The Vietnam War was a deeply divisive period in history, and as with any significant social upheaval, music played a crucial role in reflecting and shaping public sentiment. From outright protest anthems to songs capturing the era’s anxieties and calls for peace, “Vietnam Song” became a powerful voice. This article explores iconic tracks that resonated during this tumultuous time, offering a glimpse into the musical landscape of the Vietnam War era.
‘War’ – Edwin Starr (1970)
Opening our list is the explosive “War” by Edwin Starr. While simple in its lyrical message – “(War, huh) yeah! (What is it good for?) absolutely nothing” – its impact is undeniable. This psychedelic soul and funk masterpiece transcends mere sentiment through Starr’s electrifying delivery. His charismatic ad-libs and dynamic performance with the backing vocalists inject raw passion into the song. Remarkably a cover, Starr truly embodies the track, transforming it into his signature protest anthem. Released in 1970, as the Vietnam War raged on and public disillusionment grew, “War” became an immediate and enduring anti-war classic, capturing the frustration and futility many felt.
‘Get Together’ – The Youngbloods (1967)
Moving into the heart of the “Flower Power” movement, we find “Get Together” by The Youngbloods. This 1967 track is an embodiment of the era’s yearning for unity, harmony, and peace. It’s no surprise that “vietnam song” from this period often carried such themes, reflecting the widespread dissent against the Vietnam War and the social fractures within society. The verses feature delicately vulnerable vocals, building into a chorus that is both yearning and uplifting. Lyrics like “try to love one another right now” became rallying cries for a generation seeking solidarity and an end to conflict. The song’s outro serves as a powerful exclamation point, emphasizing the urgent need for collective understanding and peace during a time of war.
‘The End’ – The Doors (1967)
While not explicitly about Vietnam, “The End” by The Doors resonates deeply with the war’s atmosphere, particularly after its iconic use in Apocalypse Now. This inclusion might be seen as thematic interpretation, but the song’s power to evoke the era’s mood is undeniable. The Doors, with their groundbreaking debut album, became synonymous with the burgeoning youth culture of 1967. Their music, provocative and vibrant, mirrored the increasing boldness of young people challenging societal norms and questioning the Vietnam War. “The End,” the album’s intense closer, showcases Jim Morrison at his most lyrically potent and vocally captivating, complemented by Robby Krieger’s ominous guitar work. The song’s tone and underlying sense of resignation mirrored the growing sentiment towards the war, especially after the Tet Offensive in 1968. This turning point revealed the unwinnable nature of the conflict to many in the USA. Even if not initially conceived as a “vietnam song,” retrospectively, “The End”‘s somber and fatalistic undertones became deeply intertwined with the post-1968 experience of the Vietnam War.
