Daylight saving time adjustments can often throw our routines into disarray, and while the shift might seem minor, its impact on sleep patterns and overall well-being is often noticeable. However, in the grand scheme of global events and human suffering, these personal inconveniences pale in comparison. It’s important to maintain perspective and awareness of broader, more critical issues.
Speaking of impactful reflections, today we delve into a powerful track from the 1970s by the iconic American rock band REO Speedwagon. While many might associate them with their 80s hits, “Golden Country” reveals a different facet of their artistry. My introduction to REO Speedwagon’s music came through a friend back in the 80s – a somewhat rebellious roommate who broadened my musical horizons. Although I wasn’t a die-hard fan then, certain tunes seeped into my consciousness, but “Golden Country” was a deeper cut I hadn’t encountered until recently.
“Golden Country” stands out as a compelling arena rock anthem, possibly even conceptual in its scope. The song immediately grabs you with the distinctive vocals of Kevin Cronin, REO Speedwagon’s frontman, whose singing, songwriting, and instrumental talents are central to their sound. Adding to the sonic texture is the prominent electric organ, a signature element of the era, skillfully played by Neal Doughty, a founding member and keyboardist. And of course, the driving force of Gary Richrath’s lead guitar work, who also penned this thought-provoking song, cannot be overstated.
The lyrics of “Golden Country” paint a stark picture:
Golden country your face is so red
With all of your money your poor can be fed
You strut around and you flirt with disaster
Never really carin’ just what comes after
Well your Blacks are dyin’ but your back is still turned
And your freaks are cryin’ but your back is still turned
You better stop your hidin’ or your country will burn
The time has come for you my friend
To all this ugliness we must put an end
Before we leave we must make a stand
Mortgage people you crawl to your homes
Your security lies in your bed of white foam
You act concerned but then why turn away
When a lady was raped on your doorstep today
Well your Blacks are cryin’ but your back is still turned
And your freaks are dyin’ but your back is still turned
You better stop your hidin’ or your country will burn
The time has come for you my friend
To all this ugliness we must put an end
Before we leave we must make a stand, oh yeah……
[Solo]
Golden country your face is so red
With all of your money your poor can be fed
You strut around and you flirt with disaster
Never really carin’ just what comes after
Well your Blacks are dyin’ but your back is still turned
And your freaks are cryin’ but your back is still turned
You better stop your hidin’ or your country will burn
The time has come for you my friend
To all this ugliness we must put an end
Before we leave we must make a stand
[Repeat]
Lyrics by Gary Richrath. Source: AZLyrics.com
My interpretation of “Golden Country” is that it serves as a potent critique of unchecked capitalism and its inherent promotion of individualism, often at the expense of communal care and environmental responsibility. Coupled with this is a strong condemnation of racism and various forms of prejudice and violence that plague society. It’s a searing indictment delivered through the raw energy of rock music, making it a powerful and resonating message.
Jennifer Bell, in an insightful article on OldTimemusic.com, an Asheville, NC-based website, offers further context, stating, “The members of REO Speedwagon were deeply influenced by the sociopolitical climate of the 1970s, particularly the Vietnam War and its impact on American society. The song serves as a platform for them to express their thoughts and shed light on the complex issues surrounding nationalism, patriotism, and disillusionment.” Bell continues, “Golden Country prompts listeners to reflect upon the idealized notion of America and encourages them to critically examine the realities that lie behind it. The song serves as a call for awareness and action, urging people to question the status quo and strive for a better, more inclusive society.”
Indeed, the themes explored in this “Country Song” – and here we use “country” not just in the musical genre sense but to represent a nation and its people – feel strikingly pertinent even today, perhaps even more so than in 1972 when it was released. My own country, Canada, grapples with the enduring legacy of colonialism and its ongoing impact on Indigenous populations. Furthermore, we are witnessing increasing societal divisions fueled by class disparities, racial tensions, and intolerance towards those perceived as different. Despite our relative prosperity, significant segments of our population are neglected. There is a clear and urgent need for collective action to alleviate suffering, both domestically and globally.
REO Speedwagon, originating from Champaign, Illinois, in 1967, has cemented its place in rock history. Their extensive discography includes 16 studio albums, 10 live albums, and numerous compilations, culminating in over 40 million records sold worldwide (Source: Wikipedia). “Golden Country” holds the position of the closing track on their second studio album, R.E.O./T.W.O., released in 1972, marking it as a significant early work in their impressive career.
This exploration into “Golden Country” reveals why it resonates as my Song of the Day. It’s a powerful reminder that music can be a mirror reflecting societal truths and a call to action for positive change.
Take a listen to “Golden Country” on the REO Speedwagon YouTube channel and experience this impactful track for yourself.
Warm regards,
Steve
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