Dusty Springfield remains an icon, celebrated as one of the most significant and influential female vocalists to emerge from the 1960s and beyond. Affectionately known as the ‘Queen of Blue-Eyed Soul’, her distinctive voice, impeccable style, and masterful song selection cemented her legacy in pop and soul music. Even after her passing in 1999, Dusty Springfield’s music continues to resonate with audiences worldwide. Whether you’re a devoted fan or new to her incredible catalog, join us as we explore 10 of her greatest songs that showcase her unparalleled talent.
1. ‘Nothing Has Been Proved’
Dusty Springfield and Pet Shop Boys performing "Nothing Has Been Proved" in a promotional still, highlighting their successful collaboration and the song's connection to the film Scandal.
Released in early 1989, ‘Nothing Has Been Proved’ marked the second successful collaboration between Dusty Springfield and the Pet Shop Boys. Written by Neil Tennant and Chris Lowe specifically for the film Scandal, which depicted the Profumo affair, the song intricately narrates the real-life events of the scandal. Cleverly, it mentions the key figures, including Christine Keeler and Stephen Ward, by their first names, adding a layer of intrigue and intimacy to the storytelling. The song’s sophisticated synth-pop arrangement, characteristic of the Pet Shop Boys, perfectly complemented Dusty’s emotive vocals, resulting in a hit that highlighted her enduring relevance in a changing musical landscape.
2. ‘Wishin’ and Hopin”
Dusty Springfield performing "Wishin' and Hopin'" on a black and white television program, showcasing her early career and the song's classic appeal.
‘Wishin’ and Hopin” is a classic example of Burt Bacharach and Hal David’s songwriting genius. Originally recorded by Dionne Warwick, the songwriting duo recognized Dusty Springfield’s unique vocal qualities and persuaded her to record her own version. While it wasn’t a massive hit in the UK upon its initial release, ‘Wishin’ and Hopin” has grown into one of Dusty’s most beloved and recognizable songs. Its gentle melody and heartfelt lyrics about young love have ensured its timeless appeal. Notably, a cover version by Ani DiFranco gained renewed popularity after being featured in the opening sequence of the 1995 romantic comedy My Best Friend’s Wedding, introducing the song to a new generation.
3. ‘Spooky’
Dusty Springfield in a 1970s performance of "Spooky", emphasizing her soulful rendition of the song and her evolving style.
‘Spooky’, with its distinctive saxophone riff and mysterious atmosphere, began its life as an instrumental piece by saxophonist Mike Sharpe. It later became a vocal hit for Classics IV before Dusty Springfield put her signature soulful spin on it in 1970. Dusty’s rendition of ‘Spooky’ is arguably the most famous vocal version, transforming the tune into a sultry and captivating performance. Her version leans into the song’s inherent moodiness, making it a popular choice, particularly around Halloween, but its appeal extends far beyond seasonal playlists, showcasing Dusty’s versatility in interpreting diverse musical styles.
4. ‘I Only Want to Be With You’
Dusty Springfield in a vibrant performance of "I Only Want to Be With You" in 1964, highlighting her energetic stage presence and the song's upbeat tempo.
‘I Only Want to Be With You’ holds a significant place in Dusty Springfield’s career as her debut solo single. Released in 1964, it stormed into the UK top five, instantly establishing her as a major solo artist. The song, with its infectious energy and relatable lyrics about devotion, became one of her signature tunes. Its enduring popularity is evident in the numerous covers it has inspired across genres, from the Bay City Rollers’ pop version to The Tourists’ new wave interpretation (featuring Annie Lennox) and Samantha Fox’s pop-rock take, proving the song’s universal appeal and Dusty’s definitive original performance.
5. ‘The Look of Love’
Dusty Springfield performing "The Look of Love" live, in a sophisticated setting that complements the song's smooth and jazzy feel.
Another gem from the songwriting partnership of Burt Bacharach and Hal David, ‘The Look of Love’ was originally created for the 1967 James Bond spoof Casino Royale. The song’s creation is steeped in cinematic inspiration; Bacharach himself stated that the melody came to him while watching Ursula Andress in an early cut of the film, perfectly capturing her allure. Dusty Springfield’s breathy and sensual delivery made ‘The Look of Love’ an instant classic. The song’s sophisticated jazz-infused arrangement and evocative lyrics earned it an Academy Award nomination, further solidifying its place in both film and music history as one of Dusty’s most iconic recordings.
6. ‘I Just Don’t Know What To Do With Myself’
Dusty Springfield emotionally singing "I Just Don't Know What To Do With Myself", capturing the raw emotion of the song in a live performance.
‘I Just Don’t Know What To Do With Myself’, another Bacharach/David composition, was first recorded by Tommy Hunt. However, it was Dusty Springfield who transformed it into a major hit in 1964. Her powerful and emotionally charged rendition resonated deeply with audiences, making it a defining song of her early career. The song’s theme of heartbreak and helplessness has been revisited by many artists, including Dionne Warwick, who also delivered a notable version, and even The White Stripes, who offered a surprising hard rock interpretation, showcasing the song’s versatility and Dusty’s definitive take.
7. ‘You Don’t Have to Say You Love Me’
‘You Don’t Have to Say You Love Me’ became Dusty Springfield’s biggest hit, reaching number one in the UK and number four in the US in 1965. The song originated as an Italian ballad, but Dusty’s powerful English-language version catapulted it to international fame. The recording session for this track is legendary. Dissatisfied with the studio acoustics, Dusty famously moved into a stairwell to capture the desired sound. Her relentless pursuit of vocal perfection led to an astonishing 47 takes before she was finally satisfied, a testament to her commitment to her craft and the song’s enduring quality.
8. ‘Goin’ Back’
Dusty Springfield in a vintage BBC performance of "Goin' Back" from 1966, showing her in her signature 60s style and delivering a soulful rendition.
Written by the prolific songwriting duo Carole King and Gerry Goffin, ‘Goin’ Back’ delves into themes of nostalgia and the longing for lost innocence. The lyrics poignantly describe the bittersweet transition from youth to adulthood and the desire to recapture simpler times. Goldie of Goldie & the Gingerbreads was the first to record ‘Goin’ Back’, though her version faced release issues. Carole King herself recorded it before ultimately offering it to Dusty Springfield. Dusty’s version, released in 1966, perfectly captures the song’s reflective mood. Interestingly, The Byrds’ 1967 cover of ‘Goin’ Back’ caused creative friction within the band, ultimately contributing to David Crosby’s departure, highlighting the song’s impact and varied interpretations.
9. ‘What Have I Done To Deserve This?’ (with Pet Shop Boys)
Pet Shop Boys and Dusty Springfield in the music video for "What Have I Done To Deserve This?", a visually striking representation of their successful collaboration.
‘What Have I Done To Deserve This?’ marked a spectacular career resurgence for Dusty Springfield. The song was conceived by Pet Shop Boys members Neil Tennant and Chris Lowe, along with Allee Willis. Tennant, a long-time admirer of Dusty, had always hoped to collaborate with her. Initially, Dusty’s management was hesitant, but the phenomenal global success of Pet Shop Boys’ debut album Please changed their perspective. The resulting collaboration was magical. ‘What Have I Done To Deserve This?’ reached number two in both the UK and US charts, revitalizing Dusty’s career and introducing her to a new generation of listeners, proving her timeless appeal and ability to adapt to contemporary sounds.
10. ‘Son of a Preacher Man’
Dusty Springfield in a classic pose from the "Dusty in Memphis" era, embodying the soulful and iconic style associated with "Son of a Preacher Man".
‘Son of a Preacher Man’ is arguably Dusty Springfield’s most iconic song, recorded for her seminal 1968 album Dusty in Memphis. Songwriters John Hurley and Ronnie Wilkins were originally commissioned by Jerry Wexler to write a song for Aretha Franklin. Recalling Aretha’s upbringing as the daughter of a preacher, they swiftly crafted this soulful narrative. While Aretha Franklin initially recorded a version, it was ultimately deemed not quite right for her album at the time, and the song was offered to Dusty instead. This proved to be a serendipitous decision. Dusty’s sultry and nuanced rendition of ‘Son of a Preacher Man’ became an instant classic. Its resurgence in popularity in 1994, thanks to its prominent inclusion in Quentin Tarantino’s Pulp Fiction, cemented its status as a timeless masterpiece and a cornerstone of Dusty Springfield’s incredible musical legacy.
