Atlanta Rhythm Section, or ARS as they are affectionately known, emerged from the vibrant music scene of Doraville, Georgia, carrying with them a rich pedigree. Before becoming ARS, the core members honed their skills as The Candymen, backing the legendary Roy Orbison, and later within The Classics IV, creators of the timeless hit “Spooky.” Formed from seasoned studio musicians, ARS quickly became a hit-making force in their own right, blending impeccable musicianship with the heart and soul of Southern rock.
While some selections on this list of 25 Atlanta Rhythm Section Songs were massive radio successes, many are gems discovered deeper within their albums. This is a journey through the essential tracks that define ARS’s legacy.
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Champagne Jam (Champagne Jam 78)
This quintessential party anthem of the late 1970s is more than just a feel-good track. “Champagne Jam” showcases incredible guitar work and a memorable bass interlude. As the title track from the album of the same name, it catapulted Atlanta Rhythm Section to new heights, earning them critical acclaim and solidifying their fan base. -
Homesick (Quinella 82)
A personal favorite for many ARS enthusiasts, “Homesick” is a powerful rocker driven by an irresistible guitar riff and evocative lyrics that reminisce about past times. Lines like “Where were you in ‘69? Smokin’ dope and drinkin’ wine. Just an outlaw,” resonate with a sense of nostalgia and rebellious spirit. -
Georgia Rhythm (A Rock and Roll Alternative 76)
“Georgia Rhythm” is a beautifully crafted song that speaks to the life of a working musician. Its reflective nature and storytelling style are reminiscent of Jackson Browne’s songwriting, capturing the essence of the musician’s journey and the spirit of their home state. -
So Into You (A Rock and Roll Alternative 76)
This tender love song became a significant pop hit for Atlanta Rhythm Section, and rightfully so. “So Into You” is a testament to their ability to craft heartfelt ballads that connect with a wide audience, showcasing Ronnie Hammond’s smooth vocals and the band’s melodic sensibilities. -
Back Up Against The Wall (Back Up Against The Wall 73)
A classic, high-energy rocker, “Back Up Against The Wall” captures the raw energy of early ARS. The song tells a vivid story of barroom brawls with a touch of dark humor, exemplified by the line, “A man fell over my razor in the middle of a barroom brawl.” -
Doraville (Third Annual Pipe Dream 74)
“Doraville” holds a special place as Atlanta Rhythm Section’s first chart hit. This song is a loving tribute to their hometown in Georgia, celebrating their roots and establishing their Southern identity within their music. -
Imaginary Lover (Champagne Jam 78)
Reaching #7 on the Billboard charts, “Imaginary Lover” stands as Atlanta Rhythm Section’s biggest commercial success. Its catchy melody and relatable theme of longing made it an instant classic and a staple on radio airwaves. -
Love Me Just a Little (Atlanta Rhythm Section 72)
The opening track from their debut album, “Love Me Just a Little,” immediately sets the tone for Atlanta Rhythm Section’s signature sound. This rocking groove features impressive lead guitar work from Barry Bailey, highlighting the band’s instrumental prowess from the outset. -
Spooky (Live at The Savoy, New York: October 27, 1981; 2000)
While originally recorded by members of ARS in their previous band, The Classics IV, this live rendition of “Spooky” takes on a new life. Featured on the Live at The Savoy album, this version brings a raw, energetic edge to the familiar tune. -
Conversation (Back Up Against The Wall 73)
“Conversation” offers a beautiful change of pace with its acoustic arrangement. This song highlights the band’s versatility and songwriting depth, proving they could deliver powerful ballads as effectively as their rock anthems. A notable live version also appears on Are You Ready (1979). -
Large Time (Champagne Jam 78 and Are You Ready 79)
“Large Time” is a rocking tribute to fellow Southern rock icons Lynyrd Skynyrd. This high-energy track is a testament to the camaraderie and shared experiences within the Southern rock community, often performed live and appearing on both studio and live albums. -
Angel (What in the World’s Come Over Us) (Third Annual Pipe Dream 74)
Peaking at #75 on the charts, “Angel” remains a beloved track for many fans. It masterfully builds from a gentle beginning into a full-fledged Southern rock guitar showcase, demonstrating the band’s dynamic range. -
I’m Not Gonna Let it Bother Me Tonight (Champagne Jam 78)
Another significant hit from Champagne Jam, “I’m Not Gonna Let it Bother Me Tonight” is considered by many to be among Atlanta Rhythm Section’s finest songs. Its upbeat tempo and positive message resonated widely, contributing to its popularity. -
Silver Eagle (The Boys From Doraville 80)
“Silver Eagle” provides a glimpse into the realities of life on tour. This song paints a picture of the less glamorous side of rock stardom, revealing that even for successful bands, life on the road has its challenges. -
Do it or Die (Underdog 79)
“Do it or Die” is another example of Atlanta Rhythm Section’s softer, melodic side. This pretty song is imbued with their unmistakable sound, blending gentle verses with powerful instrumental sections. -
Dog Days (Dog Days 75)
“Dog Days” perfectly captures the languid atmosphere of summer in the South. Dean Daughtry’s keyboard work and Ronnie Hammond’s evocative vocals shine in this track that is both lyrically and musically rich, depicting the essence of Southern summer life. -
Alien (Quinella 82)
“Alien” showcases the classic ARS sound building to a powerful crescendo. The song culminates in an explosive outro featuring Barry Bailey’s exceptional guitar playing at its peak. -
Another Man’s Woman (Are You Ready 79)
This live version of “Another Man’s Woman” is highlighted by a scorching bass solo from Paul Goddard. The energy of the live performance elevates this track, making it a standout moment on Are You Ready. -
Neon Nights (A Rock and Roll Alternative 76)
“Neon Nights” delves into themes of loneliness and heartbreak against the backdrop of the Southern night. The song evokes a mood of introspection and vulnerability, adding depth to Atlanta Rhythm Section’s catalog. -
Crazy (Underdog 79)
“Crazy” represents Atlanta Rhythm Section at their hardest rocking. Reflective of the changing times, this track is an unapologetic statement against superficiality and societal pressures, declaring disdain for artifice. -
Jukin’/San Antonio Rose (Red Tape 1976)
“Jukin’/San Antonio Rose” is a country-flavored tribute to the music of Texas. This medley showcases the band’s versatility and their appreciation for diverse musical styles within the broader Southern music landscape. -
Cocaine Charlie (The Boys From Doraville 80)
“Cocaine Charlie” tackles a serious subject with a rocking edge. This song serves as a cautionary tale about drug abuse, portraying the tragic reality of a “victim of the seventies.” -
Redneck (Back Up Against The Wall 73)
“Redneck” is an anthem that pays tribute to a specific Southern archetype. The song embraces and celebrates the “redneck” identity, reflecting a cultural pride often found in Southern rock music. -
Cold Turkey, Tennessee (Back Up Against The Wall 73)
Written by Robert Nix, “Cold Turkey, Tennessee” is another upbeat rocker that celebrates good times in a small Southern town. It encapsulates the carefree spirit and community often associated with Southern life. -
Another Man’s Woman (It’s So Hard) (Atlanta Rhythm Section 72)
This acoustic rendition of “Another Man’s Woman” offers a contrasting take on a song that would later become a high-energy concert staple. This gentler version, from their debut album, highlights the song’s core melody and emotional depth before it was “rocked up” on Red Tape (1976).
These 25 songs represent just a starting point for exploring the rich musical tapestry of Atlanta Rhythm Section. Their blend of Southern rock, impeccable musicianship, and memorable songwriting has cemented their place in music history, and their songs continue to resonate with audiences today.
