“You Can’t Always Get What You Want” is more than just a song; it’s a Rolling Stones anthem that has resonated across generations. Originally appearing on the iconic Let It Bleed album in 1969, this track has taken on a life of its own, especially in its various live incarnations. For fans, debating the best live version of “can’t always get what you want song” is a cherished pastime, reflecting the band’s evolving sound and stage presence throughout their illustrious career.
The studio version is undeniably iconic, setting a high bar with its blend of gospel choir, acoustic guitars, and the song’s signature melancholic yet hopeful message. The build-up, the tempo changes, and the overall sonic tapestry crafted by Jimmy Miller are hallmarks of its brilliance. As one fan aptly put it, the studio version “is the one that has my heart.” The unique drum work, particularly the hi-hat, during the song’s dynamic shifts is often cited as a key element that makes the original recording so special.
However, the magic of The Rolling Stones truly shines on stage. The question then becomes: which live rendition of “You Can’t Always Get What You Want” reigns supreme? Diving into fan discussions, a vibrant tapestry of opinions emerges, highlighting different eras and performances that have captured the hearts of Stones devotees.
The Raw Energy of the Early 70s: Brussels Affair and “Ladies and Gentlemen”
Many fans point to the early 1970s as a golden era for live Stones performances, and versions of “You Can’t Always Get What You Want” from this period are frequently lauded. The Brussels Affair of 1973 is a recurring favorite, often cited for its raw energy and powerful delivery. Similarly, the “Ladies and Gentlemen” tour from 1972-73 provides several standout performances. The Fort Worth 1972 show, captured in “Ladies and Gentlemen,” is specifically mentioned, praised for its intensity and the band’s tight performance during this period. These versions are characterized by a certain grit and passion, reflecting the Stones at their most untamed and electrifying.
Mick Jagger in his element during a 1973 performance, capturing the raw energy of the era that many fans associate with the best live versions of “You Can’t Always Get What You Want.”
The Melancholy and Guitar Work of “L&G” and 1975 Performances
The “L&G” version, likely referring to a performance from the “Ladies and Gentlemen” era, is specifically praised for the guitar work of Mick Taylor. One fan highlights “the descending line that Taylor plays after every refrain of the chorus,” describing it as “manna from heaven.” This version is noted for its “decidedly melancholy tone” while retaining a surprising tenderness.
Moving slightly forward, the 1975 performances, particularly from Los Angeles (LA Forum July 13, 1975 and July 10th 1975) are also frequently mentioned. These versions often showcase Ronnie Wood’s guitar contributions, which, while sometimes debated, are appreciated by many for their unique tone and style. One fan even declares the guitar tone from a 1975 performance as “the mother of all great guitar tones,” emphasizing what a guitar “SHOULD sound like.”
“Love You Live”: A Divisive but Noteworthy Rendition
The “Love You Live” version from Paris 1976 is perhaps the most debated live rendition. Some fans appreciate it, with one mentioning Mick Jagger speaking French to the crowd during the sing-along, finding it “much easier to deal with.” Others, however, are vehemently critical. One particularly strong opinion labels the “Love You Live” version as the “WORST EVER,” criticizing Ronnie Wood’s guitar solo as “direction-less, banal, uncreative fret-meandering,” and the sing-along as an “inane bi-lingual” sacrilege that turns a “classic lament” into a “tacky, sprawling, and utterly woeful dirge.” This stark contrast in opinions underscores how subjective musical taste can be, even within a dedicated fanbase.
Despite the criticism, the “Love You Live” version is undeniably significant as it represents a documented live performance officially released, making it accessible to a wider audience and sparking discussion for decades.
The album cover of “Love You Live,” representing a significant, though debated, live era for “You Can’t Always Get What You Want.”
Later Era Gems: Hartford 1981, Hampton 1981, and Beyond
While the 70s dominate many “best of” lists, later live versions also have their champions. Hartford CT 1981 and Hampton 1981 are specifically called out as highlights from the early 80s tours. Hampton 1981 is praised for Ronnie Wood’s performance. Atlantic City 1989 is another mentioned as a version of “perfection and beauty,” highlighting “fantastic guitars and freshness.” These later versions demonstrate the song’s enduring appeal and the band’s ability to reinterpret it across different decades.
The Enduring Appeal: Why “You Can’t Always Get What You Want” Thrives Live
Ultimately, the quest for the “best” live version of “You Can’t Always Get What You Want” is a personal journey for each fan. What resonates with one may not with another. Some prioritize the raw, untamed energy of the early 70s, while others appreciate the nuances of later performances or specific instrumental moments. The beauty lies in the diversity of opinions and the rich history of live Rolling Stones performances.
The song’s structure itself lends itself well to live performance, allowing for improvisation, extended instrumental breaks, and audience participation. The sing-along element, while criticized in some versions, is generally a crowd-pleaser, creating a sense of collective experience and shared emotion. Whether it’s the gospel choir intro, the poignant lyrics, or the dynamic musical shifts, “You Can’t Always Get What You Want” in its live form continues to captivate and inspire, solidifying its place as a cornerstone of The Rolling Stones’ live repertoire.
For fans seeking to explore these different live versions, recordings from the mentioned concerts and albums like “Brussels Affair,” “Ladies and Gentlemen,” “Love You Live,” “Flashpoint,” and various bootlegs offer a treasure trove of performances to discover and debate. The conversation about the best live “can’t always get what you want song” is far from over, and that’s precisely what makes it so engaging for Rolling Stones aficionados worldwide.
