The quest for pristine audio conversion is a never-ending journey for audio professionals. In the realm of mastering and mixing, the digital-to-analog converter (DAC) and analog-to-digital converter (ADC) play a crucial role in shaping the final sonic output. Online forums are abuzz with discussions comparing various high-end converters, and the Dangerous Convert-2 frequently emerges as a contender. This article delves into user experiences with the Dangerous Convert-2 and its sibling, the Convert-8, to understand if they live up to the hype and whether they can handle even the most demanding, or what one might call a “Dangerous Song”.
User Review Insights: Dangerous Convert-2 and Convert-8 in Action
Two experienced users, known as DarkWoods and Fred, shared their insights on the Gearspace forum, providing valuable real-world perspectives on these converters.
DarkWoods’ Realistic Vocal Experience with Convert-2
DarkWoods initially tested the Dangerous Convert-2 and was immediately struck by its ability to render vocals with exceptional realism. He described the sound as “almost as if it wasn’t a recording,” drawing a comparison to the desirable qualities of analog sound. Beyond vocals, DarkWoods noted the Convert-2’s superiority over his previous Lynx Hilo converter in terms of overall sound quality, dynamics, and imaging.
However, DarkWoods also pointed out a specific characteristic of the Convert-2’s stereo imaging. He perceived it as slightly wider than other converters, creating a somewhat “flattened shallow ‘U’ soundstage.” While appreciating the width and the maintained strength of the center image, he missed a sense of depth and the distinct 3D localization of elements within the stereo field. Additionally, he observed a slight emphasis on the higher frequencies, which, while contributing to a sense of detail, felt a bit pronounced across all audio material.
Fred’s Confirmation and Convert-8 Experience
Fred’s experience largely corroborated DarkWoods’ findings. Having tested both the Convert-2 and the eight-channel Convert-8, Fred confirmed their identical sonic signature. This led him to choose the Convert-8 to integrate with his analog summing setup. He echoed the observation of a widened stereo panorama, extending towards the edges, but importantly, also reinforced that this widening did not compromise the center image integrity. Fred nuanced DarkWoods’ “flattened soundstage” description, arguing that the mid-range depth and details remained “very vivid.”
Fred particularly praised the Convert-8’s low-end response, describing it as “dry, punchy, fast and coherent,” a quality he hadn’t encountered in other converters. This extended low-frequency reproduction enhanced his appreciation for his speaker system. He also acknowledged the slightly elevated upper-mid and high-end frequencies, interpreting them as contributing to “depth,” “details,” and “air,” albeit subtly. Fred, like DarkWoods, considered this characteristic a subtle nuance rather than an overbearing trait. For his mixing workflow, Fred found these “features” beneficial, and he would confidently use the Convert-8 for monitoring as well, highlighting its versatility.
The Clocking Advantage
An additional benefit Fred highlighted was the high-quality digital clock integrated within the Convert units. He now utilizes it as the master clock for his entire studio, noting that it improved the sound of his Mytek 8×192 converter, making it sound “less…Mytek.” This underscores the significant role of clocking in overall digital audio performance.
Conclusion: Worth the Investment?
Both DarkWoods and Fred concluded that the Dangerous Convert-2 (and by extension, Convert-8) are exceptional sounding converters worthy of consideration. While DarkWoods ultimately returned the Convert-2 due to personal preferences regarding stereo imaging nuances, both reviewers clearly recognized its sonic strengths, particularly in vocal realism, detailed high-frequency reproduction, and impactful low-end. For professionals seeking high-fidelity conversion and potentially a master clock upgrade, the Dangerous Convert series presents a compelling option, even if the investment requires parting with “some money.” Whether it can tame a truly “dangerous song” – a complex mix with challenging sonic elements – seems highly likely based on these user experiences, suggesting these converters offer a revealing and potentially transformative listening experience.
