Are you intrigued by the hauntingly seductive theme song from the hit HBO series True Blood? The track, titled “Bad Things,” undeniably contributed to the show’s dark, mysterious allure, but who is the artist behind this iconic tune? At payoffsong.com, we delve deep into the stories behind the music, revealing the musicians who create the soundtracks to our lives and exploring the lucrative world of music licensing.
1. Who is the Singer of the True Blood Theme Song, “Bad Things?”
Jace Everett, a Nashville-based singer-songwriter, is the voice behind “Bad Things,” the captivating theme song from True Blood. Everett’s career experienced a significant revival after HBO selected his song, originally from a previously unsuccessful album, to set the tone for the vampire drama. This unexpected success catapulted him into the spotlight and opened doors to numerous opportunities within the music industry.
1.1. Jace Everett’s Journey Before True Blood
Before his serendipitous breakthrough with True Blood, Jace Everett faced the common struggles of many musicians trying to make it in the industry. According to interviews, Everett had a country album that didn’t perform as expected in 2004 and lost his record deal by 2006. Despite writing a No. 1 song for another artist, he returned to playing bass in bands to sustain himself. The selection of “Bad Things” as the True Blood theme song marked a turning point, turning his career around and providing him with the kind of recognition he had long sought.
1.2. The Serendipitous Creation of “Bad Things”
The origin story of “Bad Things” is as intriguing as the song itself. Everett revealed that he wrote the song in about six minutes with the intention of seducing a woman. He describes the song as a synthesis of various musical influences, noting its unique chord progression in a minor key. Despite initial reservations from his label, who found the song unconventional, Everett included it on his self-titled album. The album’s failure initially overshadowed “Bad Things,” but its eventual selection as the True Blood theme song transformed its fate.
1.3. The Impact of True Blood on Jace Everett’s Career
The exposure from True Blood dramatically altered the trajectory of Jace Everett’s career. Everett found himself collaborating with artists he had previously only dreamed of working with, including Questlove. True Blood afforded Everett a seat at the table and the opportunity to explore various musical styles, including his recent jazz album. According to Everett, the success of “Bad Things” has allowed him to work on diverse musical projects and collaborate with other talented artists, expanding his creative horizons and solidifying his place in the music industry.
1.4. “Bad Things”: A Combination of Song and Visuals
Everett acknowledges the crucial role of the show’s opening credits sequence, created by Digital Kitchen, in enhancing the song’s appeal. He credits the collaboration between Alan Ball (series creator) and Gary Calamar (music supervisor) for the opening sequence’s success, which perfectly complemented the song. The blend of the song’s cool vibe with the visuals created an opening that set the tone for the show, which could be both scary and hilarious.
2. How Did “Bad Things” Become the Theme Song for True Blood?
The journey of “Bad Things” to becoming the True Blood theme song is a tale of serendipity and creative vision. Gary Calamar, the music supervisor for True Blood, played a pivotal role in recognizing the song’s potential and advocating for its use in the show. The selection process involved considering various artists and songs, but “Bad Things” stood out for its unique sound and thematic resonance with the series.
2.1. The Role of Music Supervisor Gary Calamar
Gary Calamar, a renowned music supervisor, was instrumental in selecting “Bad Things” as the True Blood theme song. Calamar’s expertise in matching music with visual media led him to recognize the song’s potential to enhance the show’s atmosphere. He approached Everett about using “Bad Things” for the opening theme, marking the beginning of the song’s transformation from obscurity to fame.
2.2. The Selection Process and Why “Bad Things” Stood Out
Calamar sent Everett a couple of True Blood episodes without music, gauging his interest in contributing to the show. Despite uncertainty about the show’s potential, Everett recognized the opportunity to revive his dormant song. Everett created multiple versions of the song, showcasing his adaptability and willingness to experiment.
2.3. Alan Ball’s Vision and the Perfect Fit
Alan Ball, the creator of True Blood, played a significant role in embracing “Bad Things” as the show’s theme song. Ball’s creative vision for the series involved blending elements of horror, humor, and sensuality, and he saw “Bad Things” as the perfect musical representation of this blend. He recognized the song’s ability to capture the essence of the show’s themes and enhance the overall viewing experience.
2.4. Digital Kitchen’s Contribution to the Opening Sequence
The opening credits sequence, designed by Digital Kitchen, played a crucial role in elevating “Bad Things” and making it an integral part of the True Blood experience. The visuals created by Digital Kitchen were perfectly synchronized with the song’s rhythm and mood, enhancing its impact and creating a lasting impression on viewers. The opening credits sequence was so successful that it became an iconic part of the show, further cementing the song’s place in pop culture history.
3. What Other Songs Are Featured in True Blood and Who Performs Them?
True Blood boasted a rich and diverse soundtrack, featuring a wide array of artists and genres that complemented the show’s Southern Gothic atmosphere. In addition to “Bad Things,” the series featured numerous songs that contributed to its unique sonic landscape.
3.1. C.C. Adcock and “Yall’d Think She’d Be Good 2 Me”
C.C. Adcock, another Louisiana musician, also played a role in the True Blood soundtrack. His song “Yall’d Think She’d Be Good 2 Me” was featured in the pilot episode, setting the tone for the series’ musical direction. The song’s inclusion in the pilot episode helped establish the show’s Southern roots and its embrace of regional musical talent.
3.2. Jace Everett and C.C. Adcock’s Collaboration on “Evil (Is Going On)”
Everett and Adcock collaborated on the song “Evil (Is Going On),” which was featured on the True Blood season 2 soundtrack. The collaboration between Everett and Adcock brought together their distinct musical styles, resulting in a unique and memorable track that enhanced the show’s atmosphere. Everett and Adcock recorded “Evil (Is Going On)” in New Orleans, further emphasizing the show’s connection to the region’s musical heritage.
3.3. Notable Artists Featured on the True Blood Soundtracks
The True Blood soundtracks featured a diverse range of artists, spanning various genres and styles. Artists like Ryan Adams, Lucinda Williams, and Little Big Town contributed to the show’s musical tapestry. The inclusion of these artists helped to broaden the show’s appeal and attract viewers with diverse musical tastes.
3.4. The Influence of the True Blood Soundtrack on Popular Culture
The True Blood soundtrack had a significant impact on popular culture, introducing viewers to new artists and genres. The show’s musical selections helped to elevate the careers of many artists and contributed to the growing popularity of Southern Gothic music. The success of the True Blood soundtrack demonstrated the power of music to enhance visual media and create a lasting cultural impact.
4. How Can Musicians Get Their Music Featured in TV Shows Like True Blood?
Many musicians dream of having their music featured in popular TV shows like True Blood, as it can lead to increased exposure and financial rewards. Several strategies can help musicians increase their chances of landing a coveted spot on a TV soundtrack. At payoffsong.com, we provide resources and guidance to help musicians navigate the world of music licensing and maximize their opportunities for success.
4.1. Understanding Music Licensing
Music licensing is the process of obtaining permission to use copyrighted music in a visual medium, such as a TV show, film, or advertisement. Understanding the different types of music licenses and the rights associated with them is crucial for musicians looking to get their music featured in TV shows. Music licensing can be a complex process, but with the right knowledge and guidance, musicians can navigate it successfully.
4.2. Building Relationships with Music Supervisors
Music supervisors are responsible for selecting and licensing music for TV shows and films. Building relationships with music supervisors is essential for musicians who want to get their music featured in these productions. Networking with music supervisors can open doors to opportunities that might not otherwise be available.
4.3. Submitting Music to Music Libraries and Licensing Companies
Music libraries and licensing companies act as intermediaries between musicians and music supervisors, making it easier for supervisors to find and license music for their projects. Submitting music to these libraries and companies can increase a musician’s chances of getting their music heard by the right people. These libraries and companies often have extensive catalogs of music, making it easier for supervisors to find the perfect song for their needs.
4.4. Creating High-Quality Recordings
The quality of a musician’s recordings is crucial when submitting music for consideration in TV shows. High-quality recordings demonstrate professionalism and attention to detail, increasing the chances that a music supervisor will take the music seriously. Investing in professional recording equipment and mastering services can make a significant difference in the quality of a musician’s recordings.
5. What are the Financial Benefits of Having a Song Featured in a TV Show?
Having a song featured in a TV show can bring significant financial benefits to musicians, including royalties, licensing fees, and increased exposure that can lead to other income streams. The financial rewards can vary depending on the show’s popularity, the song’s placement, and the terms of the licensing agreement. At payoffsong.com, we help musicians understand the financial aspects of music licensing and maximize their earning potential.
5.1. Royalties from Performance Rights Organizations (PROs)
Performance Rights Organizations (PROs) such as ASCAP, BMI, and SESAC collect royalties on behalf of songwriters and publishers when their music is performed publicly, including on TV shows. Royalties from PROs can provide a steady stream of income for musicians whose music is featured in popular TV shows. Registering with a PRO is essential for musicians who want to collect these royalties.
5.2. Synchronization Fees
Synchronization fees are paid to the copyright owners of a song for the right to synchronize the music with visual media, such as a TV show or film. These fees can be substantial, especially for well-known songs or placements in high-profile productions. Synchronization fees are typically negotiated between the music supervisor and the copyright owners.
5.3. Increased Exposure and Sales
Having a song featured in a TV show can significantly increase a musician’s exposure, leading to increased sales of their music, merchandise, and concert tickets. The exposure can also lead to opportunities for collaborations, endorsements, and other income streams. The increased visibility can help musicians build a larger fan base and expand their reach.
5.4. Building a Sustainable Music Career
The financial benefits of having a song featured in a TV show can help musicians build a sustainable music career. The income generated from royalties, licensing fees, and increased exposure can provide a financial foundation that allows musicians to focus on their creative work and pursue their artistic goals. This financial stability can be crucial for musicians who want to make a living from their music.
6. How Does Music Licensing Work and What Are the Different Types of Licenses?
Music licensing is a multifaceted process involving various types of licenses that grant different rights to use copyrighted music. Understanding these licenses is crucial for both musicians and those seeking to use music in their projects. At payoffsong.com, we offer comprehensive information and resources to help you navigate the complexities of music licensing.
6.1. Synchronization License
A synchronization license grants the right to synchronize music with visual media, such as TV shows, films, and video games. This license is required whenever music is used in conjunction with moving images. The synchronization license is typically obtained from the music publisher, who controls the copyright to the song’s composition.
6.2. Master Use License
A master use license grants the right to use a specific recording of a song in a visual medium. This license is required whenever a particular recording of a song is used, as opposed to a newly recorded version. The master use license is typically obtained from the record label or the artist who owns the copyright to the recording.
6.3. Performance License
A performance license grants the right to publicly perform a song, whether live or through broadcast media. This license is required whenever music is played in a public setting, such as a TV show, radio broadcast, or concert. Performance licenses are typically obtained from Performance Rights Organizations (PROs) such as ASCAP, BMI, and SESAC.
6.4. Mechanical License
A mechanical license grants the right to reproduce and distribute a song in physical or digital formats. This license is required whenever a song is copied, whether for sale or for promotional purposes. Mechanical licenses are typically obtained from the music publisher or the Harry Fox Agency.
7. What is the Role of Performance Rights Organizations (PROs) in Music Licensing?
Performance Rights Organizations (PROs) play a vital role in the music licensing ecosystem by collecting and distributing royalties to songwriters and publishers for the public performance of their music. Understanding the functions of PROs is essential for musicians who want to ensure they are properly compensated for their work.
7.1. ASCAP (American Society of Composers, Authors and Publishers)
ASCAP is one of the leading PROs in the United States, representing songwriters, composers, and music publishers across all genres. ASCAP collects royalties from businesses and organizations that publicly perform music, and distributes those royalties to its members. ASCAP also advocates for the rights of its members and provides resources and support to help them succeed in the music industry.
7.2. BMI (Broadcast Music, Inc.)
BMI is another major PRO in the United States, representing a diverse range of songwriters, composers, and music publishers. BMI operates on a non-profit basis, distributing royalties to its members based on the number of performances of their music. BMI also provides educational programs and resources to help its members develop their careers.
7.3. SESAC (Society of European Stage Authors and Composers)
SESAC is the smallest of the three major PROs in the United States, but it represents a significant number of successful songwriters, composers, and music publishers. SESAC operates on an invitation-only basis, carefully selecting its members based on their talent and potential. SESAC offers a range of services to its members, including royalty collection, legal support, and career development resources.
7.4. How PROs Collect and Distribute Royalties
PROs collect royalties from businesses and organizations that publicly perform music, such as TV networks, radio stations, and concert venues. They use sophisticated monitoring systems to track the performances of music and calculate the royalties owed to songwriters and publishers. The PROs then distribute the royalties to their members based on the number of performances of their music.
8. What are the Legal Considerations When Licensing Music?
Licensing music involves navigating a complex web of legal considerations to ensure that all parties’ rights are protected. Understanding these legal aspects is crucial for both musicians and those seeking to use music in their projects. At payoffsong.com, we provide resources and guidance to help you navigate the legal complexities of music licensing.
8.1. Copyright Law
Copyright law protects the rights of creators to their original works, including music. Copyright owners have the exclusive right to reproduce, distribute, perform, and display their works. Violating copyright law can result in significant legal penalties, including fines and lawsuits.
8.2. Fair Use
Fair use is a legal doctrine that allows limited use of copyrighted material without permission from the copyright owner. Fair use is typically applied in situations such as criticism, commentary, news reporting, and education. Determining whether a particular use of copyrighted material qualifies as fair use can be complex and requires careful consideration of the specific circumstances.
8.3. Public Domain
Works in the public domain are not protected by copyright law and can be used freely without permission from the copyright owner. Works enter the public domain when their copyright term expires. Determining whether a particular work is in the public domain can be complex and requires careful research.
8.4. Indemnification Clauses
Indemnification clauses are contractual provisions that protect one party from legal liability arising from the actions of another party. In music licensing agreements, indemnification clauses typically protect the licensee from legal claims arising from the use of the licensed music. Indemnification clauses are an important part of music licensing agreements and should be carefully reviewed by both parties.
9. How Can Payoffsong.com Help Musicians Succeed in the Music Industry?
At payoffsong.com, we are dedicated to empowering musicians and helping them achieve their goals in the music industry. We provide a comprehensive range of resources, tools, and services to support musicians at every stage of their careers.
9.1. Resources for Music Licensing and Copyright
We offer a wealth of information and resources on music licensing and copyright law, helping musicians understand their rights and navigate the complexities of the music industry. Our resources include articles, guides, and tutorials on topics such as music licensing agreements, copyright registration, and royalty collection. We aim to provide musicians with the knowledge and tools they need to protect their work and maximize their earning potential.
9.2. Opportunities to Connect with Music Supervisors and Industry Professionals
We provide opportunities for musicians to connect with music supervisors and other industry professionals, helping them build relationships and expand their networks. Our platform hosts events, workshops, and online forums where musicians can meet and collaborate with industry leaders. We believe that networking is essential for success in the music industry, and we are committed to helping musicians build valuable connections.
9.3. Tools for Songwriting and Music Production
We offer a range of tools and resources to support musicians in their songwriting and music production efforts. Our tools include songwriting prompts, chord charts, and beat-making software. We also provide tutorials and workshops on topics such as songwriting techniques, music production tips, and mixing and mastering. We aim to help musicians hone their craft and create high-quality music that will stand out in the industry.
9.4. Promotion and Marketing Support
We provide promotion and marketing support to help musicians get their music heard by a wider audience. Our services include social media marketing, email marketing, and press release distribution. We also offer opportunities for musicians to showcase their music on our platform and in our promotional materials. We are committed to helping musicians build their fan base and reach new audiences.
10. What are Some Tips for Writing a Successful Theme Song?
Writing a successful theme song requires a unique blend of creativity, musicality, and understanding of the visual medium it will accompany. A great theme song can enhance a TV show’s identity and create a lasting impression on viewers. Here are some tips for writing a theme song that hits all the right notes.
10.1. Understand the Show’s Tone and Themes
Before writing a theme song, it’s essential to thoroughly understand the show’s tone, themes, and target audience. The theme song should reflect the show’s overall vibe and capture its essence in a concise and memorable way. Watch episodes of the show and talk to the show’s creators to gain a deep understanding of its content and goals.
10.2. Create a Catchy and Memorable Melody
A successful theme song should have a catchy and memorable melody that sticks in the listener’s head long after the show is over. Use simple and repetitive musical phrases that are easy to sing along to. A memorable melody will help viewers associate the song with the show and create a strong emotional connection.
10.3. Write Lyrics that Capture the Show’s Essence
The lyrics of a theme song should capture the show’s essence and provide a brief overview of its themes and characters. Use vivid imagery and evocative language to create a sense of intrigue and excitement. Keep the lyrics concise and to the point, as the theme song will likely be played for only a short period of time.
10.4. Consider the Show’s Visuals
The theme song should complement the show’s visuals and enhance the overall viewing experience. Watch the show’s opening credits sequence and consider how the music can synchronize with the images to create a cohesive and impactful presentation. Work closely with the show’s creators to ensure that the theme song aligns with their visual vision.
FAQ: Unveiling the Secrets Behind the True Blood Theme Song
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1. Who is the artist behind the True Blood theme song?
Jace Everett sings “Bad Things,” the theme song for True Blood.
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2. What is the name of the True Blood theme song?
The True Blood theme song is titled “Bad Things.”
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3. How did “Bad Things” become the True Blood theme song?
Music supervisor Gary Calamar selected “Bad Things” for its unique sound and thematic resonance.
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4. What other songs are featured in True Blood?
The True Blood soundtrack includes songs by C.C. Adcock, Ryan Adams, Lucinda Williams, and Little Big Town.
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5. How can musicians get their music featured in TV shows like True Blood?
Musicians can build relationships with music supervisors, submit music to libraries, and create high-quality recordings.
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6. What are the financial benefits of having a song featured in a TV show?
Financial benefits include royalties, licensing fees, and increased exposure.
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7. What is music licensing and how does it work?
Music licensing is obtaining permission to use copyrighted music, involving synchronization, master use, and performance licenses.
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8. What is the role of Performance Rights Organizations (PROs) in music licensing?
PROs like ASCAP, BMI, and SESAC collect and distribute royalties to songwriters and publishers.
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9. What are the legal considerations when licensing music?
Legal considerations include copyright law, fair use, public domain, and indemnification clauses.
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10. How can payoffsong.com help musicians succeed in the music industry?
Payoffsong.com offers resources, networking opportunities, tools, and promotion support for musicians.
Ready to explore the exciting world of music licensing and unlock the potential of your songs? Visit payoffsong.com today to discover how we can help you achieve your musical aspirations!
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Website: payoffsong.com
