The 1990s. A decade brimming with iconic moments – from the rise of the internet to unforgettable fashion trends and, of course, incredible music. In the realm of country music, the 90s were a truly golden era. As we revisit this remarkable time, it’s clear that 90s country music holds a special place in the hearts of fans worldwide, continuing to resonate with its unique blend of storytelling, catchy melodies, and heartfelt performances. Let’s dive into a curated list of 50 standout tracks that define why 90s country songs remain some of the best in the genre. Selected by our team of country music enthusiasts, get ready to explore the ultimate 90s country playlist. Let’s go girls!
50-41: Kicking off the Countdown of 90s Country Anthems
Starting our journey through the Best 90s Country Songs, we begin with Shania Twain’s empowering anthem, ‘That Don’t Impress Me Much’. This 1997 smash hit transcended genres, becoming a global phenomenon and showcasing Twain’s playful and confident persona. Though surprisingly, it didn’t top the US charts, its impact on pop culture is undeniable, cementing its place as a 90s country-pop staple.
Shania Twain in 'That Don't Impress Me Much' music video, exuding confidence and playful charm
Moving to number 49, we have ‘If I Know Me’ by the king of country himself, George Strait. This poignant piano ballad from 1991 displays Strait’s introspective side, exploring themes of self-awareness and regret in relationships. It’s a classic example of 90s country storytelling, using relatable scenarios and clever wordplay to draw listeners in.
Lorrie Morgan’s sassy ‘Except For Monday’ at number 48 offers a different perspective on heartbreak. This upbeat track from 1994 is a toe-tapping anthem for anyone who’s ever tried to put on a brave face after a breakup. Morgan’s performance is full of attitude, perfectly capturing the messy reality of moving on.
Steve Earle brings a unique sound to our list at number 47 with ‘Telephone Road (With The Fairfield Four)’. This 1997 gem, featuring gospel legends The Fairfield Four, is an uplifting and soulful tribute to small-town America. Earle’s signature blend of country and rock is elevated by the gospel harmonies, creating a truly joyous and powerful track.
Clay Walker’s dreamy ‘If I Could Make A Living’ from 1994 lands at number 46, painting a vivid picture of love as a career. With its catchy melody and ample fiddle, the song explores the charming idea of making a living simply by loving someone, resonating with its heartfelt and relatable lyrics about commitment and devotion.
Pam Tillis delivers a masterclass in country storytelling with ‘Maybe It Was Memphis’ at number 45. This 1991 hit is a nostalgic love story set in the sultry Southern night, highlighting Tillis’ exceptional vocal talent. The song’s evocative lyrics and timeless melody solidify its status as a 90s country classic, showcasing the genre’s storytelling prowess.
Clint Black brings the summer vibes with ‘Summer’s Comin’ at number 44. This 1994 honky-tonk anthem is pure fun, with Black taking a day off to hit the beach, cowboy hat and all. The music video perfectly encapsulates the lighthearted spirit of 90s country, blending traditional sounds with a touch of playful modernity.
Wynonna Judd’s powerful vocals shine on ‘Change The World’ at number 43. Originally recorded by Wynonna in 1993 before Eric Clapton’s more famous version, this track showcases her incredible vocal range and emotional depth. It marked a significant moment in her career as she transitioned into a crossover star, proving her vocal prowess.
Tracy Lawrence’s thought-provoking ‘If The World Had A Front Porch’ at number 42 offers a nostalgic look at simpler times. Released in 1995, the song yearns for a return to traditional values and community. The quirky music video, typical of the 90s, adds to the song’s charm, even with its somewhat bizarre CGI elements.
Jo Dee Messina’s sassy and fun ‘I’m Alright’ from 1998 rounds out this section at number 41. This singalong hit perfectly captures the carefree spirit of late 90s country. Messina’s energetic delivery and the song’s relatable lyrics about resilience and optimism made it a beloved anthem.
40-31: Exploring Alt-Country and Heartfelt Ballads
Entering the 40s, Son Volt’s ‘Back Into Your World’ at number 40 brings an alt-country flavor to our list. From their 1997 album Straightaways, this Byrdsian jangle-pop song highlights Jay Farrar’s songwriting talent and solidified his post-Uncle Tupelo career. It’s a reminder of the diverse sounds within 90s country, reaching beyond the mainstream.
Patty Loveless’ humorous and relatable ‘I Try To Think About Elvis’ at number 39 is a witty take on trying to forget an ex. Released in 1994, the song lists a string of distractions, from Elvis to Shakespeare, showcasing Loveless’s sassy delivery and the song’s clever concept about the challenges of moving on.
Dolly Parton, a country legend, graces our list at number 38 with ‘The Grass Is Blue’. The title track from her 1999 bluegrass album, this song is a masterclass in heartfelt bluegrass. Written during a short lunch break, it’s a testament to Parton’s songwriting genius and her ability to seamlessly blend traditional and contemporary sounds.
Marty Stuart’s ‘Tempted’ at number 37, though only peaking at number 5, is a Holler favorite. Released in 1991, it embodies Stuart’s dedication to country music’s roots while embracing the future. Its commercial success and catchy hooks demonstrate his understanding of the genre and its evolution.
Dwight Yoakam’s rock-infused ‘Fast As You’ at number 36 is a prime example of 90s country pushing boundaries. This 1993 hit blends country storytelling with rock and roll energy, marking a new era for Yoakam and showcasing the genre’s capacity to incorporate diverse musical styles.
The Chicks (formerly Dixie Chicks) make their first appearance at number 35 with the romantic ‘Cowboy Take Me Away’. This 1999 hit, inspired by Emily Strayer’s love story, features the trio’s signature harmonies and heartwarming lyrics about love and escape. Its enduring popularity highlights the timeless appeal of their music.
Randy Travis’ honest and heartfelt ‘Heart Of Hearts’ at number 34 comes from his 1991 platinum album High Lonesome. The song’s directness and focus on love and fidelity are characteristic of Travis’ traditional country style, resonating with its sincere portrayal of relationship struggles.
Reba McEntire and Linda Davis’ powerful duet ‘Does He Love You’ at number 33 is a classic love triangle ballad from 1993. Its dramatic narrative and vocal performances made it an instant hit. Reba’s re-recording of the song with Dolly Parton in 2021 proves its lasting impact and timeless themes.
Alison Krauss’ angelic voice shines on ‘Baby, Now That I’ve Found You’ at number 32. This 1995 Grammy-winning cover showcases Krauss’ unique bluegrass-infused country sound. While a cover of a 60s British soul song, Krauss made it her own, highlighting the cross-genre influences within 90s country.
Diamond Rio’s debut hit ‘Meet In The Middle’ at number 31 is a beautifully told story of love and compromise. Released in 1991, the song’s narrative about meeting halfway in relationships resonated deeply, becoming a defining song for the band and for 90s country storytelling itself.
30-21: From Dance Floors to Heartbreak Anthems
The Mavericks get the party started at number 30 with the horn-driven ‘Dance The Night Away’. This 1998 hit, with its infectious energy, catapulted the band to UK fame. Despite Raul Malo’s mixed feelings about its simplicity, its irresistible rhythm and fun-loving vibe make it a 90s country dance classic.
Chely Wright’s carefree ‘Single White Female’ at number 29 is her only number 1 hit on the Hot Country Songs chart. This upbeat and playful love song from 1999, inspired by lonely hearts ads, features Trisha Yearwood on backing vocals, adding to its country star power.
Lucinda Williams’ gritty ‘Can’t Let Go’ at number 28 represents the alt-country movement of the 90s. From her seminal 1998 album Car Wheels on a Gravel Road, this track embodies the raw freedom and emotional honesty that defined 90s alt-country, showcasing Williams’ unique voice.
John Prine’s masterful songwriting is on display with ‘All The Best’ at number 27. This 1991 song from The Missing Years album exemplifies Prine’s economic and poignant storytelling. Its tender yet bittersweet farewell to a lover is a testament to his lyrical genius and emotional depth.
k.d. lang’s iconic ‘Constant Craving’ at number 26 is a crossover gem from 1992. Co-written with Ben Mink, this song, released during a pivotal year for lang, transcends genre, winning a Grammy for Best Female Pop Vocal and solidifying her status as a groundbreaking artist.
Gretchen Peters’ storytelling prowess shines in ‘On A Bus To St. Cloud’ at number 25. Originally a hit for Trisha Yearwood in 1995, this song established Peters as a notable songwriter. Its evocative lyrics and relatable themes of journey and reflection have ensured its lasting appeal.
Garth Brooks’ signature song, ‘The Dance’, lands at number 24. From his debut album in 1989, this chart-topper has become one of Brooks’ most beloved tracks. Its poignant lyrics about love and loss resonate on multiple levels, making it a timeless country ballad.
Garth Brooks performing 'The Dance', a signature 90s country ballad
Shania Twain returns at number 23 with the sassy ‘Whose Bed Have Your Boots Been Under?’. This 1995 hit, co-written with Mutt Lange, was Twain’s first foray into country radio success. Its playful and assertive lyrics about infidelity are delivered with Twain’s signature confidence and humor.
Kenny Chesney’s heartfelt ‘That’s Why I’m Here’ at number 22 tells a compelling story of redemption and second chances. Released in 1997, the song’s narrative about overcoming addiction and seeking reconciliation resonated deeply, showcasing Chesney’s storytelling abilities.
Brooks & Dunn’s line-dancing anthem ‘Neon Moon’ at number 21 is pure 90s honky-tonk magic. This 1992 number 1 hit became synonymous with line dancing and neon-lit bars, its catchy melody and heartbroken lyrics creating an irresistible combination.
20-11: Approaching the Top 10 with Country Legends and Timeless Hits
Vince Gill’s deeply moving ‘Go Rest High On That Mountain’ at number 20 is a poignant reflection on loss and remembrance. Inspired by Keith Whitley’s passing, this 1995 song is one of country music’s most profound responses to death, with spiritual backing vocals from Ricky Skaggs and Patty Loveless.
Mary Chapin Carpenter’s feminist country classic ‘He Thinks He’ll Keep Her’ at number 19 is a powerful commentary on gender roles and societal expectations. Released in 1992, the song’s sharp lyrics dissect the realities of unequal partnerships and limited opportunities for women, making it a groundbreaking 90s country anthem.
The Judds’ unifying ‘Love Can Build A Bridge’ at number 18 is a testament to human connection. The title track of their last studio album in 1990, it served as a fitting farewell from the mother-daughter duo. Its message of hope and unity resonated deeply, becoming one of their most poignant hits.
Trisha Yearwood’s coming-of-age anthem ‘XXX’s and OOO’s (An American Girl)’ at number 17 perfectly captures the spirit of young womanhood. Released in 1994, it continues Yearwood’s tradition of singing to young girls on the cusp of adulthood, its relatable narrative ensuring its enduring popularity.
Travis Tritt’s high-energy ‘T-R-O-U-B-L-E’ at number 16 is a full-throttle country-rock party starter. This 1992 hit, with its driving guitar and fiddle, is the ultimate road trip song, embodying the rowdy side of 90s country.
Brooks & Dunn’s ‘Boot Scootin’ Boogie’ at number 15 is the signature line dance track of the 90s. From their 1991 debut album, this song ignited a global line dancing craze. Its infectious rhythm and fun lyrics made it a honky-tonk staple worldwide.
Reba McEntire’s iconic rendition of ‘Fancy’ at number 14 is a defining moment in 90s country. While originally by Bobbie Gentry, Reba made it her own in 1990, turning it into a theatrical and powerful performance piece. Its slightly edgy narrative and McEntire’s commanding vocals contributed to its iconic status.
Joe Diffie’s playful ‘Pickup Man’ at number 13 finds humor in truck culture. This 1993 hit, with its clever double entendre, playfully celebrates the joys of pickup truck ownership, predating the bro-country trend and solidifying Diffie’s place in 90s country.
Deana Carter’s summery and nostalgic ‘Strawberry Wine’ at number 12 is a coming-of-age classic. This 1996 CMA Song of the Year, with its pedal steel and Carter’s wispy vocals, evokes memories of youthful summers and first love, resonating with its timeless themes.
Tim McGraw’s energetic ‘I Like It, I Love It’ at number 11 is pure 90s country fun. This 1995 smash hit, with its irresistible hook, became a stadium anthem and even the official song for the Nashville Predators, showcasing its broad appeal and infectious energy.
10-1: The Top 10 Best 90s Country Songs – The Cream of the Crop
Entering the top 10 best 90s country songs, Alan Jackson’s ‘Chattahoochee’ at number 10 is a summer anthem that perfectly captures the spirit of 90s country. This 1993 hit is all about good times, simple pleasures, and youthful fun, with a memorable video that cemented its iconic status.
Tracy Byrd’s party-starting ‘Watermelon Crawl’ at number 9 is a line dance favorite from 1994. This stone-cold anthem encourages responsible partying with a fun, quirky twist, celebrating small-town life and good times.
LeAnn Rimes’ powerful ballad ‘How Do I Live’ at number 8 showcases incredible vocal talent. This 1997 Diane Warren-penned song, also famously recorded by Trisha Yearwood, stands the test of time, proving that great songs in the hands of great artists are timeless.
Shania Twain’s ‘Man! I Feel Like A Woman!’ at number 7 is an empowering anthem of female confidence. This 1997 hit, with its iconic “Let’s go girls!” intro, broke barriers and celebrated female empowerment in country music and beyond.
The Chicks’ ‘Wide Open Spaces’ at number 6 perfectly encapsulates youthful dreams and independence. This 1998 hit, with its story of seeking freedom and making your own way, resonated deeply with audiences and became one of their signature songs.
Garth Brooks’ ‘Friends In Low Places’ at number 5 is the quintessential 90s country bar anthem. This 1990 classic is a singalong staple in Nashville and beyond, its humorous and relatable lyrics about social faux pas making it eternally popular.
Iris DeMent’s contemplative ‘Let The Mystery Be’ at number 4 offers a moment of reflection. This 1992 gem from her debut album is a masterclass in simplicity, meditating on life’s unknowns and finding beauty in the questions, not just the answers.
Faith Hill’s crossover hit ‘This Kiss’ at number 3 is pure 90s whimsical fun. Released in 1998, it became one of her biggest hits, boosted by a memorable, fantasy-filled music video that epitomized the creativity of 90s music videos.
The Chicks’ poignant ‘Goodbye Earl’ at number 2 tackles a serious subject with dark humor and sweet harmonies. This 1999 song, addressing domestic violence with a revenge narrative, is both chilling and captivating, showcasing the trio’s storytelling and vocal power.
And finally, at number 1, the best 90s country song, is Martina McBride’s groundbreaking ‘Independence Day’. This 1993 masterpiece is a powerful and moving story of domestic struggle and liberation. With Gretchen Peters’ raw songwriting and McBride’s unmatched vocals, it’s a song that evokes deep emotion and resonates with anyone who has overcome adversity, making it a truly deserving number one. Let freedom ring indeed!
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Written by Ross Jones
Shania Twain 90s Country ArtistShania Twain
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