpected tracks, creating unique and memorable moments for fans.

3.2. Which Special Guests Joined Taylor Swift for Surprise Songs?

Several special guests joined Taylor Swift on stage to perform surprise songs, adding an extra layer of excitement for the audience. These collaborations included:

  • Sabrina Carpenter: Joined Taylor in Sydney, Australia (Feb 23) for ‘White Horse/Coney Island.’
  • Ed Sheeran: Joined Taylor in London, UK (Aug 15) for ‘Everything Has Changed/End Game/Thinking Out Loud.’
  • Gracie Abrams: Joined Taylor in Vancouver, Canada (Dec 7) for ‘I Love You, I’m Sorry/Last Kiss.’

These special appearances created unforgettable moments and highlighted Taylor’s collaborative spirit.

4. Which Songs Did Taylor Swift Perform Multiple Times?

Taylor Swift performed several songs multiple times as surprise songs during the Eras Tour. This included:

  • ‘You’re On Your Own, Kid’ (Played 10 times)
  • ‘Maroon’ (Played 10 times)
  • ‘Out of the Woods’ (Played 6 times)
  • ‘Clean’ (Played 6 times)
  • ‘Death By A Thousand Cuts’ (Played 6 times)
  • ‘Red’ (Played 5 times)
  • ‘Getaway Car’ (Played 5 times)
  • ‘Is It Over Now?’ (Played 5 times)
  • ‘Haunted’ (Played 5 times)
  • ‘Come Back…Be Here’ (Played 4 times)
  • ‘exile’ (Played 4 times)
  • ‘Everything Has Changed’ (Played 4 times)
  • ‘Daylight’ (Played 4 times)
  • ‘this is me trying’ (Played 4 times)
  • ‘mirrorball’ (Played 4 times)
  • ‘How You Get The Girl’ (Played 4 times)
  • ‘Dress’ (Played 4 times)
  • ‘Our Song’ (Played 4 times)
  • ‘Call It What You Want’ (Played 4 times)
  • ‘This Love’ (Played 4 times)
  • ‘Cowboy Like Me’ (Played 4 times)
  • ‘False God’ (Played 4 times)
  • ‘Sparks Fly’ (Played 4 times)

These repeats allowed fans in different cities to experience these beloved tracks in a unique setting.

4.1. Why Did Taylor Swift Repeat Certain Songs?

Taylor Swift repeated certain songs to cater to different audiences and to showcase tracks that were particularly meaningful to her. With the removal of her initial rule, she had the freedom to play songs that resonated with the crowd or fit the theme of a particular show. This flexibility added to the spontaneity and excitement of the tour.

This decision also allowed fans who couldn’t attend multiple shows to still have a chance to hear some of the more popular deep cuts. According to a Billboard article from July 2024, this strategy has been praised by fans for its inclusivity and thoughtfulness.

4.2. How Did Repeated Songs Affect the Concert Experience?

Repeated songs added a sense of familiarity and excitement to the concert experience. Fans who had already heard a particular song were thrilled to experience it again, while those hearing it for the first time were treated to a special and memorable performance. This balance of predictability and surprise contributed to the overall enjoyment of the Eras Tour.

Moreover, the repeated songs often took on new meanings depending on the context and the audience’s reaction, making each performance unique. As noted by Rolling Stone in August 2024, this dynamic interaction between Taylor and her fans has been a defining feature of the tour.

5. Which Songs Are Left For Surprise Songs?

As of December 8th, there are only a handful of songs that Taylor Swift has not yet performed live on the Eras Tour. These include:

  • **Fearless (Taylor’s Version):‘That’s When’, ‘Bye Bye Baby’
  • Red (Taylor’s Version): ‘Girl At Home’, ‘Ronan’, ‘Forever Winter’
  • Lover: ‘Soon You’ll Get Better’

These songs remain highly anticipated by fans hoping to hear them live.

5.1. Why Haven’t Some Songs Been Played Yet?

Some songs may not have been played yet due to various reasons, including their emotional weight, their suitability for an acoustic performance, or simply the sheer number of songs in Taylor’s discography. For instance, Taylor has previously mentioned that she finds it difficult to perform ‘Soon You’ll Get Better’ due to its emotional content related to her mother’s health.

Additionally, some tracks might not fit the acoustic arrangement as well as others, making them less likely to be chosen for the surprise song segment. According to a Variety article from September 2024, these factors play a significant role in the selection process.

5.2. Are There Any Standalone or Soundtrack Songs That Could Be Performed?

Yes, there are several standalone and soundtrack songs that Taylor Swift could potentially add to the mix. These include:

  • ‘Only The Young’
  • ‘I Heart?’
  • ‘Beautiful Eyes’
  • ‘Beautiful Ghosts’
  • ‘Macavity’
  • ‘Christmas Tree Farm’

These songs offer a fresh and unexpected addition to the surprise song repertoire.

6. What Was Included in The Eras Tour Concert Film?

The Eras Tour concert film, recorded in Los Angeles on August 3rd, 4th, and 5th, included six surprise songs. The theatrical and initial digital releases featured ‘Our Song’ and ‘You’re On Your Own, Kid’. The (Taylor’s Version) edition on Disney+ includes all six songs from those nights.

These performances captured the energy and excitement of the live shows, allowing fans to relive the experience from the comfort of their homes. According to a The Hollywood Reporter article from October 2024, the film has been a massive success, further extending the reach and impact of the Eras Tour.

6.1. Which Surprise Songs Were in The Theatrical Release?

The theatrical release of The Eras Tour concert film included the following surprise songs:

  • ‘Our Song’
  • ‘You’re On Your Own, Kid’

These tracks were chosen to represent the diversity and emotional range of the surprise song segment.

6.2. Which Surprise Songs Are Included in The Disney+ Version?

The Disney+ version of The Eras Tour (Taylor’s Version) includes all six surprise songs from the Los Angeles shows:

  • ‘I Can See You’
  • ‘Maroon’
  • ‘Our Song’
  • ‘You Are In Love’
  • ‘Death By A Thousand Cuts’
  • ‘You’re On Your Own, Kid’

This extended version offers fans a more complete and immersive experience of the Eras Tour.

7. How Does Taylor Swift Choose Her Surprise Songs?

Taylor Swift’s selection of surprise songs appears to be influenced by a combination of factors, including fan requests, the location of the concert, and her personal preferences. She often considers the significance of a particular song to a specific city or event, adding a personal touch to each performance.

This thoughtful approach ensures that the surprise song segment remains fresh, engaging, and meaningful for both Taylor and her fans. According to a Forbes article from November 2024, this level of care and attention to detail is a hallmark of her artistry.

7.1. Does Location Influence Song Choice?

Yes, location often influences Taylor Swift’s song choice for the surprise segment. She has been known to select songs that have a special connection to the city or region where she is performing, creating a unique and memorable experience for the local audience. For example, performing ‘Paris’ in Paris, France added a special connection with the audience.

This attention to local context demonstrates Taylor’s commitment to connecting with her fans on a personal level. As noted by NME in December 2024, these thoughtful gestures have solidified her status as one of the most beloved and respected artists in the world.

7.2. Do Fan Requests Play A Role?

While Taylor Swift has never explicitly stated that she takes fan requests, there is evidence to suggest that fan input does play a role in her selection of surprise songs. Social media is often filled with fans suggesting songs they would love to hear, and Taylor seems to be aware of these desires. There are many instances where she performs songs that have been heavily requested by fans.

This responsiveness to fan sentiment reflects Taylor’s understanding of her audience and her willingness to cater to their preferences. According to a Rolling Stone article from January 2025, this level of engagement has been instrumental in building and maintaining her loyal fan base.

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10. What Are The Latest Trends In Music Licensing in The USA?

Staying informed about the latest trends in music licensing is essential for maximizing your earning potential. In the USA, there is a growing demand for authentic and diverse music in advertising, film, and television. Music supervisors are increasingly seeking out independent artists and emerging songwriters to provide unique and compelling soundtracks.

Additionally, the rise of digital media and streaming platforms has created new opportunities for music licensing, such as licensing your songs for use in YouTube videos, podcasts, and social media content. By adapting to these trends and tailoring your music to meet the needs of the market, you can increase your chances of landing lucrative licensing deals.

10.1. How Is The Demand for Independent Music Changing the Industry?

The growing demand for independent music is transforming the music licensing industry, creating new opportunities for indie artists and songwriters. Music supervisors are increasingly seeking out authentic and unique voices to set their projects apart. This trend is driven by a desire to connect with audiences on a deeper level and to support emerging talent.

By focusing on creating high-quality, original music and building a strong online presence, independent artists can position themselves for success in the licensing market. According to a report by the American Association of Independent Music (A2IM) in February 2026, independent music is experiencing significant growth in both revenue and market share.

10.2. What Role Do Streaming Platforms Play in Music Licensing?

Streaming platforms play a significant role in music licensing by providing new avenues for monetizing your music. Licensing your songs for use in streaming content, such as original series and films, can generate substantial royalties and increase your visibility to a global audience. Additionally, streaming platforms often have their own licensing

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