Travis Scott has consistently delivered top-tier music, establishing himself as a leading voice in contemporary hip-hop. With a string of critically acclaimed projects, fans have come to expect nothing less than exceptional tracks from La Flame. Since his solo debut in 2013 with Owl Pharaoh, which featured bangers like “Upper Echelon” and “Bad Mood/Shit On You,” Travis Scott has shown no signs of slowing down, continually pushing creative boundaries and solidifying his place in the music industry.
His debut studio album Rodeo further cemented his status, boasting some of his best songs, including “Oh My / Dis Side,” known for Quavo’s iconic ad-libs, and the melodic masterpiece “90210” featuring Kacy Hill. Then came Birds in the Trap Sing McKnight, a project that showcased his growing artistry and refined sound. The reception to Birds in the Trap Sing McKnight signaled an artist reaching new heights in his career.
Astroworld, released in 2018, was a monumental achievement. Travis Scott’s fifth studio album presented some of the most innovative production and unforgettable songs of his career. “SICKO MODE” became an instant anthem with its groundbreaking beat switches, “NO BYSTANDERS” emerged as the quintessential mosh pit soundtrack at his live shows, and “YOSEMITE” offered a unique, dreamy western vibe.
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With the anticipation for UTOPIA building, Travis Scott’s fanbase is eager for what’s next. As we await his forthcoming album, it’s the perfect time to revisit and celebrate his impressive catalog. Here’s a countdown of the Best Travis Scott Songs of all time, highlighting the tracks that have defined his career and resonated most with fans.
Our Top 22 Travis Scott Songs Ranked
22. LIGHTS (LOVE SICK)
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“LIGHTS (LOVE SICK)” is a deep cut that holds significant historical value in Travis Scott’s journey. While it might not be his most polished track, its rawness and experimental nature are undeniable. The song, with its Tumblr-era visual aesthetics and clear Kanye West influences, may feel slightly dated to some. However, elements like the signature beat switch towards the end foreshadowed a recurring motif in Travis Scott’s later, more refined work. What truly elevates “LIGHTS (LOVE SICK)” is its pivotal role in Travis Scott’s career trajectory. Legend has it that Kanye West’s DJ discovered the music video and showed it to Kanye during the Cruel Summer compilation album sessions. Impressed, Kanye immediately reached out to Travis, marking the beginning of their influential collaboration and Travis’s ascent in the industry. For this foundational reason, “LIGHTS (LOVE SICK)” earns its spot on this list of best Travis Scott songs.
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21. QUINTANA
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Early Travis Scott, particularly during the Owl Pharaoh era, was characterized by a raw, unrefined energy. While Owl Pharaoh showcased innovative ideas, it lacked the cohesive sonic identity that would define his later work. Travis was still developing his signature style. However, amidst the experimental tracks, “Quintana” emerged as a standout. This track offered a glimpse into the hard-hitting, banger-oriented sound that would become synonymous with Travis Scott. “Quintana” features striking production, the now-iconic ad-libs, and Travis’s distinctive auto-tuned crooning. Notably, the song includes a beat switch in its second half, a signature element that would become a hallmark of his best Travis Scott songs. “Quintana” demonstrated the burgeoning artist’s potential and is a key early track for understanding his evolution.
20. YOSEMITE
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“YOSEMITE,” from Astroworld, evokes a distinct visual and auditory landscape, so much so that it feels tailor-made for a Westworld soundtrack. The track’s airy flutes and western-inspired twangs create a dreamlike, earthy atmosphere, perfectly mirroring the fictional HBO theme park’s aesthetic. The official music video further enhances this vibe, solidifying the song’s Western-inspired theme.
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“YOSEMITE” is a sonic journey, with Gunna acting as a melodic guide, delivering a characteristically smooth and catchy hook reminiscent of his flow on “Sold Out Dates.” For listeners seeking an auditory escape, “YOSEMITE” is an ideal choice, transporting you to a serene, almost cinematic soundscape the moment you press play. It’s a standout example of Travis Scott’s ability to create immersive and atmospheric music.
19. “First Take”
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“First Take,” a collaboration between Travis Scott and Bryson Tiller, is a sleeper hit that showcases a more vulnerable side of La Flame. In this track, Travis opens up about the complexities of a relationship, revealing his dependence on a woman despite acknowledging her manipulative behavior. Bryson Tiller complements this vulnerability, detailing his own experience with a woman seemingly interested only in his wealth, despite his deeper emotional investment. “First Take” delves into the darker, more intricate aspects of love, even for a rap superstar. This track highlights a desired direction for future Travis Scott songs – more introspective and emotionally resonant content. The chemistry between Travis Scott and Bryson Tiller on “First Take” leaves fans hoping for future collaborations from these two artists.
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18. “Beibs in the Trap”
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“Beibs in the Trap” initially sparked fan speculation about a Justin Bieber feature, particularly after his appearance on “Maria I’m Drunk.” However, Travis Scott’s “beibs” actually refers to cocaine, continuing the hip-hop tradition of using white celebrity names as euphemisms for drugs. Produced by NAV, affiliated with The Weeknd’s XO label, “Beibs in the Trap” is a quintessential club banger. Its infectious beat and catchy hook made it a staple in clubs and parties, further solidifying Travis Scott’s reputation for creating high-energy, crowd-pleasing tracks. “Beibs in the Trap” is a prime example of Travis Scott’s ability to craft songs that are both edgy and commercially successful.
17. “Upper Echelon”
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Is there a more explosive and iconic hook in Travis Scott’s entire discography than the one in “Upper Echelon?” Featuring T.I. and 2 Chainz, “Upper Echelon” is a high-energy track from Owl Pharaoh that served as many fans’ introduction to Travis Scott’s music. While T.I. delivers a solid verse and 2 Chainz explores “Versace heaven,” it’s Travis’s dynamic cadence, combined with the repeated and infectious “Straight up!” and “That dope!” ad-libs, that truly command attention. The sheer energy of the hook, “We so high, upper echelon (Straight up!),” makes it nearly impossible not to feel an urge to find the nearest mosh pit. “Upper Echelon” was a defining early track that showcased Travis Scott’s ability to create anthemic, rage-inducing music, leaving a lasting first impression on listeners.
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16. “Maria I’m Drunk”
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“Maria I’m Drunk” perfectly encapsulates the late-night, “you up?” text vibe. The track, featuring Justin Bieber and Young Thug, is tailor-made for those after-hours moments. Young Thug’s signature slur rap style melds seamlessly with the drunken piano sample, creating a hazy, intoxicating atmosphere. Justin Bieber delivers a surprisingly standout verse, shifting from pop sensibilities to rapping about late-night studio desires. The song is full of memorable moments from all three artists, making it an enticing soundtrack for taking a chance and sending that late-night text after a club night. “Maria I’m Drunk” is a unique blend of styles and moods, cementing its place as one of the best Travis Scott songs for late-night vibes.
15. “Through the Late Night”
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“Through the Late Night” stands as a beautiful homage to Kid Cudi’s profound musical influence on Travis Scott. The track feels like a spiritual successor or spin-off to Cudi’s classic “Day ‘N’ Nite,” echoing its dreamy and introspective qualities. Kid Cudi’s iconic hum, a sound so distinctive it could be considered a cultural artifact, acts as the song’s defining instrumental element. Travis Scott plays a strong supporting role, rapping alongside his idol and absorbing Cudi’s atmospheric style. “Through the Late Night” is a testament to Travis Scott’s musical roots and his ability to collaborate seamlessly with artists who have shaped his sound. It’s a must-listen for fans of both Travis Scott and Kid Cudi.
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14. “Quintana Pt. 2”
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“Quintana Pt. 2,” a sequel to “Quintana,” continues the finessing theme introduced in Days Before Rodeo. This time, T.I., the self-proclaimed “King of the South,” replaces Wale, delivering a stellar verse reminiscent of his Trap Muzik era, sandwiched within the song’s dual-sided structure. Like many of Travis Scott’s two-part tracks, “Quintana Pt. 2” effortlessly transitions between slow and fast tempos. The song structure keeps listeners engaged with its dynamic shifts and changes in energy. By the song’s conclusion, “Quintana Pt. 2” wraps up into a sonically satisfying package, complete with autotune-infused flexing, making it a worthy addition to any best Travis Scott songs playlist.
13. “Skyfall”
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The collaboration between Travis Scott and Young Thug consistently yields exceptional results, and “Skyfall” is no exception. Adding Metro Boomin to the production mix creates a powerhouse trio, a musical “big three” capable of dominating the charts. Contrary to popular interpretation as a simple “get high anthem,” “Skyfall” carries a deeper thematic layer. It’s aimed at older artists who have lost touch with younger audiences and faded from relevance. However, the euphoric soundscape created by Travis Scott’s captivating hook, singing, “The sky keep on fallin’, the drugs I keep callin’. They keep pickin’ up for me, they love me,” is undeniable.
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Young Thug’s verse on “Skyfall” is widely considered one of the best in his career, showcasing his lyrical dexterity and unique delivery. “Skyfall” is a multifaceted track that works on both a surface level as an atmospheric banger and on a deeper level with its thematic content, making it a standout in Travis Scott’s discography.
12. “No Bystanders”
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“NO BYSTANDERS” is Travis Scott’s concert ethos encapsulated in a song. He doesn’t want passive observers at his shows; he demands active participation, encouraging fans to mosh, dance, and fully “rage.” This Astroworld banger delivers that message emphatically: rage or stay home. Featuring the late Juice WRLD and a roaring chorus from Sheck Wes – “Fuck the club up, fuck the club up (Bitch!)” – “NO BYSTANDERS” is explosively energetic. It’s arguably the most electrifying track on Astroworld and a guaranteed crowd-favorite at any Travis Scott concert, embodying the raw, uninhibited energy of his live performances.
11. “Way Back”
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Travis Scott’s skill in crafting two-part songs is brilliantly showcased in “Way Back.” The track begins with an uptempo trap vibe that smoothly transitions into a more melodic flow. Featuring backing vocals from Kid Cudi, “Way Back” is an essential track in Travis Scott’s catalog, rarely skipped when it comes on. Adding to its unique appeal, “Way Back” manages to name-drop James Harden, OJ Simpson, Coldplay, and Michael Phelps all within the same song, a quirky and memorable lyrical feat. Often underrated, “Way Back” demonstrates Travis Scott’s versatility and creative song structuring.
10. “Don’t Play”
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“Don’t Play” is a track designed to be played loud. Co-produced by Vinylz & Rhitter, it features hard-hitting 808 kicks, sharp claps and snares, and a slick vocal sample from The 1975’s track “M.O.N.E.Y.” Combined with strong verses from both Travis Scott and Big Sean, “Don’t Play” is an instant banger. The aggressive beat and confident delivery make it a high-energy track perfect for parties or workout playlists. “Don’t Play” exemplifies Travis Scott’s ability to blend samples and collaborations into a cohesive and powerful sound.
9. “Mamacita”
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Have Travis Scott and Young Thug ever created a subpar song together? Their undeniable musical chemistry is on full display in “Mamacita,” inviting listeners into their world of drugs, sex, partying, and excess. While Rich Homie Quan’s relationship with Travis and Thug may have since cooled, his contribution to “Mamacita” is undeniable. Quan’s verses, trading bars with Young Thug over a menacing, distorted guitar strum and heavy bass line, are a highlight of the track. “Mamacita” is a testament to the collaborative magic between these artists and a standout example of their signature sound.
8. “Pick Up the Phone”
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“Pick Up The Phone” marks a significant high point for all three artists involved: Travis Scott, Young Thug, and Quavo. Young Thug delivers his signature hyperactive verse, packed with wordplay and vocal acrobatics, over an aqueous and hypnotic beat. Travis provides a fantastic and memorable hook, while Quavo closes out the track with another strong verse. “Pick Up The Phone” is arguably Travis Scott’s most laid-back banger, showcasing his ability to create hits that are both chill and impactful. It’s a standout track in his extensive catalog, celebrated for its smooth production and effortless cool.
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7. “Goosebumps”
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“Goosebumps” is easily one of the best bangers of 2017, solidifying Travis Scott’s position as a hitmaker. While he may not be known for lyrical complexity, Travis excels at captivating listeners with pure sound and his signature ad-libs like “YAH” and “IT’S LIT!” “Goosebumps” is a masterclass in creating atmosphere and energy through production and vocal delivery. The track’s infectious energy and Travis’s charismatic presence made it a massive hit and a fan favorite, further cementing his status in mainstream hip-hop.
6. “3500”
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“3500” represents the evolution of “Upper Echelon,” taking the high-energy trap sound to a new level. This track seamlessly blends underground trap sensibilities with mainstream appeal, featuring razor-sharp production and an incredibly powerful beat. Lyrically, “3500” is like a designer drug – Travis and his collaborators deliver verses fully dedicated to flexing and partying. The ambiguity of the lyrics, whether he’s saying “$3,500 for the coat,” or “$3,500 for the coke,” adds to the song’s mystique and hedonistic vibe. “3500” is an undeniable banger that showcases Travis Scott’s ability to create tracks that are both sonically intense and culturally relevant.
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5. “Drugs You Should Try It”
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“Drugs You Should Try It,” track four from Days Before Rodeo, creates an almost paradoxical desire. It’s a drug-induced, 808s & Heartbreak-esque track, blending Travis’s signature trap sound with the emotional rawness of Kanye West’s iconic album, all layered with electric guitar. Over a chilled, laid-back beat, Travis explores themes of love and vulnerability amidst the haze of being high. “Drugs You Should Try It” highlights Travis Scott’s musical versatility, demonstrating his ability to experiment with different sounds and emotional depths, a skill that continues to define his artistry.
4. “Antidote”
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“Antidote” was initially not slated for inclusion on Travis Scott’s debut studio album Rodeo, but it became one of his best and most recognizable songs to date. With over 200 million views on YouTube, it’s also his most popular video. “Antidote” is the quintessential Travis Scott track, perfectly blending trap, grunge, ad-libs, and a phenomenal beat by WondaGurl. It’s an undeniable hit and an anthem for “real ragers,” with fans collectively shouting “Poppin pills is all we know!” during energetic nights out. “Antidote” is a defining track that encapsulates the core elements of Travis Scott’s signature sound and appeal.
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3. “90210”
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“90210” is a testament to Travis Scott’s artistic depth and musical innovation. Travis’s signature auto-crooning is at its peak in this track, beautifully contrasted by Kacy Hill’s ethereal vocals, creating a fantastic balance between grit and sweetness. “90210” serves as a sonic autobiography, blending Travis’s past and present as he reflects on his life in Los Angeles at the song’s outset. The dynamic beat switch midway through the song is transformative. Sharp, punching drums enter as Travis transitions into rapping about personal relationships with his parents and grandmother in the context of his burgeoning success. This shift in vocal delivery and production symbolizes the clarity he has found amidst fame. The seamless transition from dark and gritty to light and bouncy solidifies “90210” as a landmark track and Travis Scott as a musical icon.
2. SICKO MODE
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“SICKO MODE” is a strong contender for the best song of 2018 and undoubtedly one of Travis Scott’s best creations. This hard-hitting single from Astroworld is like a “beer flight” of bangers, delivering small but potent servings of club-ready beats and catchy verses from Travis and Drake. With an all-star production team – including Drake, Swae Lee, Tay Keith, Hit-Boy, and Cubeatz – Travis crafted the ultimate “it’s lit!” anthem. “SICKO MODE” is designed for parties and celebrations, ensuring its place as a go-to track for years to come. Its innovative structure and star-studded collaboration cemented its status as a cultural phenomenon and one of the best Travis Scott songs.
1. “Oh My / Dis Side”
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“Oh My / Dis Side” earns the top spot as the best Travis Scott song due to its perfect duality. It transitions from a high-speed highway drive during rush hour to a relaxed, slow cruise by the ocean at night – truly the best of both worlds. The production on “Oh My” is instantly captivating, beginning with a guitar-heavy, hard-hitting beat that gradually shifts into a beautifully serene R&B sample melody. Quavo’s sensational ad-libs are a highlight, adding immense charisma even without a full verse. The moment you hear – “I’m counting up nothing but Benjamin’s right now (Money!)” – the urge to hit repeat is irresistible. “Oh My / Dis Side” is a masterpiece of musical contrast and seamless transitions, making it the quintessential best Travis Scott song.
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