Thirty years ago, Billy Joel declared The River Of Dreams to be his final album. While many artists have announced “final” albums, Joel has largely stuck to his word, with only a few new songs released since. Recently, he surprised fans with a new ballad, “Turn the Lights Back On,” and marked his return to the Grammy Awards stage after three decades to perform it. This comeback has sparked renewed interest in his extensive catalog and enduring legacy.
Despite the limited new releases, Billy Joel’s status as a live performer remains undiminished. He continues to sell out arenas and stadiums, and his long-running residency at Madison Square Garden, which began in January 2014, is nearing its conclusion in July 2024. This sustained popularity underscores the timeless appeal of his music and the deep connection he has forged with audiences over decades.
While some fans eagerly await more new material, Joel himself seems content with his existing body of work. The final track on The River of Dreams, “Famous Last Words,” with its line, “And these are the last words I have to say/It’s always hard to say goodbye/But now it’s time to put this book away,” suggests a sense of closure and artistic fulfillment.
His impressive discography boasts over thirty Top 40 hits, but beyond the singles, Billy Joel’s albums are filled with exceptional tracks and hidden gems. This list attempts to rank some of his best songs, venturing beyond the well-known hits to highlight some deep cuts that deserve wider recognition. Explore these selections and rediscover the brilliance of the Piano Man.
20. “Big Shot (live)” from ‘Kohuept’ (1987)
“Big Shot” endures as a quintessential rock anthem of scorn, its biting lyrics and Steve Khan’s electrifying opening riff setting a tone of raw energy. This live rendition from Kohuept captures the song’s visceral power. Contrary to the urban legend linking its inspiration to Bianca Jagger after a date with Joel, the Piano Man later clarified that the song emerged from observing Bianca and Mick Jagger, adopting Mick’s perspective singing to Bianca. The song’s sharp wit and rock edge make it a live favorite.
19. “Vienna” from ‘The Stranger’ (1977)
In “Vienna,” Joel crafted a timeless reflection on aging and the wisdom it brings, a song that resonates even more profoundly with each passing year since its 1977 release on The Stranger. It’s a poignant reminder to appreciate the gift of growing older, an opportunity not afforded to everyone. The song’s gentle melody and thoughtful lyrics offer solace and perspective, making it a track to revisit for its enduring life lessons.
18. “Goodnight Saigon” from ‘The Nylon Curtain’ (1982)
Decades after the Vietnam War, the weight of “Goodnight Saigon” remains palpable. This powerful ballad from The Nylon Curtain transcends specific conflicts, becoming an anthem for soldiers on any frontline. While the specifics of war may change – music preferences shifting from “our Doors tapes” and entertainment evolving beyond Bob Hope’s U.S.O. – the underlying emotions of soldiers remain universal. “Goodnight Saigon” is a stark reminder of war’s harsh realities and the ongoing need to support veterans upon their return home.
17. “To Make You Feel My Love” from ‘Greatest Hits Volume III’ (1997)
While this list primarily features songs penned by Billy Joel, Bob Dylan’s “To Make You Feel My Love” is a notable exception, not considered a cover in this context. Joel’s rendition, featured on Greatest Hits Volume III, predates Dylan’s own release on Time Out Of Mind. Columbia Records sought a new track for the hits compilation, and label president Don Ienner presented Dylan’s song to Joel. Joel recounted to David Letterman that upon hearing it, he was immediately captivated. Covered by artists ranging from Garth Brooks to Adele, Joel’s version stands out as a definitive interpretation, capturing the song’s heartfelt emotion.
16. “The Entertainer” from ‘Streetlife Serenade’ (1974)
“The Entertainer” from Streetlife Serenade is a masterclass in understated irony. Set against a jaunty, upbeat melody, the lyrics cleverly lament the compromises and pressures of rock star life. The song’s brilliance lies in its juxtaposition: the lighthearted music contrasting sharply with the cynical portrayal of navigating fame and commercial demands. It’s a witty commentary on the music industry, disguised as a catchy tune.
15. “Movin’ Out (Anthony’s Song)” from ‘The Stranger’ (1977)
“Movin’ Out (Anthony’s Song)” from The Stranger is a prescient critique of hustle culture, long before the term became mainstream. In the 1970s context, “hustle” meant chasing aspirational symbols like a house in Hackensack or a Cadillac. Today, it often signifies the struggle for basic survival amidst economic inequality. The song’s core message remains relevant: a life consumed by work, devoid of leisure, ultimately lacks purpose. Its relatable themes of ambition and work-life balance continue to resonate across generations.
14. “The Longest Time” from ‘An Innocent Man’ (1983)
An Innocent Man was Billy Joel’s tribute to his pre-Beatles musical influences, with the title track echoing the style of Ben E. King and The Drifters, reminiscent of “Stand By Me.” “The Longest Time,” also from An Innocent Man, embodies this doo-wop spirit. The lyrics depict a narrator attempting to reassure a hesitant lover, acknowledging her past hurts (“I know you’re only protecting yourself/I know you’re thinking of somebody else/Someone who hurt you.”) while expressing his commitment to earning her trust and love (“But I’m not above making up for the love/You’ve been denying you could ever feel/I’m not above doing anything/To restore your faith if I can.”). The song’s hopeful message and classic sound make it a standout from the album.
13. “Allentown” from ‘The Nylon Curtain’ (1982)
“Allentown” from The Nylon Curtain is a song of complex interpretations. While explicitly referencing Allentown, Pennsylvania, and Bethlehem Steel, its themes resonate with any blue-collar town in America facing economic hardship. Interestingly, Allentown’s current mayor, Matt Turek, expressed his dislike for the song to NPR, stating it feels outdated and misrepresents the city’s current vibrancy. Despite the local perspective, “Allentown” remains a powerful commentary on industrial decline and the struggles of working-class communities, capturing a specific moment in American history and its enduring impact.
12. “Sometimes A Fantasy (live)” from ‘Koheupt’ (1987)
Billy Joel’s historic 1987 concerts in Russia, documented in Kohuept, were not without their challenges. A notable on-stage outburst during “Sometimes a Fantasy” occurred at one performance, though not captured in the album’s live version. The Kohuept rendition, however, showcases the band’s energy and enjoyment, particularly their playful incorporation of “Be-Bop-A-Lula.” This live track highlights the raw energy and spontaneity of Joel’s performances during this era.
11. Tony Bennett and Billy Joel – “New York State of Mind” from ‘Playin’ With My Friends: Bennett Sings The Blues’ (2001)
“New York State of Mind,” penned during Joel’s move from Los Angeles back to New York, felt instantly like a classic entry into the “Great American Songbook” upon its original release on Turnstiles in 1976. Numerous renditions exist, including a memorable live version from “The Concert For NYC” and Joel’s duet with Tony Bennett on his Live At Shea Stadium album. However, the subtle and nuanced version recorded for Bennett’s 2001 album, Playin’ With My Friends: Bennett Sings The Blues, stands out as the definitive interpretation. This version emphasizes the song’s reflective and intimate qualities, moving beyond stadium anthems to reveal its soulful core.
10. “Prelude/Angry Young Man (live)” from ‘Kohuept’ (1987)
The “Prelude” section of this live performance from Kohuept allows Billy Joel and his band to display their musical virtuosity. Joel’s piano work in “Prelude” is a nod to surf guitar influences, creating an unexpected instrumental showcase. “Angry Young Man,” originally from 1976’s Turnstiles, seems to foreshadow the punk rock movement. The lyrics, from an older narrator’s perspective, observe the “angry young man” with a mix of empathy and resignation, noting, “I believe I’ve passed the age of consciousness /And righteous rage/I found that just surviving was a noble fight/I once believed in causes too/I had my pointless point of view/And life went on no matter who was wrong or right.” This pairing of instrumental prowess and lyrical observation creates a powerful and thought-provoking track.
9. “An Innocent Man” from ‘An Innocent Man’ (1983)
The album An Innocent Man was conceived as Billy Joel’s homage to the music he loved before the Beatles era, with the title track specifically inspired by Ben E. King and The Drifters, evoking a “Stand By Me” atmosphere. The lyrics of “An Innocent Man,” the song, portray a narrator earnestly trying to reassure a potential partner, acknowledging her past relationship wounds (“I know you’re only protecting yourself/I know you’re thinking of somebody else/Someone who hurt you.”) while declaring his genuine intentions and willingness to work for her love (“But I’m not above making up for the love/You’ve been denying you could ever feel/I’m not above doing anything/To restore your faith if I can.”). The song’s sincerity and classic ballad style contribute to its enduring appeal.
8. “The Stranger” from ‘The Stranger’ (1977)
“The Stranger” from The Stranger is instantly recognizable for its iconic whistle solo, undoubtedly one of the best in music history, and Hiram Bullock’s memorable guitar riff. Beyond its musical hooks, the song itself remains enigmatic and thought-provoking. It delves into the complexities of human identity, suggesting that everyone harbors hidden facets, even from those closest to them (“Did you ever let your lover/See the stranger in yourself?”). These multiple personas, often developed for self-protection or social navigation, highlight the ongoing internal struggle to reconcile different aspects of oneself.
7. “Miami 2017 (Seen The Lights Go Out On Broadway)(live)” from ‘Songs In The Attic’ (1981)
Billy Joel has stated that “Miami 2017 (Seen The Lights Go Out On Broadway)” was written while he lived in Los Angeles, inspired by news reports of New York City’s financial troubles. He envisioned a dystopian future New York, where the narrator witnesses the city’s collapse (“watched the mighty skyline fall.”). Set in the then-distant future of 2017, the song is framed as a grandfather recounting these events to his grandchildren. The vivid imagery is so compelling it’s surprising it hasn’t been adapted into a film or Broadway show. While Joel performed a moving version at Madison Square Garden for The Concert for New York City after 9/11, this live rendition from MSG in 1980, featured on Songs In The Attic, is considered the definitive version, capturing the song’s dramatic intensity.
6. “Captain Jack (Live April 1972 at Sigma Sound Studios, WMMR)” (1972)
Featured on his 1973 album Piano Man, the story of “Captain Jack” truly begins with this live recording from a radio concert at Sigma Sound Studios in Philadelphia, broadcast on WMMR. The song became immensely popular with the station’s listeners, generating such demand that New York stations sought copies for airplay, even before its official album release. This radio airplay was instrumental in Joel’s signing with Columbia Records. “Captain Jack” is often misinterpreted, similar to how Bruce Springsteen’s “Born in the U.S.A.” is often taken as patriotic. While some perceive “Captain Jack” as glorifying drug use, it’s actually a cautionary narrative about suburban alienation and escapism. This live version captures the raw energy that propelled the song to early fame.
5. “Piano Man” from ‘Piano Man’ (1973)
Billy Joel’s debut single, “Piano Man,” perfectly captures the atmosphere of a 1970s piano bar, which, indeed, was its inspiration. Joel, working as a piano player in a bar, based the song’s characters on patrons he encountered: John at the bar, Paul the “real estate novelist,” and the waitress with political aspirations. Like many of his most enduring songs, “Piano Man” resonates because of its relatable truthfulness. The line, “They’re sharing a drink they call loneliness/But it’s better than drinkin’ alone,” encapsulates a universal aspect of human connection and the social function of bars. The song’s narrative and singalong chorus have made it a timeless classic.
4. “The Ballad of Billy The Kid (live)” from ‘Songs In The Attic’ (1981)
Leave it to Billy Joel to find a romantic link between Old West legends and a local bartender. “The Ballad of Billy The Kid,” while loosely based on the historical outlaw, culminates in a verse referencing a bartender Joel knew on Long Island, blending historical narrative with personal observation. The live version on Songs In The Attic elevates the song with a unique grandeur, enhancing its storytelling and theatrical quality. This rendition showcases the song’s dramatic potential and Joel’s ability to connect grand narratives with everyday life.
3. “Only The Good Die Young” from ‘The Stranger’ (1977)
In a March 2023 interview with the Los Angeles Times, Joel reflected on the complexities of his hit “Only The Good Die Young” from The Stranger. He admitted, “It’s occurred to me recently that I’m trying to talk some poor innocent woman into losing her virginity because of my lust. It’s kind of a selfish song — like, who cares what happens to you? What about what I want?” However, he contextualized it within its time, “But on the other hand, it was of its time. This was written in the mid-’70s, and I was trying to seduce girls. Why bulls— about it?” Joel’s honesty is refreshing, and the song’s masterful construction is undeniable. Credit is also due to drummer Liberty DeVitto for the song’s iconic drum fill at the beginning. Despite its potentially problematic lyrical content viewed through a modern lens, “Only The Good Die Young” remains a powerful and perfectly crafted rock song.
2. “Say Goodbye to Hollywood” from ‘Songs In The Attic’ (1981)
“Say Goodbye to Hollywood” from Songs In The Attic is a deliberate musical tribute to Ronnie Spector and the production style of her ex-husband, Phil Spector, closely mirroring the sound of “Be My Baby.” Ronnie Spector herself appreciated the homage so much that she recorded her own version, backed by Bruce Springsteen’s E Street Band, which helped revitalize her career. This song is a testament to Joel’s musical versatility and his ability to channel classic pop influences into his own distinct style.
1. “Scenes From An Italian Restaurant” from ‘The Stranger’ (1977)
“Scenes From An Italian Restaurant” from The Stranger holds the top spot, despite never being released as a single, likely due to its seven-and-a-half-minute length and its structure as three songs in one. It begins by setting the scene in an Italian restaurant, where two friends are meeting to reminisce. The second section depicts them catching up on their lives – “Things are okay with me these days/Got a good job, got a good office/Got a new wife, got a new life/And the family’s fine.” Then, the song delves into the central narrative, “Brenda and Eddie,” recounting their tumultuous relationship. Beyond the musical complexity, the lyrics showcase Joel’s exceptional storytelling ability, a skill first evident in “Piano Man.” “Scenes From An Italian Restaurant” is a masterpiece of songwriting, blending narrative, melody, and musical arrangement into a truly unforgettable track, solidifying its place as the top Billy Joel song.
