In a recent interview, Hozier, the acclaimed Irish singer-songwriter, revealed insights into his creative process and hinted at a forthcoming song inspired by a unique literary figure. Speaking backstage at Ascend Amphitheater in Nashville, Hozier discussed his fascination with Virgil, the poet who guides Dante through hell in Dante Alighieri’s epic poem Inferno, the very foundation of his latest album, Unreal Unearth.
Hozier mused on Virgil’s intriguing fate in Inferno: despite leading Dante through the harrowing nine circles of hell, Virgil is ultimately denied entry into paradise. This resonated deeply with the artist, prompting him to explore this narrative in song. “I think there’s something interesting about that,” Hozier stated, elaborating on his perspective. “I think if we were to write that story now with our current… You know, there’s an argument for Dante saying ‘no.’ He could resist the logic or the matrix of thinking that damns Virgil to remain in the space that he just walked him through.”
Hozier backstage at Ascend Amphitheater in Nashville, discussing his new song inspired by Virgil.
This contemplation has led to the creation of a new Hozier song, offering a fresh perspective on Virgil’s destiny. “I wrote a song that tries to re-approach that outcome,” Hozier shared, exciting fans with the prospect of hearing this new material. While the release isn’t imminent, Hozier suggested it could see the light of day next year. “I think we might release it next year, I’m not sure,” he added, leaving an air of anticipation among his fanbase eager for “Hozier New Song” releases.
Beyond this Virgil-inspired track, Hozier alluded to other unreleased songs delving into the Inferno theme. However, he’s currently holding back on releasing them, explaining, “I thought that it felt too much like a book report, you know what I mean? It’s too close to the text. You’d need to have an understanding of the text to see these references.” Despite this hesitation for immediate release, he hinted at a potential “extended project of some kind” next year, suggesting fans might get to hear more of these Inferno-influenced songs in the future.
Nashville holds a special place for Hozier, serving as a creative hub for his music. “I have spent more time in this city than most American cities in the last year,” he revealed. Nashville’s appeal for Hozier is multifaceted. “I rehearse for tours here in Nashville. And more than 50% of my touring band right now are Nashville-based musicians,” he explained, highlighting the city’s vibrant music scene and talent pool. The logistical advantages, including rehearsal spaces and gear storage, further solidify Nashville’s importance to his work.
Recently, Hozier collaborated with country star Maren Morris for “CMT Crossroads,” an experience that allowed him to further explore Nashville’s local scene. He recounted visiting Mickey’s Tavern, a dive bar on the East Side, enjoying a casual game of pool, immersing himself in the city’s laid-back atmosphere.
Another notable collaboration for Hozier is with Brandi Carlile on the song “Damage Gets Done.” He spoke highly of Carlile, describing her as “amazing… a force of nature. She never slows down.” Their connection dates back to Newport Folk Festival years ago, where Carlile covered Hozier’s “Work Song.” Hozier praised Carlile’s vocal prowess: “There are very few voices like Brandi’s. She has this soaring, very courageous sort of quality. Such great strength.” He felt her powerful voice was essential for “Damage Gets Done,” and was grateful she made time in her busy schedule to contribute to the track.
In a lighter vein, Hozier offered a glimpse into his digital habits and musical tastes. When asked about his screen time, Hozier admitted, “OK, I would say my screen time is well over 7 hours [a day], something like that.” Despite being digitally connected, Hozier also remains deeply rooted in music discovery. He shared his current song obsession: “Half Blind” by Ye Vagabonds, an Irish folk duo. He praised their music and particularly the poignant lyrics of “Half Blind,” quoting, “I’ve fallen foul of my desires. Forsaking love for being admired. Reaching ever more than what I require.”
Hozier’s insights reveal an artist deeply engaged with literature, music, and the world around him. The anticipation for “hozier new song” releases, especially the Virgil-inspired track, is now higher than ever, promising fans another layer of depth and artistry from this compelling musician.
