Naked Eyes’ rendition of “Always Something There to Remind Me” isn’t just a cover; it’s a definitive reimagining that catapulted the song into the synth-pop stratosphere of the 1980s. While the tune boasts a rich history, starting with Lou Johnson’s soulful 1964 hit and originating from the legendary Burt Bacharach, it’s the Naked Eyes version that often springs to mind for many. Even before diving into the story behind this iconic track, the unique McCartney-esque vocal melody and innovative instrumentation make it instantly recognizable as the Always Something There To Remind Me Song that stands apart.
Before Naked Eyes stamped their synth-pop signature on it, “Always Something There to Remind Me” journeyed through various interpretations. Lou Johnson first brought the Burt Bacharach and Hal David composition to the charts in 1964, showcasing its emotional core with a classic soul delivery. A fascinating glimpse into this era is available through a clip of Johnson performing the song on American Bandstand for Dick Clark. Bacharach himself even explored the tune’s versatility, creating a vibrant lounge version where the vocal melodies were cleverly translated into brass and strings, punctuated by the almost theatrical chorus of female voices exclaiming “Always something there to remind me!” Numerous artists in the 60s and 70s further explored the song’s appeal, setting the stage for its transformation in the following decade.
The 1980s marked the arrival of Naked Eyes and their synth-driven sound. Signed to EMI in 1982 on the strength of their demo tape, the duo began crafting their debut album. Serendipitously, “Always Something There to Remind Me” was among the tracks on that demo. The recording session for the album version at Abbey Road studios became a memorable night. As the story goes, the band spontaneously laid down the track, piecing together the lyrics from a phone call and reconstructing the music from memory. Adding to the evening’s surreal quality, amidst recording what would become their signature hit, Naked Eyes briefly joined a party hosted by Paul McCartney downstairs in the same legendary studio complex. Returning to the studio energized, they reportedly nailed the vocal track in a single take.
The McCartney connection, whether coincidental or inspirational, is palpable in the final recording. The vocal melody in Naked Eyes’ version carries a distinct McCartney-esque flavor, reminiscent of tracks like “Your Mother Should Know.” It’s easy to imagine the band, fresh from McCartney’s party, channeling that upbeat, melodic sensibility into their performance, unknowingly creating the definitive always something there to remind me song for a new generation.
The genius of the Naked Eyes rendition lies in its distinctive English-accented vocals coupled with a relentless stream of inventive instrumental textures and melodies. Perhaps the slightly hazy reconstruction from memory, rather than a strict imitation of previous versions, was the secret ingredient. No other rendition captures the immediate allure of that chiming intro. This entire melodic and instrumental landscape was freshly conceived, embodying the bold spirit of early MTV. Where previous versions leaned into a straightforward lounge rhythm, Naked Eyes injected a driving synth drum shuffle, propelling the always something there to remind me song into a more dynamic and contemporary realm.
Furthermore, the middle section in the Naked Eyes version is entirely unique. A menacing synth bassline takes center stage, weaving intricate scales, a stark contrast to the conventional upward key changes and soaring strings employed by other artists. Much like a classic Beatles track penned by Paul McCartney, these novel sonic touches elevate the relatively simple original song, transforming its three minutes into a captivating sonic journey. The song gracefully fades out on the chorus, leaving the listener with the undeniable sense that this is, indeed, the definitive version of “Always Something There to Remind Me.”
Growing up, Naked Eyes’ self-titled 1983 album held a cherished spot in my parents’ record collection. Listening to that album, and particularly this song, countless times (sandwiched between Michael Jackson’s Thriller and Phil Collins’ No Jacket Required) became a personal point of musical discovery. Later, as a musician myself, revisiting this track revealed layers of creativity that were truly awe-inspiring. While Naked Eyes’ time in the spotlight was relatively brief, their impact is undeniable. They gifted the world this exceptional pop gem, the always something there to remind me song that continues to resonate, alongside the anecdote of that impromptu Abbey Road party with McCartney, solidifying their place in music history.
