2018 was a fascinating year in music, especially within the Top 40 landscape. It was a year where the rules seemed to bend, and the definition of pop expanded in real-time. The year’s biggest chart-toppers defied traditional pop structures, embracing unconventional sounds and themes. This shift signaled a significant transition in mainstream music, hinting at a future soundscape far removed from the pop music of the previous decade.
This evolution made 2018 an incredibly exciting period for music lovers. Both the biggest hits and the deeper cuts offered a compelling mix of innovation and nostalgia. The songs that dominated the charts were not just catchy; they were often challenging, rewarding, and indicative of a fresh wave in popular music. Even the more conventional pop tracks that achieved massive success felt revitalized and contemporary. Beyond the mainstream, emerging artists pushed boundaries, creating unique sounds that either echoed forgotten eras or foreshadowed an even more intriguing future.
From the emotional depths of “Shallow” to the infectious groove of “The Middle,” and the aspirational heights of “High Hopes,” 2018 delivered captivating music across the spectrum. Here’s a countdown of the Billboard staff’s 100 favorite songs of the year, reflecting the diverse and dynamic sound of 2018.
100. Maroon 5 feat. Cardi B, “Girls Like You”
Maroon 5 featuring Cardi B performing Girls Like You, a top pop song of 2018.
What happens when you combine a catchy guitar riff, Adam Levine’s smooth vocals, and a verse from Cardi B? You get a chart-dominating hit that was a constant presence on pop radio in 2018. After experimenting with collaborations that yielded mixed results, Maroon 5 struck gold with Cardi B. While it might be a slightly toned-down Cardi compared to her usual Invasion of Privacy persona, her verse elevates “Girls Like You” from a typical Maroon 5 track to an anthem that resonated with a broad audience. It became a feel-good jam enjoyed by listeners of all preferences, proving the enduring appeal of a well-crafted pop collaboration.
99. Jessie Reyez, “Body Count”
Jessie Reyez immediately grabs your attention with the opening line of this track: “You don’t have to tell me ’bout your body count/ I don’t need to know your exes’ names.” This bold statement of romantic independence sets the tone for a raw and honest acoustic jam. Born in Canada to Colombian parents, Reyez showcases a remarkable vocal range, moving from defiant declarations to tender caresses. Her style blends rap, pop, and R&B seamlessly, giving her a broad appeal that led to a performance slot at the MTV Video Music Awards. “Body Count” is a powerful exploration of emotion and a standout example of the fresh voices emerging in 2018.
98. Young Fathers, “In My View”
U.K. trio Young Fathers have consistently defied genre boundaries since their debut in 2013. “In My View,” a single from their album Cocoa Sugar, exemplifies this genre-blurring approach. The track seamlessly blends pop, gospel, hip hop, and rock into a cohesive and captivating soundscape that defies easy categorization. The song’s complex musicality is matched by its lyrical depth, exploring themes of ego, materialism, and spiritual struggle. With references ranging from funerals to biblical imagery and romantic power dynamics, “In My View” is a multi-layered and thought-provoking song that stood out in 2018.
97. Avril Lavigne, “Head Above Water”
Avril Lavigne, who once declared “Here’s to never growing up,” returned in 2018 with a starkly different message: “Here’s to just trying to stay alive.” “Head Above Water,” her comeback single, details her personal battle with Lyme disease and a moment of profound despair. This isn’t the pop-punk princess of the early 2000s; Lavigne trades in her Hot Topic aesthetic for a more mature and introspective sound. Spiky guitars are replaced by pianos and strings, signaling a significant artistic shift. Yet, her raw honesty remains, and her lyrics about finding faith in crisis resonated deeply, unexpectedly bridging the gap between her pop-punk fanbase and Christian radio audiences.
96. Death Cab for Cutie, “Gold Rush”
Death Cab for Cutie’s “Gold Rush” showcases Ben Gibbard’s signature emotionally detached vocal style, perfectly suited to themes of loss and change. The song samples a circular tambourine rhythm from Yoko Ono’s 1971 track “Mind Train,” creating a sonic bridge between eras. Gibbard reflects on the evolving Seattle skyline and the sense of displacement it brings, lamenting the loss of familiar landmarks and feelings of connection. “Gold Rush” uses the changing cityscape as a metaphor for personal loss and the passage of time, enhanced by piano flourishes and Beatles-esque harmonies. It’s a poignant and introspective track reflecting on personal and urban evolution.
95. Nicki Minaj, “Barbie Dreams”
“Barbie Dreams,” from Nicki Minaj’s album Queen, became a talking point for its bold and humorous approach. Inspired by The Notorious B.I.G.’s “Just Playing (Dreams),” Nicki uses the same hook and a sample from James Brown’s “Blues and Pants.” However, instead of listing romantic interests like Biggie, Nicki uses her verses to playfully “roast” famous rappers and figures. Lines like “Drake worth a hundred milli, always buying me shit/ But I don’t know if the pussy wet or if he crying and shit,” sparked conversations and showcased Nicki’s sharp wit and fearless persona. While debated as a diss track, Nicki framed it as playful banter, highlighting her confidence and position in the rap world.
94. Mallrat, “Groceries”
Thousands of songs explore the excitement of a crush, but Mallrat’s “Groceries” captures the relatable annoyance that can come with it. This catchy, finger-snapping track from her EP In the Sky explores conflicting feelings of attraction and independence. Mallrat’s delivery is both sweet and sassy as she navigates the internal debate of wanting someone but wishing she didn’t. The mundane act of “getting groceries” becomes a metaphor for the personal and intimate aspects of a budding relationship. The interplay between blissful guitar strums and Mallrat’s ambivalent vocals creates a charming and relatable portrayal of modern romance.
93. Low, “Disarray”
Low’s “Disarray” creates an atmosphere of impending chaos right from its opening bass tremor and Geiger counter synth sounds. This track from the slowcore veterans became an unexpected sonic representation of the anxieties of 2018. The song’s unsettling soundscape and ghostly three-part harmonies declaring, “Before it falls into total disarray/ You’ll have to learn to live a different way,” capture a sense of unease and the need for adaptation in turbulent times. “Disarray” is both unsettling and strangely comforting, reflecting the complex emotional landscape of the year.
92. Becky G & Natti Natasha, “Sin Pajama”
Becky G and Natti Natasha’s “Sin Pajama” boldly challenges traditional portrayals of women in Latin music. The song directly confronts the “nice girl” image, with the artists unapologetically embracing their sensuality and desires. Lines like “I’ve always been a lady, but I’m a tramp in bed,” are delivered with confidence and playful defiance. The fact that “Sin Pajama” is also an incredibly catchy pop-reggaetón track amplified its impact and message, making it a liberating and empowering anthem in 2018.
91. serpentwithfeet, “Bless Ur Heart”
serpentwithfeet’s music is unlike anything else in 2018, and “Bless Ur Heart” is a prime example. Theatrical, textured, and deeply emotional, the song defies conventional structure to explore complex feelings. Josiah White’s distinctive voice, with its idiosyncrasies and imperfections, is central to the song’s captivating nature. The lyrics move from high-minded concepts to raw emotional vulnerability, culminating in a direct and heartfelt confession: “Boy, whoever reads about how much I adore you/ I hope my words bring them something new, something new.” “Bless Ur Heart” is a surprising and deeply personal closing track to his album soil.
90. Valee feat. Jeremih, “Womp Womp”
In a year filled with emerging rap artists, Valee’s “Womp Womp,” featuring Jeremih, made a significant impact. Unlike some newcomers known for boisterous antics or somber introspection, Valee arrived with a cool and understated confidence. His slinky collaboration with Jeremih showcases his unique flow, bending words to fit the beat. Kanye West praised Valee’s style as “the most popular in rap,” highlighting his innovative approach. Jeremih’s smooth vocals complement Valee’s flow, creating a low-key yet impactful track that gained traction throughout the summer of 2018.
89. Ezra Furman, “Suck the Blood From My Wound”
Ezra Furman’s “Suck the Blood From My Wound” immediately immerses listeners in the bizarre narrative of his album Transangelic Exodus. The song tells the story of a man and his outlaw angel lover on the run in a dystopian future. Furman’s vocals are both urgent and vulnerable, conveying a sense of desperation and defiance. The cinematic, Springsteen-esque rock sound underscores the themes of rebellion and struggle against oppressive forces. It’s a powerful and theatrical track that sets the stage for Furman’s unique album concept.
88. Marshmello & Bastille, “Happier”
Despite its title and upbeat production, “Happier” by Marshmello and Bastille tells a poignant story of letting go in a relationship. Beneath the bouncy beat and catchy drop, the lyrics reveal the pain of unrequited feelings and the struggle to move on. Dan Smith’s vocals convey the sadness of the situation, especially in lines like, “The image of you being with someone else, well it’s eating me up inside.” The tear-jerking music video further emphasizes the song’s emotional core, contributing to its rise to No. 3 on the Hot 100 and making it a surprisingly impactful song about heartbreak.
87. IU, “BBIBBI”
IU’s “BBIBBI” demonstrates how personal and conscious K-pop can resonate with a wide audience. The Korean singer-songwriter delivers a deceptively sweet and bouncy R&B track that serves as a warning to critics and haters. The song’s “yellow C-A-R-D” concept is a playful yet firm message about respecting boundaries and privacy. While rooted in IU’s personal experiences in the public eye, “BBIBBI” functions as a universal anthem of empowerment, emphasizing self-worth and personal rights. It’s a smart and catchy track with a meaningful message.
86. Rina Sawayama, “Cherry”
Rina Sawayama’s “Cherry” arrived at a time when conversations around gender and sexuality were becoming increasingly nuanced. This breakout disco-pop single feels both groundbreaking and casual in its exploration of sexual fluidity. Avoiding clichés, “Cherry” is a genuine expression of self-discovery and acceptance. As Sawayama sings, “Holding onto feelings/ I’m not used to feeling / ‘Cause, oh, they make me feel alive,” her voice soars, mirroring her newfound freedom as a pansexual woman. “Cherry” is a celebratory and important song that reflects the evolving cultural landscape of 2018.
85. Bebe Rexha, “I’m a Mess”
Bebe Rexha’s “I’m a Mess” is a strong reminder of her solo artistry beyond collaborations. The track is both self-deprecating and optimistically resilient, built around Rexha’s self-affirmations that things will be alright. The chorus, with its assurance that “everything will turn out all right — after all, her therapist said so,” is both humorous and relatable. The clever music video set in an insane asylum, along with buzzworthy performances at the MTV EMAs and Victoria’s Secret Fashion Show, helped propel “I’m a Mess” to become her first solo top 40 hit, showcasing her ability to shine independently.
84. FISHER, “Losing It”
FISHER’s “Losing It” became one of dance music’s most exciting tracks of 2018. The Australian pro-surfer-turned-DJ-producer created an intoxicating house single that dominated festivals and clubs worldwide. Supported by major DJs like Skrillex and Tiësto, as well as BBC Radio 1 curators, “Losing It” gained massive traction. The track spent an impressive 15 weeks on Billboard’s Hot Dance/Electronic Songs chart and continues to rise, indicating its lasting appeal and status as a defining dance anthem of 2018 and beyond.
83. Khalid, 6LACK & Ty Dolla $ign, “OTW”
“OTW” by Khalid, 6LACK, and Ty Dolla $ign, produced by Nineteen85, evokes the spirit of 90s R&B groups. Ty Dolla $ign’s prolific year in 2018 included this collaboration, where Khalid steps into a slightly edgier R&B sound while maintaining his signature style. 6lack adds to the track’s depth, creating a sense of camaraderie and vocal harmony reminiscent of classic R&B ensembles. “OTW” is a smooth and contemporary take on a beloved genre formula, highlighting the strengths of each artist.
82. Lauv, “I Like Me Better”
In a chart landscape dominated by hip-hop, Lauv’s “I Like Me Better” stood out as a sweet and innocent pop-rock love song. Its charming melody, instantly recognizable riff, and Lauv’s bright vocals resonated broadly. The song’s success extended beyond the To All the Boys I’ve Loved Before soundtrack, appealing to listeners with its sincere and swoon-worthy compliments like “I like me better when I’m with you.” “I Like Me Better” topped the Emerging Artists Chart and broke into the Hot 100 top 40, proving the enduring appeal of chivalrous and heartfelt pop in 2018.
81. The Interrupters, “She’s Kerosene”
The Interrupters’ “She’s Kerosene” unexpectedly brought ska into the top reaches of the charts in 2018. This incendiary single, fronted by Aimee “Interrupter” Allen, reached No. 4 on the Alternative Songs chart, making them the first female-fronted ska band to achieve such heights since No Doubt. The song’s driving ska rhythm and powerful vocals tell a story of escaping an abusive relationship. “She’s Kerosene” is a surprise hit that showcases the enduring energy and relevance of ska music in a contemporary context.
80. BlocBoy JB feat. Drake, “Look Alive”
Drake, despite his superstar status, continues to champion emerging hip-hop talent. His collaboration with Memphis rapper BlocBoy JB on “Look Alive” was his first co-sign of 2018. BlocBoy JB’s verse is assertive and forceful, filled with warnings and boasts. Drake’s verse is equally sharp, addressing critics and reaffirming his position in hip-hop. The line, “I’ve been gone since, like, July, n—as actin’ like I died,” hinted at the upcoming release of his album Scorpion, which later dominated streaming charts in July, adding another layer of significance to the track.
79. Sakima feat. RoboKid, “Apps”
Sakima’s “Apps,” featuring Robokid, is a throbbing grunge-pop track that transforms a very modern conversation into a commanding statement. The song’s cold, metallic soundscape sets the stage for lyrics about digital-age relationships and commitment. The opening lines, “If I’m the only bitch on your map/ You gotta delete all those other apps,” directly address the complexities of dating apps and the desire for exclusivity. “Apps” is a clever and edgy take on contemporary romance in the digital age.
78. Sharon Van Etten, “Comeback Kid”
Sharon Van Etten’s “Comeback Kid” marked an eager return for the indie rocker after a four-year hiatus. During this time, she expanded her life, starting a family and pursuing an acting career. “Comeback Kid,” the lead single from her album Remind Me Tomorrow, sees Van Etten embracing synths, driving percussion, and a vintage feel, moving away from her guitar-led indie-rock roots. Her performance is powerful and urgent, drawing comparisons to punk icons like Patti Smith and Joan Jett. It’s a bold and successful sonic reinvention.
77. Casper Magico, Nio Garcia, Darell, Nicky Jam, Bad Bunny & Ozuna, “Te Bote” (Remix)
“Te Bote,” originally by Casper Magico and Nio Garcia, gained massive popularity with its remix featuring a lineup of Latin music superstars including Nicky Jam, Bad Bunny, and Ozuna. The song’s origin during Hurricane Maria in Puerto Rico might explain its raw emotion and anger at a cheating lover. The repeated refrain, “I kicked you out,” is simple yet powerful. The remix, extending to seven minutes with guest verses, amplified the song’s reach and made it a major hit, showcasing the power of collaboration in Latin music.
76. Demi Lovato, “Sober”
Demi Lovato’s “Sober” is a brutally honest and poignant piano ballad. Released without a major promotional campaign, it felt like a raw and authentic musical apology. Lovato’s fragile vocals convey a sense of vulnerability and struggle as she explicitly apologizes to her parents, fans, and future partner for relapsing. Lines like “I wanna be a role model/ But I’m only human,” are deeply affecting and personal. The song’s emotional weight was tragically amplified by Lovato’s real-life struggles with addiction, making it a powerful and resonant track in 2018.
75. Metro Boomin feat. 21 Savage, “Don’t Come Out the House”
“Don’t Come Out the House” by Metro Boomin featuring 21 Savage is a masterclass in unexpected sonic shifts. The song begins with a cinematic, ominous beat, setting a suspenseful tone. However, it dramatically changes mid-song, dropping into an ASMR-like whisper verse from 21 Savage. This jarring transition, coupled with Savage’s whispered threats, creates a horror-movie-esque atmosphere. Released around Halloween, the track’s unsettling vibe and innovative structure made it a standout hip-hop offering in 2018.
74. Justin Timberlake feat. Chris Stapleton, “Say Something”
Justin Timberlake and Chris Stapleton’s collaboration on “Say Something” was highly anticipated after their memorable 2015 CMAs performance. This track from Timberlake’s Man of the Woods album delivers on that promise. Stapleton’s gritty vocals contrast beautifully with Timberlake’s polished pop style, creating a dynamic and engaging duet. With twangy guitars and a sing-along chorus, “Say Something” blends pop and country elements seamlessly, satisfying fans of both artists and highlighting their vocal chemistry.
73. Pusha T, “If You Know You Know”
Pusha T’s “If You Know You Know,” the opening track from DAYTONA, immediately sets a high-energy and assertive tone. The song begins with a sound reminiscent of a gas stove igniting, symbolizing Pusha T’s readiness to dominate the hip-hop scene. In elder statesman mode, Pusha T delivers sharp rhymes, addressing younger competitors and reflecting on his long-standing success. The track is a confident and powerful statement, urging listeners to “get busy earning stripes like a tiger’s skin,” solidifying Pusha T’s status in rap.
72. Empress Of, “When I’m With Him”
Empress Of’s “When I’m With Him,” from her album Us, explores themes of falling out of love with a wistful and rhythmic approach. Lorely Rodriguez, known as Empress Of, collaborated with producers Jim-E Stack and Dan Nigro for this dreamy electro-pop track. Mixing English and Spanish lyrics, Rodriguez sings about the pretense of love and emotional distance. Despite the melancholic subject matter, her bright vocals and the song’s rhythmic drive prevent it from feeling overtly sad, creating a complex emotional texture.
71. Parquet Courts, “Wide Awake”
Parquet Courts’ “Wide Awake” is an energetic fusion of punk and disco, creating a joyous and danceable track. Inspired by late 70s and early 80s sounds, the song features a funky bassline, simple guitar riffs, and hyper-caffeinated Latin percussion. “Wide Awake” is infectious and energetic, capable of inspiring even the most reserved listeners to dance. It’s a vibrant and unique track that stood out in 2018 for its retro-modern energy.
70. Post Malone, “Better Now”
Post Malone’s “Better Now” is an undeniably catchy and addictive hit. From its instantly memorable chorus to the skittering beat produced by Frank Dukes, the song showcases Post Malone’s crossover appeal. Blending pop sensibilities with hip-hop swagger and singer-songwriter vibes, “Better Now” is a campfire-ready anthem of heartbreak and resilience. Taylor Swift even admitted to being “so jealous of that song, that hook,” highlighting its widespread appeal and songwriting excellence.
69. Pentagon, “Shine”
Pentagon’s “Shine” is a playful and charming K-pop track that begins with a whimsical piano melody and a playful throat-clearing intro. Driven by quirky brass and onomatopoeic chants, the song features the 10-member boy band alternating between sweet verses and energetic raps. “Shine” became Pentagon’s first Top 10 hit on the World Digital Song Sales chart and is notable as the last single featuring E’Dawn, adding a layer of poignancy to its upbeat and catchy nature.
68. Kali Uchis feat. Jorja Smith, “Tyrant”
Kali Uchis and Jorja Smith, both rising R&B stars in 2018, joined forces on “Tyrant,” showcasing their complementary talents. The song’s consistent backbeat provides a solid foundation for their smooth vocals and lyrical interplay. Jorja Smith’s velvety verse elevates the track, adding depth and richness. “Tyrant” highlights the strength of female collaborations in R&B and the exciting potential of both artists within the genre.
67. Kane Brown, “Lose It”
Kane Brown solidified his position as a Nashville hitmaker with “Lose It,” the lead single from his sophomore album. This banjo-tinged rocker blends windows-down energy with a flirty love letter in its lyrics. Brown’s impressive vocal range is showcased in the verses, and the song’s catchy appeal helped it top the Country Airplay chart. “Lose It” also ended Florida Georgia Line and Bebe Rexha’s long reign atop the Hot Country Songs chart, proving Kane Brown’s staying power in country music.
66. Nicky Jam & J Balvin, “X”
Nicky Jam and J Balvin’s “X” is a vibrant fusion of dancehall and reggae, creating a fresh Caribbean sound. Originally written by J Balvin for Nicky Jam, the track features an instantly recognizable hook and signature dance move that sparked the “X” challenge trend. “X” reached No. 1 on Billboard’s Latin Airplay chart, demonstrating its widespread appeal and ability to cross cultural boundaries with its infectious rhythm and energy.
65. Arctic Monkeys, “Four Out of Five”
Arctic Monkeys’ “Four Out of Five,” from their album Tranquility Base Hotel & Casino, is a deliberately paced and subtly satirical track. Alex Turner acts as a detached tour guide to the fictional lunar hotel, delivering buzz phrases with a sense of irony. The song is a melancholic commentary on Yelp-dependent culture and the tendency to nitpick even remarkable achievements. “Four Out of Five” showcases Arctic Monkeys’ evolving sound and Turner’s witty lyrical style.
64. J. Cole, “K.O.D.”
J. Cole’s “K.O.D.,” the title track from his album of the same name, subverts fan expectations. Known for conscious rap, Cole begins the song with boasts of drug-game prowess, reminiscent of King Push. However, the song quickly reveals itself to be more complex, with a sarcastic and self-effacing tone. Cole addresses his status, critics, and the allure of the drug dealer lifestyle, creating a nuanced commentary on ambition and perception. The stripped-down beat emphasizes the lyrical content, making “K.O.D.” a thought-provoking and impactful track.
63. Hayley Kiyoko, “Curious”
Hayley Kiyoko’s “Curious” is a rubbery and polished pop jam with a playful yet pointed message. Kiyoko teases and questions a girl’s intentions, delivering lines like, “I’m just curious, is it serious?” with faux-chill. Set to euphoric synths and rapid-fire verses, the song flips the script with lines like, “You say you wanted me, but you’re sleeping with him.” “Curious,” a standout from her album Expectations, is specific and relatable, daring to include same-sex pronouns while maintaining a danceable and engaging vibe.
62. Kanye West, “Ghost Town”
Kanye West’s “Ghost Town,” from his album Ye, is a raw and emotionally charged track that reflects his tumultuous 2018. Kid Cudi’s vocals on the song, “I’ve been trying to make you love me/ But everything I do just takes you further from me,” encapsulate the album’s narrative. “Ghost Town” feels like a modern “Runaway,” but sadder and more resigned. 070 Shake’s breakout vocals, yelling “Nothing hurts anymore, I feel kinda free!” are both triumphant and unsettling, capturing the complex emotional landscape of Kanye’s year.
61. Christine and the Queens, “Doesn’t Matter”
Christine and the Queens’ “Doesn’t Matter,” from the album Chris, is described by Héloïse Letissier as her “crisis” song. Built around a hypnotic beat, the track is both personal and expansive, like a “cathedral.” Chris questions faith, hints at suicidal thoughts, and introduces the complex figure of a “sun stealer,” representing hope. The song explores despair and the desire to wallow in it, making “Doesn’t Matter” a deeply introspective and artistically rich track from 2018.
60. Marshmello & Anne-Marie, “Friends”
“Friends” by Marshmello and Anne-Marie is a sassy and catchy pop collaboration. Anne-Marie’s attitude-filled vocals bluntly friend-zone a suitor, while Marshmello’s playful beat creates a deceptive sense of lightness. The song is incredibly fun and memorable, becoming a radio staple despite overplay. “Friends” is also notable for its playful spelling lesson, reminiscent of Gwen Stefani’s “bananas,” adding to its lighthearted and infectious appeal.
59. Chris Stapleton, “Broken Halos”
Chris Stapleton’s “Broken Halos” finally earned him a No. 1 country radio hit, long overdue for his talent. The centerpiece of his From A Room Vols. 1 and 2 albums, “Broken Halos” is a poignant reminder of resilience in the face of tragedy and loss. The lyrics, “Don’t go looking for the reasons… we’re not meant to know the answers,” offer comfort and acceptance. Its universal message resonated deeply, especially within the Nashville community after the Route 91 Harvest festival shooting.
58. Carly Rae Jepsen, “Party For One”
Carly Rae Jepsen’s “Party For One” is an anthem of self-love and independence. After the romantic pursuits of “Cut to the Feeling” and “Call Me Maybe,” Jepsen shifts focus to self-sufficiency. The song celebrates dancing alone and prioritizing self-care over settling for unfulfilling relationships. “Party For One” is a confident and empowering track, marking a new direction for Jepsen and resonating with listeners embracing self-love.
57. Boygenius, “Me and My Dog”
Boygenius, the indie supergroup of Julien Baker, Phoebe Bridgers, and Lucy Dacus, delivered a standout track with “Me & My Dog.” This song from their self-titled EP showcases each member’s strengths while maintaining emotional depth. Phoebe Bridgers leads with verses about intense love and sacrifice, building to the poignant line, “I wanna be emaciated.” The song culminates in a shared desire to escape, dreaming of a spaceship journey with only their dog and an “impossible view,” capturing themes of longing and escape.
56. Backstreet Boys, “Don’t Go Breaking My Heart”
Backstreet Boys’ “Don’t Go Breaking My Heart” marked an unexpected and welcome chart comeback in 2018. This midtempo track draws inspiration from 80s atmospheric fist-pumpers, featuring twinkling synths and a thudding beat. Despite the throwback sound, it feels fresh and contemporary, showcasing their still-perfect harmonies and signature falsetto. “Don’t Go Breaking My Heart” successfully blended nostalgia with modern pop sensibilities, proving their enduring appeal.
55. Cardi B, “Be Careful”
Cardi B’s “Be Careful” offers a more emotionally complex and musically nuanced take on heartbreak compared to Beyoncé’s “Don’t Hurt Yourself.” While both songs address infidelity, “Be Careful” balances anger with vulnerability. Cardi spits with anger—”You make me sick” is a recurring line—but also reveals her hurt: “My heart is like a package with a fragile label on it/ Be careful with me.” In light of her later breakup with Offset, “Be Careful” takes on an even deeper resonance as a raw and honest expression of love and vulnerability.
54. Foster the People, “Sit Next to Me”
Foster the People’s “Sit Next to Me” sounds like a natural radio hit, embodying a seemingly simple formula for pop success. The song’s narrative is straightforward and inviting: “Hey! Hey you! Just come sit here. Let’s see what happens after you just like, sit here.” Despite its apparent simplicity, the song’s laid-back, head-bopping groove proved to be a winner in 2018. It’s a feel-good track with widespread appeal, as even casual listeners can appreciate its easygoing charm and catchy melody.
53. James Bay, “Pink Lemonade”
James Bay, after establishing himself with singer-songwriter hits like “Hold Back the River” and “Let It Go,” took a stylistic turn with “Pink Lemonade.” He traded in his acoustic guitar for a sound reminiscent of The Strokes, complete with a garage rock guitar riff and smoldering vocals. “Pink Lemonade” showcased Bay’s versatility and willingness to experiment, adding a rock edge to his pop sensibilities and proving his artistic range.
52. Florence + The Machine, “Hunger”
Florence + The Machine’s specialty is creating anthemic, uplifting tracks, and “Hunger” continues this tradition. The lead single from High As Hopes, “Hunger” features Florence Welch’s soaring vocals over gritty and personal lyrics. The song explores themes of seeking love in the wrong places and settling for less, dressed in euphoric instrumentation and a sing-along chorus perfect for arenas. “Hunger” is another powerful and motivational anthem from Florence + The Machine.
51. Mitski, “Nobody”
Mitski’s “Nobody” is a powerful indie-rock anthem that repeats the word “Nobody” 34 times in just 193 seconds. Despite its glistening disco beat, the repetition emphasizes the song’s themes of isolation and loneliness. Mitski’s calm yet yearning delivery draws listeners into a trance of solitude. Paired with its surreal music video, “Nobody” becomes a disquieting and compelling exploration of outsider status and longing for connection.
50. Billie Eilish, “You Should See Me in a Crown”
Billie Eilish, at just 16, continued to solidify her unique sound with “You Should See Me in a Crown.” The track blends her signature tender and edgy styles, oscillating between a minimalist beat and explosive bass. “You Should See Me In A Crown” is ominous and powerful, showcasing Eilish’s ability to create dark and captivating pop. With multiple Hot 100 hits in 2018, this track further cemented her status as a rising force in alt-pop.
49. Charlie Puth feat. Kehlani, “Done For Me”
Charlie Puth’s “Done For Me,” featuring Kehlani, channels mid-80s Wham! with its keyboard riff, falsetto vocals, and petulant attitude. Puth declares his departure from a relationship, but Kehlani offers her own fierce perspective, challenging his jealousy. The chemistry between Puth and Kehlani, evident even in their previous cover of Drake’s “Hotline Bling,” elevates “Done For Me” beyond mere nostalgia, making it a dynamic and engaging duet.
48. Silk City feat. Dua Lipa, “Electricity”
Silk City, the super-producer duo of Diplo and Mark Ronson, teamed up with Dua Lipa for “Electricity,” a supercharged dance track. Dua Lipa’s powerful vocals and infectious hooks turn “Electricity” into a dance floor anthem. The song’s steamy music video adds to its allure, and its energetic vibe guarantees to light up any party. “Electricity” solidified Silk City’s hit-making potential and Dua Lipa’s status as a dance-pop powerhouse in 2018.
47. Ariana Grande, “Breathin”
Ariana Grande’s “Breathin” emerged from a year marked by personal and public challenges. Inspired by overcoming trauma and anxiety, the song is both euphoric and meditative. Grande’s vocals are comforting and resilient, reminding listeners to keep breathing through difficult times. The dance-pop mantra of “just keep breathin’ and breathin’ and breathin’…” became a powerful message of self-care and perseverance, resonating deeply in 2018.
46. Lana Del Rey, “Mariners Apartment Complex”
Lana Del Rey’s “Mariners Apartment Complex” showcases her bewitching vocal style in a song about unconditional support. Del Rey offers reassurance and guidance, singing, “You lose your way, just take my hand/ You’re lost at sea, then I’ll command your boat to me again.” Collaborating with Jack Antonoff, the song features a lush arrangement of guitars and piano melodies that complement Del Rey’s evocative vocals. “Mariners Apartment Complex” is one of the most fully realized singles of her career, highlighting her songwriting and vocal artistry.
45. Rae Sremmurd feat. Juicy J, “Powerglide”
Rae Sremmurd’s “Powerglide,” featuring Juicy J, is a hard-hitting banger that originated from a sample of Three 6 Mafia’s “Side 2 Side.” Producer Mally Mall created an ominous instrumental track that inspired Swae Lee and Slim Jxmmi to create verses celebrating cars, money, and the elusive “powerglide.” Juicy J adds a masterclass verse, completing the track with his signature style and a tribute to Lil Peep. “Powerglide” is a high-energy and memorable hip-hop track from Rae Sremmurd’s triple album SR3MM.
44. Old Dominion, “Hotel Key”
Old Dominion’s “Hotel Key” is a jaunty country-pop jam filled with vivid lyrical details. From the opening guitar riff to the repeated piano chords, the song tells a story of a carefree one-night stand. Small details like “her half-drunk smile” and “his half an ounce” bring the narrative to life. While the girl might think the hotel key is the best souvenir, the song itself becomes the lasting and slyly sexy memento of a fleeting encounter.
43. Red Velvet, “Bad Boy”
Red Velvet’s “Bad Boy” explores the classic femme fatale and bad boy dynamic in a moody K-pop track. Known for their duality, Red Velvet immerses listeners in intricate soundscapes, filled with siren onomatopoeia, clacking high heels, and rich harmonies. “Bad Boy” showcases their mature and sophisticated side, proving that pop music can be both badass and soft. It’s a compelling example of K-pop’s genre-bending and artistic depth.
42. Drake, “In My Feelings”
Drake’s “In My Feelings” became a cultural phenomenon in 2018, partly thanks to the #InMyFeelingsChallenge. The song incorporates New Orleans bounce music and features uncredited vocals from City Girls. With its catchy hook and quotable lyrics, “In My Feelings” spawned countless Instagram captions and dance videos. Despite some criticism of cultural appropriation, the song’s infectious beat and summer dance challenge made it an inescapable hit and a staple at events worldwide.
41. Teyana Taylor, “WTP”
Teyana Taylor’s “WTP” is an irresistible tribute to ball culture and queer influence. The song features silky vocals from Taylor over a rubbery bass line and a sample from Ellis D and Boom Boom’s 1989 house track “Work This Pussy.” Rapper Mykki Blanco adds tart-tongued commentary, and an audio snippet from Octavia St. Laurent further grounds the song in ballroom culture. “WTP” is a celebration of queer artistry and a standout track from Teyana Taylor’s album.
40. Mac Miller, “Self Care”
Mac Miller’s “Self Care” takes on a poignant and tragic resonance following his untimely passing in September 2018. Intended as a cautionary tale about the search for inner peace, the song now feels eerily prescient. Lyrics and the music video image of Miller carving “Momento Mori” into his casket lid hint at tragedy. “Self Care,” always a reflection on the dangers of escapism, became a heartbreaking reminder of the search for salvation and the fragility of life after Miller’s death.
39. Khalid & Normani, “Love Lies”
Khalid and Normani’s “Love Lies,” from the Love, Simon soundtrack, is a masterclass in subtle seduction. The song depicts the early stages of attraction and hesitation in a new relationship. Normani’s husky vocals and Khalid’s grainy tone create a sensual and inviting atmosphere. “Love Lies” captures the delicate balance of desire and uncertainty in new romance, resonating with listeners and reaching No. 9 on the Hot 100.
38. Juice WRLD, “Lucid Dreams”
Juice WRLD’s “Lucid Dreams” combines hazy production, acoustic guitar (sampling Sting’s “Shape of My Heart”), and dark lyrics about heartbreak. What made it stand out in 2018 was its crossover appeal, bringing a SoundCloud rapper to top 40 radio and No. 7 on Billboard’s Pop Songs chart. Its melodic backbone and catchy chorus made “Lucid Dreams” a speak-your-truth anthem for anyone dealing with heartbreak, regardless of genre preferences.
37. The 1975, “Give Yourself a Try”
The 1975’s “Give Yourself a Try,” from A Brief Inquiry Into Online Relationships, is a call to self-worth and engagement with the world. Frontman Matty Healy confronts themes of isolation and modern anxieties with directness and distorted guitar riffs. The song’s lyrics touch on whiskey, baby boomers, and the internet, but always return to the chorus’s simple plea: “If you’re so clever, then why are you on your own tonight?” “Give Yourself a Try” is both introspective and broadly relatable, capturing the spirit of The 1975’s evolving sound.
36. 5 Seconds of Summer, “Youngblood”
5 Seconds of Summer’s “Youngblood,” from their album of the same name, is a glossy and radio-friendly pop-rock anthem. With its shouty hook and driving bassline, “Youngblood” stood out amidst the trap-infused and chill vibes dominating charts in 2018. Its modern pop-punk energy resonated widely, becoming 5SOS’s biggest Hot 100 hit and proving their ability to evolve and adapt within the pop landscape.
35. Taylor Swift, “Delicate”
Taylor Swift’s “Delicate,” from reputation, is a standout track that references her public image with vulnerability. The line, “My reputation’s never been worse,” is particularly affecting, revealing the humanity behind her defensiveness. Vocoder-drenched vocals and a light, bouncing beat create an electro-pop sound that feels natural for Swift. “Delicate” became a pop radio mainstay in 2018 for its breezy sound and relatable sentiment, despite not being her biggest chart-topper, it resonated deeply with listeners.
34. Migos, “Stir Fry”
Migos’ “Stir Fry” is an instantly classic and inescapable hit from a year when the trio consistently released new music. Produced by Pharrell Williams, the beat is a hypnotic and polyrhythmic mix of bass, whistles, jazzy hi-hats, and a chopped sample. Migos’ signature triplet flow shines, with standout lines from Offset. “Stir Fry” is an energetic and infectious track that defies listeners to stay still, becoming a party anthem in 2018.
33. Panic! At The Disco, “High Hopes”
Panic! At The Disco’s “High Hopes” is an ornate and relentlessly triumphant anthem, written and produced by a large team of collaborators. Brendon Urie’s vocals soar over the track, celebrating the “weirdos and oddballs” who approach the music industry unconventionally. “High Hopes” became Panic!’s first top 10 hit in over a decade, showcasing its broad appeal and motivational message about ambition and perseverance.
32. Lil Baby & Gunna, “Drip Too Hard”
Lil Baby & Gunna’s “Drip Too Hard” is effortlessly cool and instantly captivating. Lil Baby’s verse is so smooth and confident that it feels like a chorus. Gunna adds a vivid and idiosyncratic verse with memorable lines. The quickly picked guitar loop produced by Turbo creates an addictive beat. “Drip Too Hard” is concise and impactful, making listeners immediately want to hit repeat and experience its rush again.
31. Halsey, “Without Me”
Halsey’s “Without Me” is a scathing and powerful track that marks her best Hot 100 solo showing to date. Producer Louis Bell creates a somber pop&B loop that sets the emotional tone. Halsey’s lyrics are both vulnerable and cutting, playing between kindness and cruelty before delivering the haymaker hook: “Does it ever get lonely/ Thinking you could live without me?” The song interpolates Justin Timberlake’s “Cry Me a River” in the bridge, solidifying its status as a classic revenge anthem of the era.
30. Jay Rock, Kendrick Lamar, Future & James Blake, “King’s Dead”
“King’s Dead” by Jay Rock, Kendrick Lamar, Future, and James Blake, from the Black Panther soundtrack, exceeded expectations. This all-star collaboration is a jaw-dropping rap single, elevated by its dynamic video. Jay Rock anchors the track, Future steals scenes, James Blake adds his unique touch, but Kendrick Lamar’s incredibly nimble and energetic verses truly shine. “King’s Dead” is a standout example of the Black Panther soundtrack’s quality and impact.
29. Kim Petras, “Heart to Break”
Kim Petras’ “Heart to Break” is an ecstatic electro-pop track about hopeless devotion. Petras’ vocals are perfectly suited to convey the song’s intense emotion, especially in the chorus where she reaches the top of her register with fervor. The “Heart To Break” hook is incredibly fun to sing along to, making it a breakthrough track for Petras in underground pop and highlighting her vocal prowess.
28. Lil Wayne feat. Swizz Beatz, “Uproar”
Lil Wayne’s “Uproar,” featuring Swizz Beatz, announced his return with a bang, sampling G Dep’s “Special Delivery.” Swizz Beatz sets the stage with staccato piano punches, and Lil Wayne delivers verses that start casually but build in intensity. “Uproar” is energetic and confident, showcasing Wayne’s experience and lyrical skill. The track served as a powerful reintroduction for Weezy F. Baby and a highlight from his album Tha Carter V.
27. The Carters, “Apeshit”
The Carters’ “Apeshit,” from Everything Is Love, is a rambunctious and powerful collaboration between Beyoncé and Jay-Z. Beyoncé delivers rapid-fire verses over a beat originally intended for Migos, showcasing her hip-hop proficiency. “Apeshit” is a surprising and delightful track that highlights Beyoncé’s versatility and the duo’s combined star power, exceeding expectations for their collaborative album.
26. Robyn, “Missing U”
Robyn’s “Missing U” is a quintessential example of her ability to transform heartbreak into triumph. Returning eight years after Body Talk, “Missing U” is both a tribute to her late friend Christian Falk and a love letter to her fans. The song blends tragedy and unwavering love, creating a bittersweet and sublime comeback hit that re-established Robyn as pop’s queen of sad anthems.
25. Rosalía, “Malamente”
Rosalía’s “Malamente” is a groundbreaking track that blends flamenco, R&B, and poetic lyricism. The song features forceful handclaps, traditional flamenco sounds, and contemporary production. “Malamente” is a trailblazing track that defies genre conventions, establishing Rosalía as a unique and innovative artist with her breakthrough album El Mal Querer.
24. Shawn Mendes, “Lost in Japan”
Shawn Mendes’ “Lost in Japan” is a heartwarming and R&B-infused pop song about going the distance for love. Mendes sings about flying across the globe for a romantic interest, conveying a sense of earnest devotion. The Zedd remix further boosted the song’s appeal, sending it back up the charts. “Lost in Japan” is a charming and relatable track about the lengths one will go for love.
23. Camila Cabello, “Never Be the Same”
Camila Cabello’s “Never Be the Same,” the follow-up to “Havana,” is wonderfully weird and captivating. Cabello’s vocals range from low registers to falsetto, set against a spaced-out electro thrum. The song compares love to addictive substances like “nicotine, heroin, morphine,” creating an intoxicating and intense portrayal of romantic obsession. A remix featuring Kane Brown further amplified its romantic appeal.
22. BTS, “Fake Love”
BTS’s “Fake Love,” from their Love Yourself series, delves into themes of despair and heartbreak. The song marks a sonic evolution for the K-pop group, embracing emo-rap vibes and a wailing chorus. “Fake Love” explores the tragedy of losing oneself within a failed relationship, pushing BTS to new emotional and musical depths and becoming a historic hit.
21. Drake, “God’s Plan”
Drake’s “God’s Plan” is a gloriously pompous and feel-good hip-hop anthem that dominated 2018. Released early in the year, it became Drake’s longest-leading Hot 100 No. 1, breaking chart records. “God’s Plan” is quintessentially Drake, from its quotable lines and PG-rated references to its shout-outs to his “broskis” and mom. The viral music video, featuring Drake giving away nearly $1 million, amplified its feel-good message and solidified its status as a cultural touchstone.
20. Tyga feat. Offset, “Taste”
Tyga’s “Taste,” featuring Offset, marked a major career comeback. Producer D.A. Doman crafted a crisp and infectious beat, and Tyga delivered confident and charismatic verses. Offset’s blistering verse added to the track’s energy, helping “Taste” peak at No. 8 on the Hot 100. “Taste” became a summer anthem, proving Tyga’s resilience and ability to bounce back in hip-hop.
19. Bruno Mars & Cardi B, “Finesse” (Remix)
Bruno Mars & Cardi B’s “Finesse” remix is a new-jack-swinging hit that embodies its one-word title. Cardi B elevates the original track with her energetic verse and playful ad-libs. After her brash introduction with “Bodak Yellow,” “Finesse” showcased her playful humor and crossover appeal. The combination of Mars’ nostalgic R&B and Cardi’s swagger, set against an In Living Color-inspired video, was undeniable.
18. Janelle Monáe, “Make Me Feel”
Janelle Monáe’s “Make Me Feel” is a light and frothy funk jam inspired by Prince’s “Kiss.” Monáe evokes Prince’s influence, who reportedly worked on her Dirty Computer album before his death. The song blends funk with Little Dragon-esque synth-pop, creating a unique and danceable sound. “Make Me Feel” is a vibrant and energetic track that leaves listeners wanting more, perfect for repeat plays.
17. Bad Bunny feat. Drake, “MIA”
Bad Bunny and Drake’s “MIA” is a sultry and surprising collaboration that sparked major interest in Latin music in 2018. Drake surprised fans by showcasing his Spanish-speaking skills. The infectious reggaetón track with romantic and kinky lyrics quickly climbed to No. 1 on the Hot Latin Songs chart. “MIA” highlighted the growing global reach of Latin trap and the exciting collaborations emerging in the genre.
16. King Princess, “1950”
King Princess’s “1950” is a doe-eyed and emotionally raw ballad that defies easy categorization. The song idealizes a year when same-sex love was less openly expressed, making it a poignant tribute to the evolution of gay romance in art. “1950” is both timeless and contemporary, with its slow alt-pop sway sounding at home in any era of music history. It’s a deeply personal and resonant track from King Princess.
15. Kendrick Lamar & SZA, “All the Stars”
Kendrick Lamar & SZA’s “All the Stars,” from the Black Panther soundtrack, was a panoramic radio hit and cultural phenomenon. The song combines Kendrick’s slick verses with SZA’s captivating chorus. “All the Stars” is a contemporary R&B-pop track that reached a wide audience and was further enhanced by its stunning music video, paying homage to Black Panther and African culture. It’s a standout collaboration that exemplifies the soundtrack’s impact.
14. Ariana Grande, “No Tears Left to Cry”
Ariana Grande’s “No Tears Left To Cry” marked a powerful and uplifting return after the Manchester bombing in 2017. The song begins with Grande’s delicate vocals over soft synths, creating a sense of vulnerability. It then transitions into an uplifting dance-pop anthem, celebrating resilience and healing. Produced by Max Martin and Ilya, “No Tears Left To Cry” is a thoughtful and efficient celebration of music’s healing power, designed to let the light back in after tragedy.
13. John Mayer, “New Light”
John Mayer’s “New Light” is both a departure and a return to his musical roots. Produced by No I.D., the song is breezy yacht rock with a humorous twist. Mayer leans into his dweebish persona, singing about being “pushing 40 in the friend zone” with self-deprecating humor. “New Light” amplifies Mayer’s existing musical persona, blending adult contemporary with a touch of self-aware irony, making it a delightfully unique single.
12. Calvin Harris & Dua Lipa, “One Kiss”
Calvin Harris & Dua Lipa’s “One Kiss” is a sun-kissed Euro-house banger that became a Song of the Summer contender. Dua Lipa’s vocals and Harris’s production create a steamy and infectious track. “One Kiss” topped the U.K. Singles Chart for eight weeks and became a Top 40 hit in America, proving the enduring appeal of Ibiza-infused dance music on pop radio.
11. Sheck Wes, “Mo Bamba”
Sheck Wes’s “Mo Bamba” unexpectedly became one of 2018’s wildest bangers. Dedicated to Orlando Magic player Mohamed Bamba, the song is rowdy and energetic. Its jingly synths and chaotic energy made it a staple at parties and festivals. “Mo Bamba” is an unmercifully catchy and high-energy track that took the music world by storm, despite its unconventional origins.
10. Zedd, Maren Morris & Grey, “The Middle”
Zedd, Maren Morris & Grey’s “The Middle” became 2018’s ubiquitous crossover smash, blending dance and country-pop. Maren Morris’s powerhouse vocals introduced her to pop and EDM audiences. The ridiculously catchy hook and axe-chop beat drop made “The Middle” unforgettable. It earned Grammy nominations for record and song of the year, solidifying its status as a defining crossover hit of 2018.
9. Kacey Musgraves, “High Horse”
Kacey Musgraves’ “High Horse,” from Golden Hour, is a genre-bending track that gallops into the discotheque. Musgraves blends her country roots with glittery disco sounds, creating a unique and comfortable sound. In a year with many attempts to capture a “Dolly on the dancefloor” vibe, Musgraves effortlessly rolls through new sonic territory, showcasing her versatility and artistic vision.
8. Troye Sivan, “My My My!”
Troye Sivan’s “My My My!” is an ebullient dance-pop delight from his album Bloom. Sivan’s vocals are sweet and flirtatious in the verses, but the chorus explodes with airy synths and sensual joy. Coupled with its bold music video depicting same-sex eroticism, “My My My!” is a potent dose of queer liberation and a standout dance-pop track of 2018.
7. Lady Gaga & Bradley Cooper, “Shallow”
Lady Gaga & Bradley Cooper’s “Shallow,” from A Star Is Born, became a global phenomenon from its first trailer. The duet is an emotional high point of the film, capturing the electricity between Jackson Maine and Ally. “Shallow” works on multiple levels—as a narrative thread in the film and as a powerful standalone hit. Gaga’s vocal range and Cooper’s sturdy vocals create a show-stopping performance, building to Gaga’s iconic scream that captivated audiences worldwide.
6. Childish Gambino, “This Is America”
Childish Gambino’s “This Is America” is a heady and provocative single that addressed racial violence in America. Released alongside a powerful music video, the song juxtaposes party vibes with grim realities of police brutality and racial inequality. A hip-hop update to Marvin Gaye’s “What’s Going On,” “This Is America” is both funky and deeply unsettling, prompting critical conversations and becoming a defining protest anthem of 2018.
5. Drake, “Nice For What”
Drake’s “Nice For What” is a party-starting anthem that samples Big Freedia and Lauryn Hill. The song incorporates New Orleans bounce music, creating an infectious and energetic beat. Drake gives props to independent women in his lyrics, but the real secret to the song’s success is its irresistible beat. “Nice For What” debuted at No. 1 on the Hot 100 and remained there for eight weeks, becoming a major dance craze and cultural moment.
4. Ariana Grande, “Thank U, Next”
Ariana Grande’s “thank u, next” is an empowering breakup anthem that flipped the script on heartbreak. Released shortly after her engagement ended, Grande turned personal pain into a cathartic and uplifting song. She name-checks her exes, expressing gratitude for what she learned from each relationship. Set to a syrupy 90s R&B progression, “thank u, next” became Grande’s first No. 1 hit, resonating with listeners for its honesty and empowering message.
3. Ella Mai, “Boo’d Up”
Ella Mai’s “Boo’d Up” is a breakout hit that bubbled up organically from internet buzz and word-of-mouth popularity. Inspired by Johnny Gill’s “There U Go,” “Boo’d Up” captures a breezy nostalgia with Mai’s smooth vocals. Its nonsensical chorus and heartbeat-like rhythm are irresistibly catchy. “Boo’d Up” became a cross-generational smash, perfect for both new romances and long-lasting love, proving the power of genuine listener connection.
2. Travis Scott, “Sicko Mode”
Travis Scott’s “Sicko Mode” is a rollercoaster of a track, filled with unexpected twists and turns. The song is structurally innovative, with multiple beat changes and dynamic shifts. Featuring Drake (uncredited), “Sicko Mode” is energetic, unpredictable, and sonically groundbreaking. Its brain-warping music video and complex structure made it a defining and innovative hip-hop track of 2018, reaching No. 1 and solidifying Travis Scott’s artistic vision.
1. Cardi B, J Balvin & Bad Bunny, “I Like It”
Cardi B, J Balvin & Bad Bunny’s “I Like It” is the undeniable song of the summer and top song of 2018. From its opening beat drop, the song is instantly infectious. Cardi B’s energetic verses, combined with J Balvin and Bad Bunny’s Spanish-language contributions, create a vibrant and bilingual anthem. Sampling Peter Rodriguez’s boogaloo hit, “I Like It” is both nostalgic and contemporary, bridging cultures and generations. The track became Cardi B’s second No. 1 hit, making her the first female rapper to achieve this milestone. “I Like It” is a celebration of wealth, success, and cultural fusion, perfectly capturing the carniv
