The 1970s was a decade of seismic shifts in music, birthing genres and iconic songs that continue to resonate today. From the soulful echoes of disco to the raw energy of punk rock, and the introspective melodies of singer-songwriters, the musical landscape of the 70s was as diverse as it was revolutionary. This playlist delves into some of the most unforgettable Songs From The 70s, each a snapshot of a vibrant and transformative era. Get ready to turn up the volume and journey back to the decade that redefined music.
Dance Away – Roxy Music
Roxy Music’s ‘Dance Away’ is a masterclass in cool sophistication. Originally conceived by Bryan Ferry for his solo projects, this track found its perfect home on a Roxy Music album and became one of their signature hits. Released in 1979, it effortlessly bridged the gap between the band’s glam rock origins and the burgeoning new wave scene. Ferry’s suave vocals and the song’s elegant, melancholic groove captivated audiences, making it one of the UK’s best-selling singles of 1979, despite narrowly missing the top spot. ‘Dance Away’ epitomizes Roxy Music’s ability to blend art-pop sensibilities with mainstream appeal, solidifying their place as innovators of 70s music.
Crazy Horses – The Osmonds
Forget the saccharine image of the Osmonds as teen idols; ‘Crazy Horses’ is a jolt of hard rock energy that defied expectations in 1972. Driven by a powerful, distorted guitar riff and urgent vocals, this track showcased a surprisingly edgy side to the family band. Merrill Osmond revealed the song was a deliberate attempt to move beyond pre-selected pop tunes and create music that reflected their own artistic desires. While their record label was initially hesitant, ‘Crazy Horses’ became a breakthrough hit in the UK, proving their rock credentials. Interestingly, Donny Osmond, typically a prominent voice, was absent from the lead vocals due to his voice changing during puberty, adding another unique layer to this unexpected 70s rock anthem.
Rhinestone Cowboy – Glen Campbell
‘Rhinestone Cowboy’ is an enduring country-pop classic that cemented Glen Campbell’s comeback in the mid-70s. Though initially recorded by Larry Weiss, it was Campbell’s heartfelt rendition in 1975 that resonated deeply with audiences. Campbell connected with the song’s themes of resilience and perseverance in the face of adversity, mirroring his own career journey. His warm vocals and the song’s relatable lyrics about striving for success, even when “chips are down,” turned ‘Rhinestone Cowboy’ into one of the decade’s most beloved country hits, transcending genre boundaries and becoming a signature song for Campbell.
London Calling – The Clash
Released at the tail end of the decade in December 1979, ‘London Calling’ is a potent and politically charged track that epitomizes The Clash’s post-punk ethos. This apocalyptic anthem reflects the anxieties of the late 70s, with Joe Strummer’s lyrics addressing global concerns, including the looming threat of nuclear disaster, symbolized by the Three Mile Island accident. Strummer described the song as capturing a feeling of societal fragility and a sense of being on the brink of collapse. ‘London Calling’ is more than just a song; it’s a sonic snapshot of a generation’s fears and frustrations, delivered with The Clash’s signature raw energy and rebellious spirit, making it a cornerstone of 70s punk and beyond.
Papa Was a Rollin’ Stone – The Temptations
‘Papa Was a Rollin’ Stone’ is a soul masterpiece by The Temptations, transformed from a 1971 song by The Undisputed Truth into a sprawling 12-minute epic. Motown producers Norman Whitfield and Barrett Strong crafted a track that delved into complex themes of family dysfunction and disillusionment. The Temptations’ rendition is a dramatic and cinematic soul anthem, marked by its extended instrumental intro, haunting strings, and the powerful storytelling of the lyrics. The song unflinchingly portrays a flawed father figure, revealing his infidelity and irresponsibility through the mother’s candid revelations to her children after his death. ‘Papa Was a Rollin’ Stone’ remains a landmark in soul music, showcasing The Temptations’ artistry and willingness to tackle mature themes within a popular song format.
Play That Funky Music – Wild Cherry
‘Play That Funky Music’ is a quintessential funk-rock anthem and Wild Cherry’s claim to one-hit wonder status, albeit a spectacular one. This infectious track, released in 1976, seamlessly blended funk rhythms, disco energy, and rock guitar, creating a sound that dominated airwaves and dance floors. Born from a suggestion by a clubgoer to “play that funky music,” the Ohio band crafted a song with an irresistible groove and catchy chorus. ‘Play That Funky Music’ transcended genre boundaries, selling over 2.5 million copies in the US alone and becoming a defining track of the mid-70s funk and disco explosion.
The Logical Song – Supertramp
‘The Logical Song’ is Supertramp’s most commercially successful hit and a standout track from their iconic album Breakfast in America. Released in 1979, this soft rock gem is instantly recognizable for its melodic piano intro and Roger Hodgson’s introspective lyrics. Hodgson drew from his personal experiences of being sent to boarding school for a decade, reflecting on the pressures of conformity and the questioning of societal expectations. ‘The Logical Song’ is both catchy and thought-provoking, capturing the essence of Supertramp’s sophisticated pop sound while exploring deeper themes of identity and individuality, making it a defining soft rock anthem of the late 70s.
Night Fever – Bee Gees
‘Night Fever’ is pure disco gold, a Bee Gees classic inextricably linked to the phenomenon of Saturday Night Fever. This track, featured prominently on the film’s soundtrack, soared to the top of the charts in 1978, becoming synonymous with the disco era. Its pulsating rhythm, soaring vocals, and infectious energy made it a dance floor staple worldwide. The title itself even became intertwined with the movie’s branding. Originally, producer Robert Stigwood considered naming the film Saturday Night, but the Bee Gees’ Robin Gibb preferred Night Fever. A compromise was reached, and ‘Saturday Night Fever’ was born, fueled by the undeniable groove of ‘Night Fever’, one of the greatest disco songs of all time.
Hopelessly Devoted to You – Olivia Newton-John
‘Hopelessly Devoted to You’ is the quintessential power ballad from the movie Grease, showcasing Olivia Newton-John’s vocal prowess. Interestingly, this iconic song wasn’t part of the original stage musical. Written specifically for the film by John Farrar, Newton-John’s personal producer, it filled a contractual requirement for a solo vocal performance. Initially met with some hesitation by the production team, the song’s undeniable emotional resonance ultimately won them over. Filmed after the rest of Grease had wrapped, ‘Hopelessly Devoted to You’ went on to become a massive hit and even earned an Oscar nomination, solidifying its place as a beloved 70s ballad and a highlight of the Grease soundtrack.
Killing Me Softly With His Song – Roberta Flack
‘Killing Me Softly With His Song’ is a timeless ballad that reached iconic status through Roberta Flack’s soulful interpretation. Originally inspired by Lori Lieberman’s experience at a Don McLean concert in 1971, the song was written by Charles Fox and Norman Gimbel. While Lieberman released her version in 1972, it was Flack’s deeply emotive cover in 1973 that transformed it into a classic. Her nuanced vocal delivery and the song’s poignant lyrics about the power of music to deeply affect the listener resonated with audiences worldwide. ‘Killing Me Softly With His Song’ became a signature track for Flack and enjoyed renewed popularity when The Fugees sampled it for their hit in 1995, proving its enduring appeal across generations.
Comfortably Numb – Pink Floyd
‘Comfortably Numb’ is a cornerstone of Pink Floyd’s concept album The Wall, a powerful exploration of alienation and emotional detachment. The song masterfully contrasts two perspectives: the detached voice of a doctor treating the rock star Pink, sung by Roger Waters, and Pink’s inner monologue, sung by David Gilmour, reflecting his emotional numbness. The lyrics draw a parallel between Pink’s childhood memories of feverish illness and his adult state of emotional void. Gilmour’s soaring guitar solo further enhances the song’s emotional depth and iconic status. ‘Comfortably Numb’ is a highlight of The Wall and a testament to Pink Floyd’s ability to create music that is both epic and deeply personal, even inspiring a disco cover by Scissor Sisters in 2004, showcasing its broad appeal.
Cat’s in the Cradle – Harry Chapin
‘Cat’s in the Cradle’ is a poignant folk-rock ballad by Harry Chapin that serves as a cautionary tale about the consequences of neglecting family for career pursuits. The song’s genesis lies in a poem written by Chapin’s wife, Sandra Gaston, inspired by the strained relationship between her first husband and his father. Chapin himself related the lyrics to his own relationship with his son, Josh, acknowledging the song’s unsettling personal resonance. Released in 1974, ‘Cat’s in the Cradle’ became a hit for its relatable narrative about the cyclical nature of father-son relationships and the importance of prioritizing family time. Its enduring message resonated again when rock band Ugly Kid Joe covered it in 1992, introducing it to a new generation.
Free Bird – Lynyrd Skynyrd
‘Free Bird’ is Lynyrd Skynyrd’s epic rock anthem, renowned for its extended length and soaring guitar solos. The song’s origins trace back to Allen Collins’ guitar chords, which singer Ronnie Van Zant initially found melodically challenging. However, after Collins revisited the sequence during a rehearsal, Van Zant was inspired to write the melody and lyrics in a remarkably short time. Clocking in at over nine minutes, ‘Free Bird’ became a concert staple, known for its slow, ballad-like opening that explodes into a guitar-driven frenzy. The song has also developed a humorous reputation, with audience members often shouting “Free Bird!” as a request at concerts, regardless of the genre or performer, a testament to its iconic and somewhat over-the-top status in rock history.
Born to Run – Bruce Springsteen
‘Born to Run’ is Bruce Springsteen’s anthemic rock masterpiece, a karaoke favorite and a staple of his legendary live performances. This power ballad, released in 1975, embodies themes of escape, aspiration, and youthful dreams. The title came to Springsteen in a flash of inspiration while on tour, and the song quickly evolved into a love letter to a girl named Wendy, and a yearning to break free from his New Jersey hometown. ‘Born to Run’ is more than just a song; it’s an embodiment of the American spirit, a call to action to shed negativity and pursue one’s dreams with passion and determination, solidifying Springsteen’s status as “The Boss” and a voice for a generation.
Tangled Up in Blue – Bob Dylan
‘Tangled Up in Blue’ is an epic folk song from Bob Dylan’s seminal 1975 album Blood on the Tracks, known for its complex narrative and constantly shifting perspectives. Dylan’s songwriting on this track is characteristically poetic and evocative, weaving a fragmented love story with non-linear timelines and emotional depth. According to novelist Ron Rosenbaum, Dylan attributed the song’s inspiration to a weekend immersed in Joni Mitchell’s 1971 album Blue, suggesting her confessional songwriting style influenced the introspective and emotionally raw nature of ‘Tangled Up in Blue’. The song is a testament to Dylan’s masterful storytelling and his ability to capture the complexities of human relationships in his lyrics.
Roxanne – The Police
‘Roxanne’ marked an early success for The Police, propelling them to the forefront of the new wave movement in the late 1970s. Sting’s inspiration for the song came from an unexpected source: prostitutes he observed near the band’s Parisian hotel in 1977. Staying in a somewhat seedy area while performing at the Nashville Club, Sting was struck by the women working there. The song’s title, ‘Roxanne’, was borrowed from a poster of the play Cyrano de Bergerac hanging in the hotel foyer, adding a literary layer to the song’s narrative about a prostitute. ‘Roxanne’ showcased The Police’s signature blend of reggae-infused rock and Sting’s distinctive vocals, launching their career and becoming a defining song of the new wave era.
Ever Fallen in Love (With Someone You Shouldn’t’ve)? – Buzzcocks
‘Ever Fallen in Love (With Someone You Shouldn’t’ve)?’ is a punk rock masterpiece by Buzzcocks, transcending genre boundaries with its universal theme of forbidden love. The unlikely inspiration for the song struck while the band was watching the musical Guys and Dolls in a guesthouse TV lounge in Edinburgh in 1977. A line of dialogue from the film, “Have you ever fallen in love with someone you shouldn’t have?”, sparked the song’s concept. Pete Shelley penned the lyrics the very next day, reportedly in a van outside a post office, and the music quickly followed. Released in 1978, ‘Ever Fallen in Love’ became a punk anthem with enduring appeal, its catchy melody and relatable lyrics about ill-advised romantic infatuations resonating far beyond the punk scene.
Ballroom Blitz – Sweet
‘Ballroom Blitz’ is a high-energy glam rock track by Sweet, fueled by a real-life incident of rock and roll rebellion. The song was inspired by a chaotic 1973 Sweet performance at the Grand Hall in Kilmarnock, Scotland, where the band was forced off stage by a barrage of bottles thrown by the audience. This experience of raw crowd hostility became the catalyst for ‘Ballroom Blitz’, written by glam rock hitmakers Nicky Chinn and Mike Chapman. The song’s pulsating rhythm, shout-along chorus, and theatrical flair captured the energy of the glam rock era and became a signature track for Sweet, embodying the genre’s rebellious spirit and flamboyant showmanship.
Forever Autumn – Jeff Wayne and Justin Hayward
‘Forever Autumn’ has an unusual origin story, evolving from a Lego jingle into a key song from Jeff Wayne’s musical adaptation of War of the Worlds. The melody was initially composed by Wayne in 1969 for a Lego commercial. Later, Paul Vigrass and Gary Osborne, who performed the original jingle, added lyrics and recorded a full version in 1972. Wayne, recognizing the melody’s evocative and melancholic quality, decided to incorporate it into his War of the Worlds concept album as a love theme. He enlisted Justin Hayward of The Moody Blues to sing ‘Forever Autumn’, whose distinctive vocals perfectly captured the song’s wistful and romantic atmosphere, turning a repurposed jingle into a memorable 70s ballad.
My Sharona – The Knack
‘My Sharona’ is The Knack’s iconic power-pop hit, driven by a memorable guitar riff that predates the band’s formation. Guitarist Berton Averre had developed the riff years before joining The Knack and played it for Doug Fieger, the band’s lead singer. Fieger was immediately captivated and envisioned turning it into a song. Inspiration struck when Fieger met 17-year-old Sharona Alperin. He was instantly smitten, and Sharona became his muse, sparking a period of intense songwriting and becoming his girlfriend for four years. ‘My Sharona’, released in 1979, became a massive hit, propelled by its infectious energy, catchy riff, and Fieger’s enthusiastic vocals, immortalizing Sharona in one of the decade’s most recognizable songs.
Coz I Luv You – Slade
‘Coz I Luv You’ was Slade’s breakthrough single and the start of a string of chart-topping hits for the glam rock band. Written quickly in just half an hour by Noddy Holder and Jim Lea, it marked the beginning of their successful songwriting partnership. The song’s simplicity and catchy chorus proved instantly appealing. The day after writing it, Slade played ‘Coz I Luv You’ acoustically for producer Chas Chandler, who immediately recognized its hit potential, predicting it would be their first number one. Chandler’s intuition proved correct, and ‘Coz I Luv You’ launched Slade into superstardom, becoming a defining anthem of early 70s glam rock.
Annie’s Song – John Denver
‘Annie’s Song’ stands out as John Denver’s sole UK hit, although many of his other songs gained popularity through covers by other artists. This tender ballad is a heartfelt ode to Denver’s wife at the time, Annie Martell Denver. The song’s creation was remarkably swift and romantic: Denver reportedly wrote it in just ten and a half minutes while riding a ski lift up Ajax Mountain in Aspen, Colorado. The simplicity and sincerity of ‘Annie’s Song’, with its gentle melody and loving lyrics, resonated with audiences, making it a popular wedding song and a testament to Denver’s ability to capture genuine emotion in his music.
Make It With You – Bread
‘Make It With You’ was Bread’s breakthrough hit, showcasing singer-songwriter David Gates’s multi-instrumental talents. Gates not only wrote the song but also played acoustic guitar, electric guitar, bass, and strings on the recording, with only drummer Mike Botts contributing alongside him. This intimate and mellow ballad, released in 1970, became a signature song for Bread, known for their soft rock sound. Adding a humorous anecdote to the song’s history, Gates’ mother reportedly misheard the title as ‘Naked with You’, highlighting the song’s gentle and romantic nature in an amusing way. ‘Make It With You’ solidified Bread’s place in 70s soft rock and remains a beloved easy-listening classic.
Hit Me With Your Rhythm Stick – Ian Dury and the Blockheads
‘Hit Me With Your Rhythm Stick’ was Ian Dury’s quirky and unconventional number one hit, a million-selling single released in early 1979. Dury himself offered varying accounts of the song’s origins, suggesting the lyrics had been gestating for several years before he fully recognized their potential. The song’s blend of punk energy, funk rhythms, and Dury’s witty, observational lyrics defied easy categorization. ‘Hit Me With Your Rhythm Stick’ became a signature track for Ian Dury and the Blockheads, showcasing their unique musical style and Dury’s charismatic persona, proving that originality and eccentricity could find mainstream success in the late 70s.
If You Leave Me Now – Chicago
‘If You Leave Me Now’ marked a significant turning point for Chicago, propelling them into the mainstream pop consciousness in 1976. This soft rock ballad, unusually lacking a traditional chorus, reached the top of the charts in both the UK and the US, broadening their audience beyond their earlier jazz-rock sound. ‘If You Leave Me Now’ remains one of the decade’s most enduring breakup ballads, its heartfelt lyrics and gentle melody capturing the vulnerability of romantic loss. The song’s success demonstrated Chicago’s versatility and their ability to craft emotionally resonant pop hits that appealed to a wide audience, solidifying their longevity in the music industry.
Rock With You – Michael Jackson
‘Rock With You’ is a smooth and sophisticated track that signaled Michael Jackson’s transition into a solo superstar. Written by Rod Temperton of Heatwave, who would later pen ‘Thriller’, the song was initially titled ‘I Want To Eat You Up’. However, recognizing the need to maintain Jackson’s wholesome image, the title was changed to the more suggestive but still radio-friendly ‘Rock With You’. Released in 1979, it became a defining hit of the late disco era and a showcase for Jackson’s evolving vocal style and burgeoning charisma. ‘Rock With You’ is considered one of the last great disco hits and marked the beginning of Jackson’s unparalleled reign as the “King of Pop” in the 1980s.
Good Times – Chic
‘Good Times’ is Chic’s disco masterpiece, even surpassing their earlier hit ‘Le Freak’ in terms of influence and enduring legacy. Released in 1979, this track became one of the most sampled songs in music history, particularly in hip-hop. Its iconic bassline and Nile Rodgers’ signature guitar work are instantly recognizable. ‘Good Times’ provided the foundation for The Sugarhill Gang’s ‘Rapper’s Delight’, one of the earliest and most influential rap hits, demonstrating the song’s transformative impact across genres. ‘Good Times’ is more than just a disco anthem; it’s a foundational track in popular music, illustrating the power of Chic’s innovative funk and disco sound to inspire creativity across musical landscapes.
You’re the First, the Last, My Everything – Barry White
‘You’re the First, the Last, My Everything’ is a signature Barry White song, showcasing his deep baritone voice and lush orchestral arrangements. Interestingly, the song’s origins trace back over two decades before White’s 1974 hit release. Originally written by Peter Radcliffe as a country song, it was Barry White who completely reworked it, transforming it into a soul-disco masterpiece. White’s dramatic vocal delivery, combined with the song’s sweeping strings and romantic lyrics, propelled it to number one in the UK and solidified his status as the “Walrus of Love.” ‘You’re the First, the Last, My Everything’ remains a quintessential Barry White track and a beloved 70s love song.
Let Your Love Flow – The Bellamy Brothers
‘Let Your Love Flow’ is The Bellamy Brothers’ signature country-pop hit, a song that almost didn’t reach them. Written by Neil Diamond’s roadie, Larry E Williams, the track was initially turned down by Diamond himself. Gene Cotton recorded it first, but it was The Bellamy Brothers’ 1976 version that became a global success. David Bellamy described it as “the perfect song for us and became the key to our career.” Its upbeat melody, positive lyrics, and feel-good vibe made it a radio staple and a crossover hit. The song experienced a resurgence in popularity in 2008 when it was featured in a Barclays TV advertisement, proving its enduring appeal and timeless quality.
Cars – Gary Numan
‘Cars’ is a groundbreaking synthpop track by Gary Numan, heralding the arrival of electronica and the New Romantic era at the end of the 1970s. This song was among the first synth-driven tracks to top the charts, marking a significant shift in popular music. Numan’s inspiration for ‘Cars’ came from a real-life road rage incident in London. Feeling threatened by aggressive drivers, he found a sense of safety and isolation within his car, sparking the song’s themes of technology, alienation, and the modern world. ‘Cars’ became Numan’s signature song and a defining moment in the emergence of synthpop as a dominant force in 80s music, born from the late 70s’ burgeoning electronic soundscape.
Let’s Get It On – Marvin Gaye
‘Let’s Get It On’ is Marvin Gaye’s sensual soul classic, a track that solidified his status as a Motown icon and a master of romantic expression. Taken from his 1973 album of the same name, the song was initially conceived with religious and political themes in mind. However, Gaye transformed it into a deeply personal and overtly sexual anthem, pushing boundaries and showcasing his artistic evolution. ‘Let’s Get It On’ is celebrated for its smooth groove, Gaye’s passionate vocals, and its unapologetically amorous lyrics, becoming a defining song of 70s soul and a testament to Gaye’s ability to blend sensuality with artistic depth.
20th Century Boy – T. Rex
’20th Century Boy’ is a glam rock powerhouse by T. Rex, fronted by the charismatic Marc Bolan. Released in 1973, the song is instantly recognizable for its driving guitar riff and Bolan’s energetic vocals. Bolan stated that the lyrics were inspired by quotes from various celebrities, including Muhammad Ali, reflecting the song’s confident and larger-than-life persona. Despite a common mishearing of the opening line, it’s actually “Friends say it’s fine, friends say it’s good/Everybody says it’s just like Robin Hood,” not “…just like rock ‘n’ roll,” highlighting the song’s lyrical quirks. ’20th Century Boy’ became a glam rock anthem and a signature track for T. Rex, embodying the genre’s flamboyant style and raw rock energy.
Piano Man – Billy Joel
‘Piano Man’ is Billy Joel’s signature song and his debut single, a track that launched his career and remains a concert staple. Released in 1973, the song is semi-autobiographical, drawing from Joel’s experiences playing piano at the Executive Room bar in Los Angeles while using the pseudonym “Bill Martin.” The lyrics paint a vivid picture of the bar’s regulars and their stories, creating a relatable narrative about escapism and the shared experience of music in a bar setting. ‘Piano Man’ is celebrated for its storytelling lyrics, singalong chorus, and Joel’s piano-driven melody, becoming a defining track of his career and a beloved 70s classic rock ballad.
It’s Too Late – Carole King
‘It’s Too Late’ is a standout track from Carole King’s groundbreaking album Tapestry, a song about the mature acceptance of a relationship’s end without assigning blame. Released in 1971, the song’s lyrics are notable for their implicit feminism, suggesting the woman initiated the breakup, a relatively progressive perspective for the time. While rumors circulated that the song was about King’s friend and collaborator James Taylor, she never confirmed this speculation. ‘It’s Too Late’ is praised for its honest and relatable portrayal of relationship dynamics, its soulful melody, and King’s expressive vocals, becoming a defining song of the singer-songwriter era and a highlight of her iconic album.
SOS – ABBA
‘SOS’ marked a turning point for ABBA, solidifying their identity as a pop group after three years of stylistic exploration. Bjorn Ulvaeus credited ‘SOS’, released in 1975, as the song that defined ABBA’s signature pop sound. It launched an incredible run of 18 consecutive Top 10 hits for the Swedish group in the UK and Ireland, establishing their global dominance. ‘SOS’ is characterized by its dramatic piano intro, catchy chorus, and a blend of melancholy and pop sensibilities, showcasing ABBA’s knack for crafting sophisticated and emotionally resonant pop songs. ‘SOS’ is a testament to ABBA’s musical evolution and their ability to create enduring pop classics that defined the 70s.
A Horse With No Name – America
‘A Horse With No Name’ was America’s breakthrough hit, a folk-rock song written while the band was staying at Arthur Brown’s home studio in Dorset, England. The band aimed to evoke the atmosphere of a hot, dry desert, inspired by a Salvador Dalí painting at the studio. The “horse with no name” itself was inspired by an MC Escher picture. Dewey Bunnell explained the song as a metaphor for escaping life’s confusion into a peaceful, quiet space. Released in 1971, ‘A Horse With No Name’ reached number one in the UK and became a signature song for America, known for their mellow harmonies and folk-rock sound, capturing the spirit of 70s singer-songwriter music.
September – Earth, Wind & Fire
‘September’ is Earth, Wind & Fire’s joyous disco-funk anthem, a global hit released in 1978. The song is synonymous with celebration and feel-good vibes, driven by its infectious groove and Maurice White’s energetic vocals. Despite numerous fan theories about the significance of the date September 21st, songwriter Maurice White claimed he simply chose the date because of how it sounded when sung. However, his wife Marilyn White offered another explanation, suggesting September 21st was their son Kahbran’s due date. Regardless of its specific meaning, ‘September’ remains a timeless party song and a signature track for Earth, Wind & Fire, embodying the spirit of 70s disco-funk.
The Air That I Breathe – The Hollies
‘The Air That I Breathe’ was a hit for The Hollies in 1974, although co-writer Albert Hammond had recorded it himself two years prior. This ballad, engineered by Alan Parsons, became The Hollies’ last major hit single. The song’s chord progression and melodic structure later became the subject of controversy when Radiohead’s 1992 hit ‘Creep’ was found to share similarities. Hammond and Hazlewood sued Radiohead for plagiarism, and a settlement was reached, with Hammond and Hazlewood receiving a portion of the royalties. ‘The Air That I Breathe’ remains a well-regarded 70s ballad, known for its melodic beauty and The Hollies’ harmonies, but also for its unexpected connection to a later rock classic.
(Don’t Fear) The Reaper – Blue Oyster Cult
‘(Don’t Fear) The Reaper’ is Blue Oyster Cult’s signature song, a rock classic that explores the inevitability of death in a surprisingly melodic way. Written and sung by guitarist Donald ‘Buck Dharma’ Roeser, the song was inspired by his thoughts about mortality and the foolishness of fearing death, particularly when contemplating dying young. Released in 1976, ‘(Don’t Fear) The Reaper’ became a hit despite its somber theme, thanks to its catchy melody and Dharma’s vocals. The song is also famously associated with the cowbell percussion, prominently featured in the track and later spoofed in the iconic “More Cowbell” Saturday Night Live skit with Christopher Walken and Will Ferrell, further cementing its place in pop culture.
Layla – Derek and the Dominos
‘Layla’ is Derek and the Dominos’ epic blues-rock masterpiece, co-written by Eric Clapton and Jim Gordon. The song was inspired by a 7th-century Arabian love story, The Story of Layla and Majnun, given to Clapton by Ian Dallas. The tale of unrequited love resonated deeply with Clapton, who was then experiencing unrequited feelings for Pattie Boyd, George Harrison’s wife. ‘Layla’ is divided into two distinct movements: the first part, driven by Clapton’s bluesy guitar and passionate vocals, and the second part, a piano-based instrumental section known as the “Piano Exit.” This combination of raw emotion and instrumental virtuosity makes ‘Layla’ one of the most iconic rock songs of the 70s, and a testament to Clapton’s musical genius, eventually leading to his marriage with Pattie Boyd and the inspiration for ‘Wonderful Tonight’.
Tiny Dancer – Elton John
‘Tiny Dancer’ is an Elton John ballad that, despite not being a UK single release, has become one of his most beloved songs. Featured on his 1971 album Madman Across the Water, the song is a piano-driven ballad with lyrics penned by Bernie Taupin. Taupin aimed to capture the atmosphere of California in 1970, and the song is dedicated to his first wife, Maxine Feibelman. ‘Tiny Dancer’ is celebrated for its sweeping melody, Taupin’s evocative lyrics, and Elton’s passionate vocal performance, becoming a staple of his concerts and a testament to the enduring songwriting partnership of Elton John and Bernie Taupin.
Summer Breeze – The Isley Brothers
‘Summer Breeze’ is a song famously transformed by The Isley Brothers from a folk tune into a funky soul anthem. Originally written and performed by Seals and Crofts as a folk song, The Isley Brothers reimagined it in 1974, injecting it with a soulful groove and a standout guitar lick. Their version became a hit, showcasing their ability to take a song from another genre and make it uniquely their own. The Isley Brothers’ ‘Summer Breeze’ is praised for its smooth vocals, funky rhythm section, and that unforgettable guitar riff, becoming a defining track of 70s soul and a testament to their musical versatility.
Starman – David Bowie
‘Starman’ is a pivotal song in David Bowie’s career, the lead single from his iconic Ziggy Stardust album, released in 1972. This track was a last-minute addition to the album and marked a significant moment in the glam rock movement, going beyond just visual style to deliver a message of otherworldly hope. The lyrics depict Ziggy Stardust as a messenger bringing hope to Earth’s youth through radio waves. The story is told from the perspective of a young person encountering Ziggy’s message for the first time. ‘Starman’ is celebrated for its catchy melody, Bowie’s charismatic performance, and its role in establishing the Ziggy Stardust persona, making it a defining song of 70s glam rock and Bowie’s transformative artistry.
Oliver’s Army – Elvis Costello
‘Oliver’s Army’ is a new wave classic by Elvis Costello & The Attractions, released in 1979, with lyrics that carry a sharp political edge. The song’s title is speculated to reference Oliver Cromwell and his New Model Army, a historical precursor to the modern British Army. Costello himself explained the song’s meaning was inspired by his 1978 trip to Belfast, where he witnessed young soldiers carrying automatic weapons. ‘Oliver’s Army’ critiques the use of working-class youth in military conflicts, with the line “they always get a working class boy to do the killing” encapsulating its anti-war sentiment. Musically, the song blends new wave energy with a catchy piano melody, making it both thought-provoking and commercially successful, a hallmark of Costello’s songwriting.
You’re So Vain – Carly Simon
‘You’re So Vain’ is Carly Simon’s chart-topping hit, a globally successful song known for its critical look at a self-absorbed lover. Released in 1972, the song’s enduring mystery revolves around the identity of the “vain” subject. While Simon has stated the song is about “men” in general, not one specific person, she has also revealed it refers to three men, publicly naming actor Warren Beatty as one of them. ‘You’re So Vain’ is celebrated for its witty lyrics, Simon’s sophisticated vocals, and its enduring intrigue about the famous, unnamed subject, making it a quintessential 70s pop song with a touch of celebrity gossip.
Three Little Birds – Bob Marley
‘Three Little Birds’ is Bob Marley’s feel-good reggae classic, often mistakenly titled ‘Don’t Worry About a Thing’ or ‘Every Little Thing is Gonna Be Alright’ due to its repeated chorus lyrics. Released in 1977, the song’s inspiration remains debated. One theory suggests it was inspired by actual birds Marley was fond of that frequented his home. Another theory, offered by the female singers of I Threes who performed with Marley, is that the “three little birds” are a reference to them. Regardless of its precise origin, ‘Three Little Birds’ is universally loved for its uplifting message, gentle reggae rhythm, and Marley’s soothing vocals, becoming an anthem of positivity and resilience.
Superstar – Carpenters
‘Superstar’ became a signature song for The Carpenters, although it was originally titled ‘(Groupie) Superstar’ and first recorded by Delaney and Bonnie in 1969. The song tells the story of a groupie longing for a rock musician who has left her. Richard Carpenter heard Bette Midler’s cover version and was inspired to arrange and record it with Karen Carpenter. Richard considered it one of his favorite arrangements, and Karen’s vocal performance, reportedly recorded in a single take with lyrics scribbled on a napkin, is considered definitive. The Carpenters’ ‘Superstar’, released in 1971, transformed the song into a melancholic ballad, showcasing Karen’s emotive vocals and becoming a defining soft rock hit of the decade.
Don’t Stop – Fleetwood Mac
‘Don’t Stop’ is an upbeat track from Fleetwood Mac’s iconic Rumours album, written by Christine McVie during a period of personal turmoil. The album was famously recorded amidst the band members’ relationship breakdowns. ‘Don’t Stop’ reflected McVie’s feelings after separating from bassist John McVie, her husband. Despite the personal challenges, the song is optimistic and forward-looking. McVie described it as a “pleasant revelation” about moving on from the past. Sung by both Christine McVie and Lindsey Buckingham, ‘Don’t Stop’ became an anthem of resilience and moving forward, a key track on Rumours and a defining song of Fleetwood Mac’s 70s era.
All Right Now – Free
‘All Right Now’ is Free’s classic rock anthem, born out of a disappointing gig in Durham, England. After a lackluster performance to a quiet audience, drummer Simon Kirke realized they needed an uptempo song for their setlist. In response, ‘All Right Now’ was written in approximately ten minutes. Its simple but powerful guitar riff, Paul Rodgers’s soaring vocals, and energetic rhythm made it an instant crowd-pleaser and Free’s biggest hit by far. Released in 1970, ‘All Right Now’ became a defining song of classic rock, known for its raw energy and instantly recognizable opening riff, proving that sometimes the best songs are created spontaneously.
Sylvia’s Mother – Dr. Hook
‘Sylvia’s Mother’ is a melancholic ballad by Dr. Hook & The Medicine Show, written by Shel Silverstein and based on his own experience of a failed relationship. The autobiographical song recounts Silverstein’s attempt to rekindle a romance with a woman named Silvia Pandolfi, who was engaged to another man. In a desperate attempt, he called Sylvia’s mother, only to be told that the relationship was over. ‘Sylvia’s Mother’, released in 1972, became a hit for its narrative storytelling, country-tinged melody, and poignant portrayal of heartbreak and rejection. A sequel song, ‘Mrs. Avery’, was later recorded by The Men They Couldn’t Hang, continuing the story years later, highlighting the song’s enduring narrative appeal.
If You Could Read My Mind – Gordon Lightfoot
‘If You Could Read My Mind’ is Gordon Lightfoot’s most famous song, an acoustic ballad released in 1970 that achieved international success. Lightfoot himself cited his divorce as the inspiration for the lyrics, describing it as a “song about the failure of marriage.” He wrote the song while sitting in a vacant house in Toronto one summer, reflecting on the complexities and unspoken thoughts within relationships. ‘If You Could Read My Mind’ is celebrated for its introspective lyrics, Lightfoot’s gentle vocals, and its melancholic melody, becoming a defining song of the singer-songwriter era and a testament to Lightfoot’s songwriting prowess.
Father and Son – Cat Stevens
‘Father and Son’ is a classic Cat Stevens song, a dialogue between generations exploring the generational gap and the son’s desire for independence. The song portrays a conversation between a father who doesn’t understand his son’s need to leave and the son who knows it’s time to forge his own path. Stevens originally conceived ‘Father and Son’ as part of a musical project set during the Russian Revolution, but the project was never realized. Released in 1970, ‘Father and Son’ became a hit for its relatable theme, Stevens’s emotive vocals, and its use of distinct vocal styles to represent the father and son perspectives. Boyzone later had a hit with a cover version in 1995, demonstrating the song’s enduring appeal across generations.
How Deep Is Your Love – Bee Gees
‘How Deep Is Your Love’ is a Bee Gees ballad from the Saturday Night Fever soundtrack, a departure from the disco anthems also featured on the album. Released in 1977, this song showcased the Bee Gees’ versatility, proving they could craft both dance floor hits and tender love songs. Barry Gibb described the title as perfect due to the “connotations involved,” suggesting layers of meaning within the simple phrase. ‘How Deep Is Your Love’ is celebrated for its lush harmonies, romantic melody, and heartfelt lyrics, becoming a signature Bee Gees ballad and a testament to their songwriting range. Take That later scored a number one hit with a cover version in 1996, highlighting the song’s timeless quality.
What a Fool Believes – The Doobie Brothers
‘What a Fool Believes’ is a soft rock hit by The Doobie Brothers, co-written by Michael McDonald and Kenny Loggins. Released in 1979, it stood out as a non-disco hit during a disco-dominated period in American music charts. The song tells the story of a man reconnecting with a past love interest, only to realize their romantic connection was more of an illusion than reality. ‘What a Fool Believes’ is praised for its smooth vocals, sophisticated arrangement, and relatable narrative about misinterpretations in relationships. Michael Jackson reportedly claimed to have contributed backing vocals to the original recording, though this was uncredited and later denied by the band, adding a layer of musical legend to the song’s history.
I Will Survive – Gloria Gaynor
‘I Will Survive’ is Gloria Gaynor’s iconic disco anthem of empowerment, unexpectedly becoming a massive hit despite initially being released as a B-side in 1978. The song’s lyrics about overcoming heartbreak and moving on from a failed relationship resonated deeply, particularly with female audiences. While it became a broader anthem of resilience for anyone overcoming adversity, writer Dino Fekaris revealed its original inspiration was his own experience of being fired by Motown Records. Gloria Gaynor herself emphasized the song’s “empowering effect” and “encouraging effect,” highlighting its timeless message and universal appeal. ‘I Will Survive’ remains a disco classic and a powerful anthem of self-reliance.
Video Killed the Radio Star – Buggles
‘Video Killed the Radio Star’ is a synthpop classic by Buggles, known for its futuristic sound and its historical significance as the first music video ever played on MTV in the United States in 1981. Originally recorded by Bruce Woolley and The Camera Club, Trevor Horn and Geoff Downes, who co-wrote the song, re-recorded it as Buggles and achieved international success in 1979. The lyrics reflect anxieties about the impact of new media technologies on traditional art forms, particularly the rise of music videos and their potential to overshadow radio. ‘Video Killed the Radio Star’ became a defining song of early synthpop and a prescient commentary on the changing landscape of music consumption in the video age.
Let’s Stay Together – Al Green
‘Let’s Stay Together’ is Al Green’s signature song, a soul classic from his 1972 album of the same name. This track, showcasing Green’s smooth vocals and soulful delivery, reached number one in the US and has been covered countless times by other artists. Even President Barack Obama famously sang a line from the song during a 2012 Apollo Theater appearance alongside Al Green himself. ‘Let’s Stay Together’ is celebrated for its timeless romantic message, Green’s passionate performance, and its enduring appeal across generations, solidifying its place as a soul music standard.
Lean on Me – Bill Withers
‘Lean on Me’ is Bill Withers’ first and only number one single in the US, a soul anthem of support and community spirit. Released in 1972, the song was inspired by Withers’ childhood in the coal mining town of Slab Fork, West Virginia, reflecting the sense of mutual support within close-knit communities. Withers described writing the song while simply playing piano chords, with the phrase “Lean on Me” spontaneously emerging. ‘Lean on Me’ is universally loved for its simple yet powerful message of friendship and reliance, Withers’s warm vocals, and its timeless appeal as a song of comfort and solidarity.
Knowing Me, Knowing You – ABBA
‘Knowing Me, Knowing You’ is a more melancholic ABBA song, exploring the theme of relationship breakup in its lyrics. Released in 1977, it predates the divorces of the ABBA members themselves, adding a layer of poignancy in retrospect. Benny Andersson considered it one of ABBA’s best recordings, and it’s praised for its sophisticated arrangement, poignant lyrics about the end of a relationship, and the blend of Agnetha and Frida’s vocals. ‘Knowing Me, Knowing You’ showcases a more mature and reflective side of ABBA, demonstrating their ability to explore complex emotions within their pop framework.
Without You – Harry Nilsson
‘Without You’ became a massive hit for Harry Nilsson in 1972, although it was originally recorded by Badfinger. Nilsson’s version transformed the song into a power ballad, reaching number one and becoming one of his signature tracks. Paul McCartney famously described it as “the killer song of all time,” highlighting its emotional impact. ‘Without You’ is a heart-wrenching ballad about loss and despair after a breakup, with Nilsson’s passionate vocals conveying the pain of separation. Nilsson’s rendition is considered definitive, showcasing his vocal range and emotional depth, solidifying ‘Without You’ as a timeless breakup anthem.
Another Brick in the Wall (Part 2) – Pink Floyd
‘Another Brick in the Wall (Part 2)’ is the most commercially successful single from Pink Floyd’s concept album The Wall, a protest song against rigid schooling and conformity. Released in 1979, it became a UK Christmas number one. Producer George Ezrin’s suggestions to include a school choir and a disco beat, initially against the band’s wishes, ultimately contributed to the song’s broad appeal. The song’s lyrics directly criticize restrictive education systems, and the inclusion of children’s voices in the chorus amplified its message. ‘Another Brick in the Wall (Part 2)’ became an anthem of rebellion against authority and a defining track from The Wall, despite initial reservations from band members about its more commercial elements.
Stairway to Heaven – Led Zeppelin
‘Stairway to Heaven’ is Led Zeppelin’s epic rock ballad, considered by many to be one of the greatest rock songs of all time, despite never being released as a single. The song originated in 1970 at Bron-Yr-Aur cottage in Wales, where Jimmy Page and Robert Plant spent time writing. Plant’s lyrics are complex and open to interpretation, but he described them as a “cynical aside about a woman getting everything she wanted all the time without giving back.” ‘Stairway to Heaven’ is structured in distinct sections, building from a gentle acoustic beginning to a powerful electric rock climax, showcasing Led Zeppelin’s musical virtuosity. Its length, complexity, and mystical lyrics have contributed to its legendary status and enduring appeal in rock history.
I Wanna Be Your Lover – Prince
‘I Wanna Be Your Lover’ was Prince’s first US hit, marking his breakthrough into mainstream success. Written after Warner Bros. requested a follow-up to his commercially underperforming debut album, For You, the song showcased Prince’s burgeoning talent and unique musical style. The lyrics express Prince’s desire for a romantic relationship, asserting he could treat a woman better than her current partners. It was later revealed that the song was inspired by Prince’s crush on pianist and singer Patrice Rushen. ‘I Wanna Be Your Lover’, released in 1979, introduced Prince’s signature blend of funk, pop, and R&B, setting the stage for his unparalleled career in the 1980s and beyond.
My Sweet Lord – George Harrison
‘My Sweet Lord’ was George Harrison’s first number one single as a solo artist after The Beatles’ breakup, a song with spiritual themes and a complex legal history. Harrison originally gave the song to Billy Preston in 1970 before recording his own version. ‘My Sweet Lord’ is a devotional song, expressing praise for the Hindu god Krishna while also incorporating the Hebrew word “Hallelujah,” aiming for religious inclusivity. The recording features contributions from Billy Preston, Ringo Starr, Eric Clapton, and Badfinger. However, in 1976, Harrison was found to have subconsciously plagiarized The Chiffons’ ‘He’s So Fine’, leading to a landmark copyright infringement case. Despite the controversy, ‘My Sweet Lord’ remains a beloved song and a testament to Harrison’s spiritual and musical vision.
Rocket Man – Elton John
‘Rocket Man’ is an Elton John classic, inspired by Ray Bradbury’s short story ‘The Rocket Man’ and Bernie Taupin’s observation of a shooting star or distant airplane. Released in 1972, the song depicts a Mars-bound astronaut’s mixed emotions about leaving his family for an extended mission. The lyrics capture the astronaut’s sense of isolation and the bittersweet nature of his extraordinary but demanding profession. ‘Rocket Man’ is celebrated for its poignant lyrics, Elton’s emotive vocals, and its use in NASA astronaut wake-up calls and Apollo anniversary celebrations, linking the fictional astronaut to real-life space exploration.
Live and Let Die – Wings
‘Live and Let Die’ is Wings’ high-octane theme song for the 1973 James Bond film of the same name, a song that showcased Paul McCartney’s versatility as a songwriter. Hiring McCartney’s post-Beatles band, Wings, to create the theme for Roger Moore’s Bond debut proved to be a stroke of genius. The song is known for its dynamic shifts in style, blending orchestral sections, rock elements, and a reggae-infused breakdown in the middle. ‘Live and Let Die’ is praised for its dramatic flair, McCartney’s powerful vocals, and its successful integration of diverse musical styles, becoming one of the most iconic Bond themes and a standout track for Wings in the 70s.
Band on the Run – Wings
‘Band on the Run’ is the title track from Wings’ acclaimed 1973 album, a song with a multi-layered narrative and Beatles-related origins. The song’s title was partly inspired by a comment George Harrison made during a Beatles Apple Records meeting, “if we ever get out of here,” reflecting the tensions within the band. Its creation coincided with the former Beatles parting ways with manager Allen Klein, improving relations between McCartney and his ex-bandmates. McCartney described the song as a “million things all put together,” encompassing themes of escape, freedom, and even criminality. ‘Band on the Run’ is celebrated for its dynamic structure, shifting musical styles, and McCartney’s storytelling lyrics, becoming a signature song for Wings and a highlight of their 70s output.
Somebody to Love – Queen
‘Somebody to Love’ is a Queen ballad written by Freddie Mercury, exploring themes of faith, love, and existential questioning. Mercury’s admiration for Aretha Franklin significantly influenced the song’s soulful and gospel-infused style. Queen ingeniously created the sound of a massive choir using just the voices of Mercury, Brian May, and Roger Taylor through multi-tracking. ‘Somebody to Love’ is praised for Mercury’s powerful vocals, its gospel-inspired harmonies, and its heartfelt lyrics questioning God’s role in a loveless life. It stands as a testament to Queen’s musical ambition and Mercury’s vocal range, showcasing their ability to blend rock with other genres in a unique and powerful way.
Make Me Smile (Come Up and See Me) – Steve Harley & Cockney Rebel
‘Make Me Smile (Come Up and See Me)’ was Steve Harley & Cockney Rebel’s number one hit in 1975. Harley began writing the song shortly after the original lineup of Cockney Rebel split. He described writing the first verse in a state of distress and self-pity after drinking brandy at 4 AM. The lyrics are interpreted as a somewhat bitter response to his former bandmates. ‘Make Me Smile’ is known for its catchy chorus, Harley’s distinctive vocals, and its blend of glam rock and pop sensibilities. Despite its potentially resentful origins, the song became a huge hit and remains Steve Harley & Cockney Rebel’s signature track, showcasing Harley’s songwriting and performing charisma.
The Long and Winding Road – The Beatles
‘The Long and Winding Road’ was the final single released by The Beatles in 1970, recorded for the Let It Be album and written by Paul McCartney. McCartney conceived the song’s title and theme during a visit to his farm in Scotland, inspired by a road in the Highlands. The lyrics are melancholic and reflective, often interpreted as a metaphor for the Beatles’ own dissolving path. While McCartney was critical of Phil Spector’s orchestral additions to the song, ‘The Long and Winding Road’ became a beloved Beatles ballad and their last chart-topping single, marking the end of an era.
Killer Queen – Queen
‘Killer Queen’ marked a stylistic shift for Queen, moving away from their heavier early material towards a more diverse and sophisticated sound. Released in 1974, the song is about a high-class call girl. Freddie Mercury described the song’s subject as a “classy person” who can also be a “whore,” challenging conventional expectations. ‘Killer Queen’ is praised for its witty lyrics, Mercury’s elegant vocal delivery, and its vaudeville-inspired piano melody. The song became a major hit and showcased Queen’s evolving musicality and Mercury’s songwriting versatility beyond hard rock anthems.
American Pie – Don McLean
‘American Pie’ is Don McLean’s epic eight-minute folk-rock song, a lyrical tapestry referencing “the day the music died,” the 1959 plane crash that killed Buddy Holly, The Big Bopper, and Ritchie Valens. Released in 1971, the song’s lyrics are dense with symbolism and have been debated extensively for decades. McLean has remained deliberately ambiguous about the specific meanings behind the song’s characters and events, adding to its mystique. The overarching theme of ‘American Pie’ is widely understood as the loss of innocence of the early rock and roll era, symbolized by the tragic plane crash. Its length, poetic lyrics, and cultural references have made it a landmark song of the 70s and a subject of ongoing fascination.
Wuthering Heights – Kate Bush
‘Wuthering Heights’ is Kate Bush’s debut single, a song written when she was just 18, inspired by Emily Brontë’s novel of the same name. Bush’s inspiration struck after watching the last ten minutes of a 1967 BBC mini-series adaptation of Wuthering Heights. She then read the book and discovered she shared a birthday with Brontë, creating a personal connection to the source material. Sung from Catherine Earnshaw’s perspective, the lyrics depict her ghostly plea to be let in at Heathcliff’s window. ‘Wuthering Heights’, released in 1978, is celebrated for Bush’s unique vocal style, its dramatic melody, and its literary inspiration, launching her career and establishing her as a distinctive voice in 70s music.
Fire and Rain – James Taylor
‘Fire and Rain’ is James Taylor’s signature song, a deeply personal and confessional ballad released in 1970. Taylor explained that the song addresses several difficult experiences from his early career. The lyrics reference his struggles with drug addiction and depression, as well as the breakdown of his band The Flying Machine. Carole King played piano on the track, and she later stated that her song ‘You’ve Got a Friend’ was partly a response to the line in ‘Fire and Rain’, “I’ve seen lonely times when I could not find a friend,” creating a musical dialogue between the two singer-songwriters. ‘Fire and Rain’ is praised for its honesty, Taylor’s gentle vocals, and its poignant melody, becoming a defining song of the singer-songwriter movement and a testament to Taylor’s lyrical vulnerability.
Let It Be – The Beatles
‘Let It Be’ is a poignant ballad by The Beatles, released as one of their last singles in 1970, from the album of the same name. Paul McCartney said he conceived the song after a dream about his mother during the tense White Album sessions in 1968. The lyrics offer a message of comfort and reassurance in times of trouble, with the phrase “Mother Mary” often interpreted as a reference to McCartney’s mother or the Virgin Mary. ‘Let It Be’ is celebrated for its uplifting melody, gospel-influenced arrangement, and its message of hope and resilience, becoming one of The Beatles’ most beloved songs and a fitting conclusion to their legendary career.
Maggie May – Rod Stewart
‘Maggie May’ is Rod Stewart’s breakthrough hit, expressing the ambivalent emotions of a young man’s relationship with an older woman. Released in 1971, the song is semi-autobiographical, based on Stewart’s own experience with an older woman at the 1961 Beaulieu Jazz Festival. While the woman’s real name wasn’t Maggie May, Stewart adopted the name from an old Liverpudlian folk song about a prostitute. ‘Maggie May’ is known for its mandolin intro, Stewart’s raspy vocals, and its relatable lyrics about youthful romantic confusion. Interestingly, it was initially released as the B-side to ‘Reason to Believe’ but became the preferred track by DJs, launching Stewart to international stardom.
Easy – Commodores
‘Easy’ is a smooth ballad by the Commodores, written by Lionel Richie, expressing a man’s feelings as a relationship ends with a sense of acceptance rather than despair. Released in 1977, the song is characterized by its relaxed tempo, Richie’s soulful vocals, and its mellow vibe. Instead of being heartbroken, the song’s narrator is “easy like Sunday morning,” a metaphor Richie described as representing the quiet atmosphere of “small Southern towns that die at 11.30pm” on a Saturday night. ‘Easy’ became a signature song for the Commodores and a defining track of 70s soul-pop, known for its laid-back groove and Richie’s charismatic performance.
Heart of Glass – Blondie
‘Heart of Glass’ marked Blondie’s mainstream breakthrough, reaching number one in the UK in 1979. The song evolved from an earlier, slower track called ‘Once I Had a Love’, which the band had been playing for years in different styles, including ballad and reggae versions. Debbie Harry explained that the lyrics are not about anyone specific but rather a “plaintive moan about lost love.” Blondie’s transformation of the song into a disco-infused new wave hit proved to be a stroke of genius, blending their punk roots with danceable rhythms. ‘Heart of Glass’ became a defining song of the late 70s new wave movement and a signature track for Blondie, showcasing their ability to innovate and cross genre boundaries.
I Feel Love – Donna Summer
‘I Feel Love’ by Donna Summer is a groundbreaking electronic disco track, considered by many to have revolutionized dance music and ushered in the electronica era. Released in 1977, the single was produced by Giorgio Moroder and Pete Bellotte, pioneering the use of synthesized instrumentation to create a futuristic and hypnotic soundscape. ‘I Feel Love’ was years ahead of its time, bridging disco with synthpop and even foreshadowing house music. Moroder praised Summer’s incredible vocal talent and improvisational skills. ‘I Feel Love’ remains a landmark in electronic music history and a testament to Donna Summer’s and Giorgio Moroder’s visionary collaboration.
Goodbye Yellow Brick Road – Elton John
‘Goodbye Yellow Brick Road’ is an Elton John classic, referencing The Wizard of Oz to express a desire for a simpler life away from fame and materialism. Released in 1973, the song’s lyrics, penned by Bernie Taupin, reflect a yearning to return to one’s roots after experiencing the perceived “good life” but realizing it comes at the cost of genuine connection and personal freedom. Taupin’s imagery was inspired by The Wizard of Oz, reportedly the first film he ever saw, using Oz as a metaphor for the superficiality of fame. ‘Goodbye Yellow Brick Road’ is celebrated for its poignant lyrics, Elton’s emotive vocals, and its timeless message about the search for authenticity and meaning beyond material success.
Dreams – Fleetwood Mac
‘Dreams’ is Fleetwood Mac’s only US number one single, written by Stevie Nicks during the tumultuous Rumours album sessions. The album was famously recorded amidst the band members’ relationship breakdowns. Nicks wrote ‘Dreams’ in response to Lindsey Buckingham’s song ‘Go Your Own Way’, which was about their breakup. She described her song as a more philosophical and less overtly angry perspective on their separation, contrasting with Buckingham’s more direct emotional expression. ‘Dreams’ is characterized by its ethereal vocals, Nicks’s signature mystical style, and its gentle, dreamlike quality, becoming a defining song of Fleetwood Mac’s 70s era and a testament to the creative output amidst personal turmoil. The Corrs had a hit with a cover version in 1998, demonstrating its enduring appeal.
Sweet Caroline – Neil Diamond
‘Sweet Caroline’, while technically released in 1969, became a UK hit in 1971, earning its place among 70s classics. Neil Diamond wrote this undeniably catchy song about his second wife, Marcia Murphey, whom he married in 1969. However, he needed a three-syllable name to fit the melody, making “Sweet Marcia” unsuitable. Despite never reaching number one, ‘Sweet Caroline’ has become Neil Diamond’s signature song and a guaranteed crowd-pleaser at weddings and sporting events. Its singalong chorus and upbeat energy have made it a timeless anthem of celebration and joy, transcending its original personal inspiration to become a universally beloved song.
Don’t Stop Me Now – Queen
‘Don’t Stop Me Now’ is Queen’s ultimate feel-good anthem, written by Freddie Mercury, celebrating pure hedonism and joy in life. Released in 1979, the song is known for its exuberant energy, Mercury’s powerful vocals, and its piano-driven melody. Brian May later expressed some concern about the song’s overtly hedonistic lyrics, worried about Mercury’s lifestyle at the time. However, ‘Don’t Stop Me Now’ has become one of Queen’s most popular tracks, an anthem of uninhibited enjoyment and a staple at celebrations and in popular culture, showcasing Mercury’s songwriting genius for crafting anthems of both exuberance and introspection.
Life on Mars? – David Bowie
‘Life on Mars?’ is a David Bowie classic, with a complex history linked to the song ‘My Way’. In 1968, Bowie wrote ‘Even a Fool Learns to Love’ using the melody of the French song ‘Comme d’habitude’. While Bowie’s version was unreleased, Paul Anka bought the rights to the French song and rewrote it as ‘My Way’, famously recorded by Frank Sinatra. The success of ‘My Way’ prompted Bowie to write ‘Life on Mars?’ as a parody of Sinatra’s grand style. Featuring Rick Wakeman on piano, ‘Life on Mars?’ became the theme song for the BBC TV drama Life on Mars, further cementing its iconic status. ‘Life on Mars?’ is celebrated for its theatrical flair, Bowie’s dramatic vocals, and its surreal, cinematic lyrics, becoming a defining song of his career and 70s art-rock.
Ain’t No Sunshine – Bill Withers
‘Ain’t No Sunshine’ is Bill Withers’ breakthrough song, inspired by the 1962 movie Days of Wine and Roses. Produced by Booker T. Jones and featuring Stephen Stills on guitar, the song’s lyrics express a sense of emptiness and longing after the absence of a loved one. Withers drew inspiration from the movie’s depiction of alcoholic characters with alternating periods of strength and weakness, reflecting on the complex nature of missing someone even when the relationship was unhealthy. For the third verse, Withers initially intended to write more lyrics but followed advice to repeat the phrase “I know” 26 times, creating a unique and emotionally powerful effect. ‘Ain’t No Sunshine’, released in 1971, became a soul classic, known for its raw emotion, Withers’s soulful vocals, and its minimalist arrangement.
Jolene – Dolly Parton
‘Jolene’ is Dolly Parton’s iconic country song, telling the story of a woman confronting a beautiful woman named Jolene, whom she fears is trying to steal her lover. Released in 1973, the song is based on a real-life incident: a red-headed bank clerk who Parton believed was flirting with her husband, Carl Dean, at his local bank branch. Despite the jealousy-fueled premise, ‘Jolene’ is sung with a plea rather than anger, emphasizing the narrator’s insecurity and Jolene’s captivating beauty. ‘Jolene’ is celebrated for its catchy melody, Parton’s distinctive vocals, and its narrative storytelling, becoming one of her signature songs and a country music standard.
I’m Not in Love – 10cc
‘I’m Not in Love’ is 10cc’s UK number one hit, notable for its innovative and distinctive backing track created primarily from multi-tracked vocals. Written mainly by Eric Stewart as a response to his wife’s comment that he didn’t express his love often enough, the song was initially conceived as a bossa nova. However, bandmates Kevin Godley and Lol Creme initially disliked the bossa nova version, leading to its radical reinvention. The song’s whispered “big boys don’t cry” line was recorded by studio secretary Kathy Redfern, adding another unique element to its production. ‘I’m Not in Love’, released in 1975, is praised for its atmospheric sound, its sophisticated arrangement, and its ironic lyrics about denial in love, becoming a defining art-pop hit of the 70s.
Superstition – Stevie Wonder
‘Superstition’ is arguably Stevie Wonder’s most famous song and a definitive funk track of all time. Released in 1972, it’s known for its infectious clavinet riff, driving rhythm, and Wonder’s energetic vocals. Originally intended for guitarist Jeff Beck, Motown’s Berry Gordy convinced Wonder to release it himself, recognizing its hit potential. ‘Superstition’ became a massive success, showcasing Wonder’s musical genius and his ability to blend funk, rock, and soul into a unique and irresistible sound. It remains a staple of funk music and one of Stevie Wonder’s most recognizable and celebrated songs from the 70s.
Don’t Stop ‘Til You Get Enough – Michael Jackson
‘Don’t Stop ‘Til You Get Enough’ was Michael Jackson’s first single from Off the Wall, marking his first solo recording with significant creative control. After working with Quincy Jones on The Wiz movie, Jackson enlisted Jones to produce his solo album. ‘Don’t Stop ‘Til You Get Enough’, released in 1979, introduced Jackson’s signature falsetto vocals and vocal hiccups, which became hallmarks of his style. The song’s upbeat disco-funk groove, Jackson’s energetic performance, and its innovative music video launched his solo career into superstardom. ‘Don’t Stop ‘Til You Get Enough’ is considered a pivotal track in Jackson’s discography and a defining song of the late 70s disco and funk era.
Baker Street – Gerry Rafferty
‘Baker Street’ is Gerry Rafferty’s signature song, named after Baker Street in London, and his first release after resolving legal issues following the breakup of his band Stealers Wheel in 1975. Rafferty had been unable to release music for three years due to contractual disputes. ‘Baker Street’, released in 1978, reflects his experiences during this period, spending time traveling between Glasgow and London for legal meetings, often staying at a friend’s flat off Baker Street. The song is famous for its iconic saxophone solo, mistakenly attributed to TV host Bob Holness but actually played by Raphael Ravenscroft. ‘Baker Street’ is celebrated for its sophisticated melody, Rafferty’s smooth vocals, and its evocative saxophone solo, becoming a 70s soft rock classic.
Go Your Own Way – Fleetwood Mac
‘Go Your Own Way’ was the first song Lindsey Buckingham wrote for Fleetwood Mac’s Rumours album, directly addressing his breakup with Stevie Nicks. By the time of Rumours, all five band members were experiencing romantic relationship turmoil. ‘Go Your Own Way’ is Buckingham’s raw and emotionally direct response to the split with Nicks. While they were still working together, their personal conflicts often spilled over into their creative process. ‘Go Your Own Way’ is characterized by its driving rhythm, Buckingham’s energetic vocals, and its unflinching lyrics about heartbreak and separation, becoming a defining song of Rumours and Fleetwood Mac’s 70s era of personal and professional drama.
Imagine – John Lennon
‘Imagine’ is John Lennon’s iconic peace anthem, released in 1971 from the album of the same name, solidifying his solo career after The Beatles’ breakup. Nearly 50 years later, it remains one of the most covered songs of all time and a symbol of world peace. Lennon composed the song in a single morning in early 1971, with Yoko Ono observing as he wrote the melody, chords, and most of the lyrics in a short writing session. ‘Imagine’ is universally celebrated for its simple yet powerful message of unity, peace, and a world without division, Lennon’s gentle vocals, and its enduring relevance as a call for global harmony.
“Heroes” – David Bowie
‘”Heroes”‘ is a signature David Bowie song, though not a huge hit upon its initial release in 1977, it grew to become one of his most iconic tracks. The song was inspired by Bowie witnessing his producer Tony Visconti embracing his lover near the Berlin Wall, symbolizing hope and defiance in a divided city. ‘”Heroes”‘ tells the story of two lovers, one from East and one from West Berlin, finding moments of heroism in their everyday lives against the backdrop of Cold War division. Bowie’s performance of ‘”Heroes”‘ at the Reichstag in West Berlin in 1987 is considered a cultural event that contributed to the fall of the Berlin Wall. ‘”Heroes”‘ is praised for its anthemic quality, Bowie’s passionate vocals, and its enduring message of hope and resilience in the face of adversity.
Bridge Over Troubled Water – Simon & Garfunkel
‘Bridge Over Troubled Water’ is Simon & Garfunkel’s signature song, composed by Paul Simon and recorded for their final album. Simon initially felt Art Garfunkel should sing it solo, an invitation Garfunkel initially declined before accepting. The lyrics were partly inspired by a line from Claude Jeter’s gospel song ‘Mary Don’t You Weep’, “I’ll be your bridge over deep water if you trust in me.” ‘Bridge Over Troubled Water’, released in 1970, is celebrated for its soaring melody, Garfunkel’s powerful vocals, and its message of support and comfort during difficult times. Despite Simon’s occasional jealousy over Garfunkel’s performance, it remains a defining song of their career and a timeless ballad of human connection.
Stayin’ Alive – Bee Gees
‘Stayin’ Alive’ is the Bee Gees’ quintessential disco anthem, from the immensely successful Saturday Night Fever soundtrack. The Bee Gees wrote the song quickly after being contacted by producer Robert Stigwood for the film. Despite its upbeat tempo and danceable rhythm, Barry Gibb described ‘Stayin’ Alive’ as a “desperate song,” about “people crying out for help,” suggesting a deeper emotional undercurrent beneath the disco surface. ‘Stayin’ Alive’, released in 1977, is iconic for its falsetto vocals, infectious beat, and its association with the disco craze and Saturday Night Fever, becoming a defining song of the 70s disco era.
Hotel California – Eagles
‘Hotel California’ is the Eagles’ signature song, a classic rock epic with lyrics open to multiple interpretations. Don Henley offered several explanations for the song’s meaning, ranging from “a journey from innocence to experience” to “a socio-political statement about America.” Don Felder composed the melody while staying in a rented house on Malibu Beach. The song’s metaphorical lyrics have inspired numerous interpretations, from religious allegories to critiques of American excess. ‘Hotel California’, released in 1976, is celebrated for its intricate guitar work, Henley’s vocals, and its enigmatic lyrics, becoming a defining song of 70s rock and a subject of ongoing analysis and debate.
Mr. Blue Sky – ELO
‘Mr. Blue Sky’ is Electric Light Orchestra’s (ELO) most famous song, a pop-rock masterpiece written and produced by Jeff Lynne. Featured on the Out of the Blue double album as part of the ‘Concerto for a Rainy Day’ suite, the song’s upbeat and optimistic tone contrasts with its rainy origins. Lynne wrote ‘Mr. Blue Sky’ after locking himself away in a Swiss chalet during a period of persistent bad weather. When the sun finally emerged, he was inspired to write ‘Mr. Blue Sky’ and thirteen other songs in quick succession. ‘Mr. Blue Sky’, released in 1977, is celebrated for its joyous melody, orchestral arrangements, and its uplifting message, becoming a signature song for ELO and a testament to Lynne’s songwriting and production skills.
Your Song – Elton John
‘Your Song’ is an early Elton John ballad, taken from his self-titled second album, and a song that has become a timeless classic. Bernie Taupin wrote the lyrics after breakfast on the roof of 20 Denmark Street in London, where Elton worked as an office boy for a music publishing firm, inspiring the line “I sat on the roof and kicked off the moss.” ‘Your Song’, released in 1970, is celebrated for its simple yet heartfelt lyrics, Elton’s tender vocals, and its melodic beauty, becoming one of his most beloved songs and a testament to the enduring songwriting partnership of Elton John and Bernie Taupin.
Bohemian Rhapsody – Queen
‘Bohemian Rhapsody’ is Queen’s magnum opus, a six-minute suite often voted the greatest song ever made. Released in 1975, it reached number one twice in the UK charts, initially in 1975 and again in 1991 after Freddie Mercury’s death. The song is structurally unconventional, featuring distinct sections including a ballad, an operatic passage, hard rock, and a coda, without a traditional chorus. Brian May stated that the song was “all in Freddie’s mind” before recording, which took three weeks. ‘Bohemian Rhapsody’ enjoyed renewed popularity in the US after its iconic use in the movie Wayne’s World in 1992. It remains a landmark in rock music and a testament to Queen’s musical ambition and Freddie Mercury’s visionary songwriting.
Dancing Queen – ABBA
‘Dancing Queen’ is arguably ABBA’s most popular and famous song, a disco classic released in 1976 that became a global phenomenon. Agnetha Fältskog and Benny Andersson both recognized its hit potential during the recording sessions. ‘Dancing Queen’ is celebrated for its infectious melody, shimmering instrumentation, and its universal appeal as a song about youthful joy and dancing. Bonus fact: it was reportedly Queen Elizabeth II’s favorite pop song, adding a regal touch to its already iconic status. ‘Dancing Queen’ remains a defining song of the disco era and a testament to ABBA’s ability to create timeless and universally loved pop music.
