Tyler, the Creator, a name synonymous with controversy and innovation in modern hip-hop, needs little introduction. Known for his disregard for critics, his second album “Goblin” became a significant point of discussion upon its release. This track-by-track review delves into the complex and often polarizing world of “Goblin,” analyzing each song to understand its place within Tyler’s discography and its impact on the music scene. We explore the themes, production, and lyrical content that define each of Tyler The Creator Goblin Songs.
1. Goblin
The opening track, “Goblin,” immediately sets the album’s confrontational tone. Tyler addresses criticisms head-on, acknowledging his controversial lyrics while asserting his artistic freedom. As Aidan notes, Tyler uses this track to establish his worldview – one that often seems to reject external opinions. Immy points out that the focus on critics might make the album less relatable for some listeners, potentially diminishing some of Tyler’s appeal. Donny appreciates Tyler’s directness in addressing expectations and past work, particularly highlighting the line about the pressure to surpass his debut. The production is indeed tight, as Immy mentions, providing a solid foundation for Tyler’s assertive delivery and laying the groundwork for the sonic journey through Tyler the Creator Goblin songs.
2. Yonkers
“Yonkers,” already a standout track before the album’s release, remains compelling even with repeated listens. Aidan aptly states that context is almost irrelevant to its impact; the raw energy and unconventional style are undeniably captivating. Immy touches upon the over-analysis of “Yonkers” and its role in building hype for “Goblin.” She raises an interesting point about the album’s sequencing, finding it less conceptually cohesive than Tyler’s debut. “Yonkers,” however, remains a crucial piece in understanding Tyler the Creator Goblin songs due to its raw energy and iconic status.
3. Radicals
“Radicals” presents a conflicting message with its screamed declarations followed by a disclaimer. Aidan finds this disclaimer undermines the intended rebellious message. Immy echoes this sentiment, noting the ironic introduction from an artist who supposedly disregards public opinion. Despite its somewhat cheesy feel, as Immy suggests, “Radicals” has become an Odd Future anthem, proving its effectiveness in live settings. However, its studio version may lack the same impactful energy, making it a more divisive track among Tyler the Creator Goblin songs.
4. She (feat. Frank Ocean)
“She,” featuring Frank Ocean, is a standout collaboration. Aidan praises it highly, drawing a comparison to Erykah Badu’s guest spot on “You Got Me” in Frank Ocean’s chorus. The track creates an unsettling atmosphere, with Tyler’s screams and the girl’s screams adding to the tension. Donny initially felt underwhelmed by the beat, finding it boring and lacking direction. However, he acknowledges that the song has grown on him, though it remains a less favored track in his overall “Goblin” experience. Frank Ocean’s contribution significantly elevates “She” within the context of Tyler the Creator Goblin songs.
5. Transylvania
“Transylvania” showcases Tyler’s rapping at a faster pace, embracing a darker persona. Aidan connects Tyler’s identification with Dracula to his creation of aliases and characters. The track is filled with provocative and eyebrow-raising lyrics, typical of Tyler’s style, as Aidan points out. Donny highlights Left Brain’s production, praising the dirty sound and powerful drums and bass. The repetitive and aggressive lines contribute to the track’s raw and unsettling energy, characteristic of some of the more controversial Tyler the Creator Goblin songs.
Tyler, The Creator performing
6. Nightmare
“Nightmare” draws parallels to Eminem’s early work, particularly in its themes of self-hatred and apathy. Aidan points out the references to family and fame, reminiscent of Marshall Mathers’ narratives. The track balances honest introspection with disturbing imagery and cries of violence. Donny appreciates the standout line, “I ain’t killed myself yet and I already want my life back,” highlighting the track’s raw and honest portrayal of inner turmoil. “Nightmare” delves into the darker psyche explored within Tyler the Creator Goblin songs.
7. Tron Cat
“Tron Cat” is considered epic within the album’s context. Donny compares it to Tyler’s version of “Just Don’t Give A Fuck,” emphasizing its impactful presence within “Goblin.” He particularly loves the break with the line, “Victim, victim, honey you’re my fifth one…,” noting its great timing and delivery. “Tron Cat” stands out as a powerful and defining track among Tyler the Creator Goblin songs, showcasing Tyler’s ability to create intense and memorable moments.
8. Her
“Her” offers a more relatable and emotionally resonant track. Aidan identifies with the conflicting emotions of hating someone but still being drawn to them. Immy compares “Her” to “Sarah” from Tyler’s first album, noting improvements in production but a preference for Tyler’s flow on “Sarah.” She observes Tyler’s growth as a producer but suggests he could further develop as a rapper by collaborating with others. “Her” provides a moment of vulnerability within Tyler the Creator Goblin songs, exploring complex emotions.
9. Sandwitches (feat. Hodgy Beats)
“Sandwitches,” like “Yonkers,” was already familiar to many listeners. Aidan notes the “new intro,” while Donny, familiar with the iTunes version, finds it slightly stale. However, Hodgy Beats’ verse remains a highlight, and the track’s energy is still enjoyable months after its initial release. Immy simply states “Hodgyyyyyyy,” emphasizing the feature’s impact. “Sandwitches” is another energetic and recognizable track among Tyler the Creator Goblin songs, boosted by Hodgy Beats’ contribution.
10. Fish / Boppin Bitch
“Fish / Boppin Bitch” includes a reference to Taylor Swift, highlighting the contrast Tyler perceives between himself and mainstream pop figures. Aidan interprets this as Tyler positioning himself as the antithesis of societal norms. This track further solidifies Tyler’s rebellious persona within Tyler the Creator Goblin songs, using pop culture references to emphasize his outsider status.
11. Analog (feat. Hodgy Beats)
“Analog” is seen as a potential single with broader appeal. Aidan points out the line “This is not Dawson’s Creek,” emphasizing its departure from mainstream teen narratives. Donny sees remix potential and summer track vibes in “Analog,” highlighting its less offensive and catchy nature. Immy agrees, finding it innocent and sunny compared to the rest of the album, making it a favorite and a standout among Tyler the Creator Goblin songs for its lighter tone.
12. Bitch Suck Dick (feat. Jasper Dolphin & Taco)
“Bitch Suck Dick” is widely considered a weaker track. Immy hears a Bricksquad influence but finds it ultimately silly. Aidan is critical, suggesting it sounds like teenagers left unsupervised in a studio and questioning its inclusion on the album. Donny echoes this, seeing it as an example of Tyler and Odd Future being perceived as simply “stupid, and loud kids.” This track is often cited as a low point among Tyler the Creator Goblin songs, highlighting the album’s inconsistencies.
Odd Future performing
13. Window (feat. Domo Genesis, Frank Ocean, Hodgy Beats, & Mike G)
“Window” is criticized for its execution despite a potentially good idea. Donny finds the beat directionless and the song too long and boring, even with strong verses from Frank Ocean and Hodgy Beats. He suggests it would have worked better as a shorter interlude. Immy co-signs this, agreeing that the slow pace and simple instrumental fail to make a significant impact. Despite featuring multiple Odd Future members, “Window” is considered a weaker and less engaging track among Tyler the Creator Goblin songs.
14. AU79
“AU79” is praised for its beat. Aidan describes it as a “fat beat” and head-nod inducing. Immy suggests Busta Rhymes would be a perfect fit for the track, envisioning a high-speed rap delivery over its energetic instrumental. “AU79” stands out for its strong production and potential as a purely instrumental track among Tyler the Creator Goblin songs.
15. Golden
“Golden” is seen as a powerful closing track, summarizing the album’s themes. Aidan calls it the culmination of everything, highlighting the line about missing Earl and the contradictions of fame. Donny draws another Eminem parallel, comparing it to “Still Don’t Give A Fuck” in its directness and unfiltered expression. Immy considers it the only track with genuine shock value, contrasting it with other darker tracks that she finds more performative than genuinely disturbing. “Golden” serves as a strong and conclusive ending to Tyler the Creator Goblin songs, revealing deeper emotional layers.
Conclusions
“Goblin” is a challenging and complex album that demands attention. Aidan acknowledges it’s not an easy listen but emphasizes that its difficult nature is crucial to understanding Odd Future’s identity and Tyler’s artistic vision. Immy finds that enjoying “Goblin” comes from not overanalyzing it, appreciating its raw and somewhat random nature. She suggests that Tyler could benefit from external collaborations to further evolve his sound. Donny believes “Goblin” feels like an album made for critics, questioning how it will resonate with Tyler’s younger target audience due to its length and lack of traditional hooks. He surprisingly finds “Bastard” a more accessible listen. Overall, “Goblin” remains a significant and debated work in Tyler, the Creator’s discography, showcasing his unique and often confrontational approach to music, as evidenced in each of Tyler the Creator Goblin songs.
