It’s undeniable – Hannah Montana‘s impact on pop culture is massive. What began as a simple Disney Channel show premise – a teenage girl living a double life as a famous pop star – quickly propelled both the fictional Hannah Montana and actress Miley Cyrus into genuine pop sensations. The Disney series became a phenomenon, but it was the infectious soundtracks packed with original Hannah Montana Songs that truly exploded. Across four seasons and a feature film, Hannah Montana, portrayed by Miley Cyrus, consistently delivered glitter-drenched teen pop anthems, solidifying an era of incredibly successful Disney Channel musical franchises alongside High School Musical and The Cheetah Girls.
Miley Cyrus, of course, famously evolved beyond the blonde wig, transforming into a global megastar while expressing gratitude for her Hannah Montana past. Many fans remain deeply nostalgic for that era. To celebrate the enduring legacy of Hannah Montana, we’re diving into her discography to rank her best songs.
Before we get started, a quick note: this ranking exclusively features songs credited to Hannah Montana, not Miley Cyrus. This means beloved tracks from Hannah Montana: The Movie like “The Climb,” “Hoedown Throwdown,” and “Butterfly Fly Away” are not eligible, as they are attributed to Cyrus herself. Similarly, tracks from the Meet Miley Cyrus portion of the Hannah Montana 2: Meet Miley Cyrus double album, including “See You Again” and “Start All Over,” are also excluded.
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45. “Que Sera”
Hannah Montana’s rendition of the classic “Que Sera, Sera (Whatever Will Be, Will Be),” originally popularized by Doris Day in the 1950s, unfortunately lands at the bottom. While aiming for a bubbly, upbeat, modern twist with updated lyrics like “Delete me from your friends,” this cover feels out of place and misses the mark for Hannah Montana. It’s a surprising misstep in her usually catchy discography.
44. “Just a Girl”
Despite a playful vocal flourish on “illusion,” “Just a Girl” is a forgettable track from later Hannah Montana. Attempting a slower, ballad-esque feel (though not truly a ballad), it revisits the common Hannah Montana theme of fame versus normal life. However, it lacks the energy and charm of her better songs. Perhaps some themes are best left to artists like No Doubt.
43. “You and Me Together”
This track is primarily memorable for featuring Brooke Shields, who played Miley Stewart’s mother in Hannah Montana, performing alongside Cyrus in the series. Beyond that cameo, “You and Me Together” is a fluffy, generic song. While it has an upbeat tempo, the basic chorus and repetitive lyrics fail to create a lasting impression, making it easily lost in the vast catalog of Hannah Montana songs.
42. “Bigger Than Us”
As a Hannah Montana single, “Bigger Than Us” was underwhelming. While it builds to a somewhat grand finale, the majority of the song maintains a monotonous, predictable pace with a simplistic chorus. It promises more than it delivers, lacking the dynamic energy and catchy hooks that define Hannah Montana’s best work, making it a less impactful entry in her list of singles.
41. “I Wanna Know You”
Apologies to David Archuleta fans, but this duet, while pleasant, is far from a highlight in Hannah Montana’s song collection. Sweet and bouncy, with some nice harmonies between Archuleta and Cyrus, “I Wanna Know You” suffers from an overly saccharine quality. The pairing of the squeaky-clean American Idol runner-up and Disney’s carefully managed Miley Cyrus results in a track that feels manufactured for a unicorn gummy bear commercial, lacking genuine spark.
40. “True Friend”
Continuing the trend of overly sweet tunes, “True Friend” is Hannah Montana’s saccharine ode to best friendships. Similar to “I Wanna Know You,” “True Friend” is drenched in syrup, sounding like it was musically designed by Lisa Frank. This track, while well-intentioned, leans too heavily into sugary sentimentality, placing it lower in a ranking of Hannah Montana songs that often balanced pop sweetness with rock-infused energy.
39. “Are You Ready”
The songs from Hannah Montana‘s final season are generally less memorable, often sounding overproduced compared to her earlier hits. “Are You Ready” exemplifies this, a frantic, club-themed song where Montana repeats the title phrase at a stressfully rapid pace over a cluttered, noisy instrumental. It lacks the catchy hooks and singalong quality of her earlier work, feeling more like a generic dance track than a distinctive Hannah Montana song.
38. “What’s Not to Like”
In a rare moment of unbridled exuberance about fame, Hannah Montana temporarily abandons the “normal girl” persona to list the perks of pop stardom. “What’s Not to Like,” a B-side from Hannah Montana: The Movie, is well-produced and features Cyrus belting a more interesting, syncopated, rock-inspired chorus. However, despite these improvements, the song ultimately lacks memorability. It’s enjoyable in the moment but not a Hannah Montana track fans are likely to replay frequently.
37. “This Is the Life”
“This Is the Life” is a recognizable early Hannah Montana track, but not among her greatest hits. It showcased Cyrus’s ability to sustain notes in its drawn-out chorus. While the verses have the fun, pop-rock energy characteristic of classic Hannah Montana songs, the drawn-out notes in the chorus feel somewhat disconnected from the rest of the track, making it a slightly disjointed but still nostalgic tune.
36. “Wherever I Go”
As one of Hannah’s farewell ballads from her final soundtrack, “Wherever I Go” is a gentle duet with Hannah Montana co-star Emily Osment. Like the next song on this list, it’s a pleasant tune, but feels more perfunctory than inspired. Serving its purpose as a goodbye song, it doesn’t quite reach the emotional depth or musical catchiness of Hannah Montana’s standout tracks.
35. “I’ll Always Remember You”
“I’ll Always Remember You” functions as both Hannah’s goodbye to her series and Miley’s farewell to the Hannah Montana character. While significant in the narrative arc of Hannah Montana, as a standalone song, it’s just another mid-tempo ballad. Emotionally resonant within the show’s context, it lacks the musical punch to stand out as one of Hannah Montana’s best songs when considered independently.
34. “Make Some Noise”
Hannah’s take on an inspirational power ballad, “Make Some Noise,” feels more obligatory than genuine, despite a somewhat misleadingly energetic title. While Cyrus’s vocals are strong and the lyrics aim to resonate with the Hannah Montana demographic, the song lacks the emotional authenticity and memorable melodies that elevate other Hannah Montana tracks.
33. “I’m Still Good”
In what feels like Hannah Montana’s musical swan song, “I’m Still Good” attempts to reassure fans of her continued relevance. This season 4 track, particularly with its lackluster music video featuring a lifeless Hannah performance interspersed with messages from military families, suggests Cyrus was ready to move beyond the Hannah Montana persona. The song itself is adequate but uninspired, marking a low point in her later discography.
32. “Ordinary Girl”
Did anyone expect Hannah Montana to stop singing about her double life after four seasons? “Ordinary Girl” signaled Cyrus’s artistic evolution and likely departure from the blonde wig. Notably, it received a proper music video, not just a concert clip, though it arguably felt more like a camera advertisement. While a decent song, it treads familiar Hannah Montana territory without adding significant new depth.
31. “Love That Lets Go”
While the more impactful and beautiful Billy Ray Cyrus duet “Butterfly Fly Away” is excluded from this ranking, Hannah Montana does duet with her father on “Love That Lets Go.” This ballad verges on excessive sentimentality, but it remains a touching duet with pleasant harmonies. Though not as iconic as “Butterfly Fly Away,” it’s a sweet father-daughter moment in Hannah Montana’s musical journey.
30. “The Good Life”
Similar to “What’s Not To Like,” “The Good Life” sees Montana listing her glamorous pop star lifestyle over a driving guitar riff. The more pronounced pop sensibilities in “The Good Life” suit Cyrus better than in “What’s Not To Like,” which sounds somewhat sluggish in comparison. “The Good Life” is a more energetic and engaging take on the theme of enjoying fame.
29. “Don’t Wanna Be Torn”
Here begins a sequence of Hannah Montana power ballads venturing into country territory, as much as the blonde wig allows. In “Don’t Wanna Be Torn,” Hannah sings about indecision, specifically between two potential boyfriends in the show. While it showcases Cyrus’s vocal range, it’s not the most memorable ballad in her repertoire.
28. “Every Part of Me”
“Every Part of Me,” a more introspective song, improves upon “Don’t Wanna Be Torn” with a more intricate chorus that better highlights Cyrus’s vocals and a more traditional country progression. This adds welcome variety to the Hannah Montana discography, offering a slightly deeper emotional resonance than some of her other ballads.
27. “Need a Little Love”
Sheryl Crow joins Hannah Montana on “Need a Little Love,” delivering one of Cyrus’s better country-inspired performances. This sweet, feel-good track demonstrates Miley Cyrus’s country vocal abilities but is not the most memorable, exciting, or emotionally resonant Hannah Montana song overall. The Sheryl Crow collaboration adds some credibility but doesn’t elevate it to her top tier.
26. “Mixed Up”
As evident from the glowstick-waving fans in the “Mixed Up” music video, this track is the best of Hannah Montana’s pop-country power ballad collection, though perhaps the least country of the bunch. The chorus is strong, with nice vocal riffs from Cyrus in the verses, and the bridge effectively builds to a solid ending. “Mixed Up” strikes a good balance between pop and country influences, making it a fan favorite within her ballad catalog.
25. “Gonna Get This”
One of the stronger singles from the soundtrack of Hannah Montana‘s final season and a more successful collaboration, “Gonna Get This” pairs Hannah with Iyaz (of “Replay” fame) for an upbeat dance-pop song with reggae undertones. Light and bouncy, it’s enjoyable but still not among Hannah’s best. The Iyaz feature adds a trendy early 2010s pop vibe, but it remains a mid-tier Hannah Montana track.
24. “Kiss it Goodbye”
“Kiss it Goodbye” is a clear standout in Hannah Montana’s final era. It’s one of her most rock-infused tracks, with Cyrus screaming the title over synths, guitar, and backing vocals. Released after Cyrus’s pop-rock solo debut, Breakout, it feels like a song bridging Hannah and Miley’s musical styles. “Kiss it Goodbye” hints at the rock direction Cyrus would pursue in her solo career, giving Hannah Montana a grittier edge.
23. “Just Like You”
Another classic Hannah Montana single about juggling fame and normalcy, “Just Like You” is quintessential Hannah Montana in its purest form, unembellished. It perfectly captures the core theme of the show and her music, appealing directly to fans who connected with her relatable double-life struggles.
22. “Barefoot Cinderella”
Though a later Hannah Montana song, “Barefoot Cinderella”’s effortlessly catchy pop elements feel reminiscent of early Hannah. It’s not a standout in her overall discography but a refreshing burst of classic pop in the final season’s soundtrack, which leaned towards overproduced dance tracks and ballads. “Barefoot Cinderella” provides a welcome return to the bright, infectious pop that initially defined Hannah Montana’s sound.
21. “Spotlight”
“Spotlight” is one of Hannah Montana’s more well-crafted, yet lesser-known, pop songs. Montana sings about feeling most comfortable on stage because “life’s a show.” While lighthearted, “Spotlight” experiments with more unique musical elements, like a two-part chorus and a shout-and-response bridge. It showcases a more sophisticated pop songwriting approach within her catalog.
20. “Ice Cream Freeze (Let’s Chill)”
While the superior line-dancing tutorial song “Hoedown Throwdown” is ineligible, “Ice Cream Freeze (Let’s Chill)” is a fun, if slightly less impactful, take on the genre. Released in 2009, when Soulja Boy dance tracks were popular, Montana’s ode to frozen treats is a decent, if somewhat novelty, track in her discography.
19. “Been Here All Along”
In a rare moment of emotional depth for Hannah Montana, “Been Here All Along” pays tribute to overseas troops and their families. Addressing a more mature and personal topic, the song sounded less like typical Disney Channel fare and more like a serious artist’s expression. “Been Here All Along” demonstrated Hannah Montana’s capacity for tackling meaningful themes beyond teen pop clichés.
18. “It’s All Right Here”
One of the uptempo highlights from Hannah Montana’s later years, “It’s All Right Here” embodies the bombastic, high-energy pop of Hannah transitioning towards Miley’s solo style. The belting vocals and driving guitar are familiar, but the unexpected slowed-down groove in the bridge adds a creative twist. “It’s All Right Here” represents a more evolved, dynamic pop sound for Hannah Montana.
17. “Old Blue Jeans”
“Old Blue Jeans” marked one of Hannah’s earliest sonic departures. Moving away from straight pop or minor rock influences, it incorporated synths and percussion for a funk-influenced sound. This was a refreshing change of pace, indicating early on that Cyrus could deliver a catchy song without relying solely on a powerful chorus. “Old Blue Jeans” broadened Hannah Montana’s musical palette and hinted at Cyrus’s versatility.
16. “Supergirl”
Hannah uses autotune in the verses and boasts about being “super cool” and “super hot” in a fast-paced chorus. It also joins the ranks of mid-2000s pop songs titled “Supergirl,” including a Hilary Duff track and another from the Princess Diaries soundtrack. While fitting the pop trend, it’s a fun, energetic track in Hannah’s repertoire.
15. “Pumpin’ Up the Party”
The chorus lyrics may be simple, but “Pumpin’ Up the Party” showcased Hannah Montana’s early musical range. While rooted in teen pop, the song also displays funk and groove influences, similar to the later “Old Blue Jeans.” The verses are particularly strong. “Pumpin’ Up the Party” was an early indicator of Hannah Montana’s ability to blend genres and create energetic, danceable pop.
14. “One in a Million”
“One in a Million” stands as one of Hannah Montana’s most successful romantic ballads, and deservedly so. Originally by German singer Sandy Mölling, Montana’s cover does the song justice with lower register verses and an emotive chorus about finding “the one.” It’s as emotionally resonant as a Hannah Montana song can be, making it a standout ballad.
13. “Who Said”
A highlight from Hannah Montana‘s first season, “Who Said” was a rare original song not focused on her double life. Instead, this girl-power anthem lists all the things she can be, including Superman, ten feet tall, and president. While repetitive in structure, the song’s fun and empowering message outweighs this. “Who Said” is an upbeat, confident anthem celebrating girl power.
12. “Life’s What You Make It”
Another popular Hannah Montana single, “Life’s What You Make It” became the signature song of Hannah Montana‘s second season. It earns points for being a fun and memorable part of the Hannah Montana experience, perfectly capturing the optimistic spirit of the show and its music.
11. “Let’s Get Crazy”
The first song released from Hannah Montana: The Movie and the show’s third season, “Let’s Get Crazy” marked a new, more polished sound for Hannah Montana. This higher production value, dance-focused pop track became the standard for her later years, and “Let’s Get Crazy” best exemplifies this evolution. It signaled a shift towards a more contemporary, dance-pop sound for Hannah Montana.
10. “If We Were a Movie”
Hannah demonstrates her familiarity with romantic comedy tropes in her ode to rom-coms, “If We Were a Movie.” It’s cheesy bubblegum pop at its finest, embracing the genre with infectious enthusiasm and sweet, movie-inspired lyrics.
9. “He Could Be the One”
Hannah’s bouncy song about choosing between two potential boyfriends became her highest-charting single, reaching No. 10 on the Billboard Hot 100. The song leans towards country-pop, a comfortable genre for Montana, and critics have drawn comparisons to a Shania Twain sound. “He Could Be the One” represents a peak in Hannah Montana’s later career, blending pop and country influences successfully.
8. “Rock Star”
“Rock Star” again plays on Hannah Montana’s double identity and is easily one of her best. Despite the slightly ironic title (Hannah Montana calling herself a rock star is a stretch), this uptempo, explosive track features prominent guitars, including a guitar solo, more than any other Hannah song. The result is an unwavering burst of energy. “Rock Star” is a high-energy, guitar-driven anthem that stands out in Hannah Montana’s discography.
7. “You’ll Always Find Your Way Back Home”
“You’ll Always Find Your Way Back Home” serves as the finale of Hannah Montana: The Movie and is the most memorable original song from the film (besides Cyrus’s “The Climb”). This Taylor Swift-penned country-pop track might be the most Top 40-ready Hannah Montana ever sounded. Fast, fun, and catchy, “You’ll Always Find Your Way Back Home” is a crowning achievement of her later years. The Taylor Swift collaboration brought a polished, chart-ready country-pop sound to Hannah Montana.
6. “I Got Nerve”
“I Got Nerve” hinted early on at Hannah’s ability to handle rock influences alongside bubblegum pop. This declaration of unapologetic self-confidence was a standout from her first season soundtrack, with Hannah powerfully punctuating the chorus over exciting percussion. “I Got Nerve” is a confident, energetic track that showcased Hannah Montana’s rock-pop potential from the beginning.
5. “The Other Side of Me”
The other major standout from Hannah Montana‘s first season soundtrack is “The Other Side of Me,” another song directly addressing the show’s double-life premise. For an early song, it’s notable for its vocal layering, with echoed chorus lines and cooing under the verses, adding depth and texture. “The Other Side of Me” is a cleverly constructed pop song that creatively explores the show’s central theme.
4. “Let’s Do This”
While Hannah Montana is best known for her early pop songs, “Let’s Do This” comes closest to a top 40 country-pop sound in her discography. It’s a strong example of her ability to blend pop sensibilities with country influences, appealing to a broader audience.
3. “The Best of Both Worlds”
This was inevitable. The song that introduced Hannah Montana to the world is undoubtedly her most iconic hit. Nostalgia and Orlando Bloom references aside, this fun track explicitly lays out the Hannah Montana concept in a well-written pop-rock format. “The Best of Both Worlds” is the quintessential Hannah Montana theme song, instantly recognizable and enduringly catchy.
2. “We Got the Party”
Hannah was always at her peak with her signature upbeat, pop-rock sound, and “We Got the Party” exemplifies this. Adding the Jonas Brothers elevates it to a Disney Channel dream collaboration for 2007. With driving guitar, rock-infused vocals, and slightly more lyrical complexity than usual, “We Got the Party” is one of the few Montana tracks that holds up for its musicality beyond pure nostalgia. “We Got the Party” is a high-energy, musically robust pop-rock anthem that transcends nostalgia.
1. “Nobody’s Perfect”
From production to vocals to songwriting, “Nobody’s Perfect” remains Hannah Montana’s best song. This self-acceptance anthem begins with delicate piano before exploding into eruptive synths and a shouty, infectious chorus. It’s loud, fun, a bit cheesy, but pure pop excellence – Hannah Montana at her absolute best. “Nobody’s Perfect” is the ultimate Hannah Montana song, perfectly capturing her pop essence in a fun, empowering, and impeccably crafted track.
