Diana Ross in a shimmering gown, performing on stage
Photo: Larry Ellis/Express/Getty Images
Diana Ross, born on March 26, 1944, embarked on her solo journey after leading Motown’s iconic girl group, The Supremes, to unprecedented heights. Motown strategically nurtured her talents, paving the way for her to become a luminous solo star. Her departure from The Supremes in 1970 marked not an end, but a dazzling new beginning. Equipped with Motown’s finest producers and songwriters, and radiating an undeniable personal style, Diana Ross transcended genre boundaries, captivating audiences far beyond the typical soul music fanbase. While some questioned her solo prospects, Diana Ross possessed an unstoppable force, destined for solo stardom. She evolved into an artist who resonated deeply with adult audiences, a sophisticated star that embodied Motown’s aspirations for broader appeal. This list celebrates 20 of the best Diana Ross Songs, highlighting the key tracks that cemented her legendary status in music history. Explore the discography that solidified her place as a true icon, and discover (or rediscover) why Diana Ross songs continue to resonate with generations.
20: I’m Coming Out
Kicking off our countdown of Diana Ross songs is the electrifying disco anthem, “I’m Coming Out.” Released in 1980, this track is an exuberant call for liberation, encouraging listeners to shed inhibitions and embrace their true selves, particularly those grappling with societal expectations around sexuality. This song marked the beginning of Diana Ross’s fruitful collaboration with Chic. Although initial masters were not to her liking, “I’m Coming Out” ultimately emerged as a resounding triumph, becoming a defining track of the era and a staple in Diana Ross’s impressive catalog.
19: Surrender
“Surrender,” a powerful soul declaration from 1971, showcases Diana Ross’s commanding presence. Produced by the legendary songwriting duo Ashford & Simpson, this track is a passionate plea for love and devotion. As the title track from an often-overlooked album, “Surrender” is a punchy, dramatic, and compelling example of Diana Ross’s early solo work. It’s a testament to her ability to deliver emotionally charged performances that resonate deeply with listeners.
18: Touch Me In The Morning
In the early 1970s, Diana Ross consciously shifted her musical direction, moving away from teen-oriented pop and embracing mature themes of love, relationships, and life’s complexities. “Touch Me In The Morning,” released in 1972, perfectly exemplifies this evolution. Penned by Michael Masser, this song is an elegant and sophisticated exploration of adult relationships, filled with nuanced emotions, regrets, and joys. Its grown-up sensibility and delicate melody made it a standout track in her discography and a classic Diana Ross song.
Touch Me In The Morning official music video performance
17: It’s My House
Diana Ross reunited with Ashford & Simpson in 1979 for the album The Boss, and the magic was undeniable. “It’s My House” is a deceptively simple yet infectious groove celebrating female independence and empowerment. With a light and breezy touch, Diana Ross delivers a message of self-possession and autonomy. This track highlights her ability to blend meaningful themes with irresistible rhythms, making it a standout Diana Ross song from the disco era.
Diana Ross performing “It’s My House” in a live concert
16: I’m Still Waiting
“I’m Still Waiting,” a quintessential lovelorn ballad from 1971, showcases Diana Ross’s vocal prowess in conveying deep emotion. Produced by Deke Richards, the song tells a story of longing and patience, as Diana Ross breathily expresses the yearning for a lover to fulfill his romantic promises. Her nuanced and captivating performance perfectly sells the narrative, making “I’m Still Waiting” a beloved Diana Ross song and a classic example of 70s soul.
Diana Ross singing “I’m Still Waiting” on stage in a television special
15: Theme From Mahogany (Do You Know Where You’re Going To)
“Theme From Mahogany (Do You Know Where You’re Going To)” is a mellow and introspective ballad from the 1975 film Mahogany, in which Diana Ross also starred. Produced and co-written by Michael Masser with Gerry Goffin, this song embodies a sense of questioning and self-discovery. Originally intended for Thelma Houston in 1973, it was Diana Ross’s rendition that became a massive hit. Its almost “chamber soul” arrangement and thoughtful lyrics solidify its place among the best Diana Ross songs.
Diana Ross performing “Theme From Mahogany” in a promotional clip for the film
14: Doobedood’ndoobe, Doobedood’ndoobe, Doobedood’ndoo
The uniquely titled “Doobedood’ndoobe, Doobedood’ndoobe, Doobedood’ndoo” is a testament to Diana Ross’s playful side and Motown’s innovative approach. Legend has it that while recording, writer-producer Deke Richards hadn’t finished the lyrics, and Diana Ross filled in with nonsense syllables. Berry Gordy, recognizing the distinctiveness of these non-lyrics, decided to release it as is. This quirky and catchy track became a significant hit, particularly in the UK in 1972, proving that sometimes the unconventional can become iconic in the world of Diana Ross songs.
13: Ease On Down The Road (with Michael Jackson)
“Ease On Down The Road,” a vibrant and energetic duet with Michael Jackson from the 1977 film The Wiz, bursts with pure joy. This brassy and dynamic track showcases the incredible chemistry between Diana Ross and Michael Jackson, creating a feel-good anthem filled with “joie de vivre.” It’s a standout collaboration and a fun, upbeat addition to the collection of Diana Ross songs.
12: Take Me Higher
Diana Ross effortlessly embraced the house music scene with “Take Me Higher” in 1995. This track demonstrates her adaptability and willingness to explore contemporary sounds. Having already conquered disco, Diana Ross seamlessly transitioned into the high-energy dance groove of house music. “Take Me Higher” proved her relevance in evolving music landscapes and remains a thrilling Diana Ross song for dance floors.
11: My Old Piano
Another club-ready hit, “My Old Piano,” is a collaboration with Chic that celebrates the beloved musical instrument. This quirky and infectious tribute to the piano became a major hit across Europe. The Chic production adds a funky edge to Diana Ross’s vocals, resulting in a unique and memorable Diana Ross song that bridges genres and continents.
10: You’re A Special Part Of Me (with Marvin Gaye)
“You’re A Special Part Of Me,” a soulful duet with Marvin Gaye from 1973, marked a significant moment. Despite Marvin Gaye’s initial reluctance towards duets after the passing of Tammi Terrell, this collaboration ultimately proved to be magical. This super-soulful ballad beautifully blends Marvin Gaye’s raw emotion with Diana Ross’s refined precision, creating a joyful and passionate tribute to romantic love. It stands as a testament to their combined star power and is a cherished Diana Ross song.
Marvin Gaye and Diana Ross performing “You’re A Special Part Of Me” in a studio session
9: Brown Baby/Save The Children
“Brown Baby/Save The Children” showcases Diana Ross at her most politically conscious and compassionate. “Brown Baby,” a Tom Baird composition, carries a Marvin Gaye What’s Going On vibe, with Diana Ross expressing wishes of pride, love, and success for a child. Her powerful vocals seamlessly transition into her rendition of “Save The Children” from Gaye’s iconic album. Released in 1973, this medley is a gorgeous and thoughtful example of Diana Ross songs with deeper social commentary.
Diana Ross performing “Brown Baby/Save The Children” in a live concert setting
8: One Love In My Lifetime
“One Love In My Lifetime,” released in 1976, delivers killer funky-soul grooves while retaining elements of the classic Motown sound. Although not a massive single upon release, this track has aged exceptionally well. Its fresh and vibrant energy resonates even today, proving its timeless appeal. “One Love In My Lifetime” is a Diana Ross song that deserves rediscovery for its infectious rhythm and soulful delivery.
Diana Ross performing “One Love In My Lifetime” in a television appearance
7: The Boss
“The Boss,” the title track from her 1979 album, is quintessential bustling, hustling disco, embodying the big-city energy that Ashford & Simpson were masters of creating. This track encourages listeners to “boogie down” with its infectious rhythm and prominent handclaps. “The Boss” is a high-energy and empowering Diana Ross song that perfectly captures the disco era’s spirit.
Diana Ross performing “The Boss” on a 1970s music television show
6: Reach Out And Touch (Somebody’s Hand)
“Reach Out And Touch (Somebody’s Hand),” released in 1970, marked Diana Ross’s solo career launch after her Supremes success. She needed a powerful song to establish her solo identity, and Ashford and Simpson delivered. This anthemic track, imbued with gospel influences, resonated with the era’s message of unity and togetherness. Diana Ross’s flawless delivery ensured her solo path began on a monumental high note, making it an iconic Diana Ross song.
Diana Ross singing “Reach Out And Touch (Somebody’s Hand)” to a large audience
5: Upside Down
“Upside Down,” a phenomenal 1980 smash, was Diana Ross’s quest for a career-defining song, and Chic answered the call. Taking her request literally, Chic crafted a track that flipped expectations and became an instant classic. “Upside Down” is an irresistible blend of funk and disco, showcasing Diana Ross’s versatility and solidifying her status as a musical innovator. It’s undoubtedly one of the most recognizable Diana Ross songs.
4: I Heard A Love Song (But You Never Made A Sound)
“I Heard A Love Song (But You Never Made A Sound)” is a funky-rock gem from Diana Ross’s The Last Time I Saw Him album (1973). While the album is known for its forays into country and jazz, this track, written by Bob and Brit Gaudio of The Four Seasons, brings a different energy. Echoing The Four Seasons’ 70s sound, this mighty and concise track is a standout Diana Ross song that deserves more recognition.
Diana Ross performing “I Heard a Love Song (But You Never Made a Sound)” in a studio session
3: Love Hangover
“Love Hangover” showcases Diana Ross in sultry, seductive diva mode, delivering a two-part dancefloor masterpiece. Beginning as a slow and sensual groove, it transitions into a high-energy disco inferno. This 1976 smash is both a sexy slow jam and a pulsating disco anthem, leaving listeners with no cure but to dance. “Love Hangover” is a definitive Diana Ross song from the disco era.
Diana Ross performing “Love Hangover” in a dazzling stage performance
2: Ain’t No Mountain High Enough
“Ain’t No Mountain High Enough,” originally made famous by Marvin Gaye and Tammi Terrell, was a bold song to remake. Diana Ross, however, had already recorded it with The Supremes in 1968. Undaunted, and under the production of Ashford & Simpson, she reinvented the song in a way only she could. Her 1970 rendition reached No. 1, becoming an iconic Diana Ross song. This version showcases her vocal range and dramatic flair, solidifying its place as one of her signature tracks.
Diana Ross performing “Ain’t No Mountain High Enough” in a grand stage production
1: Remember Me
Topping our list of Diana Ross songs is “Remember Me.” Ashford & Simpson created this mature and heavenly hit from 1970, telling a poignant story of love spurned but never forgotten. “Remember Me” is a timeless ballad, showcasing Diana Ross’s ability to convey deep emotion and vulnerability. Its unforgettable melody and heartfelt lyrics make it the ultimate Diana Ross song, leaving a lasting impression on listeners.
Diana Ross singing “Remember Me” in a classic television performance
Looking to delve deeper? Discover more about why Diana Ross became Motown’s most supreme talent here.
